IMDb > Magnificent Obsession (1954)
Magnificent Obsession
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Magnificent Obsession (1954) More at IMDbPro »

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Magnificent Obsession -- Classic love story involving a man who falls for the woman who's husband's death he is indirectly responsible for

Overview

User Rating:
7.0/10   2,574 votes »
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Director:
Writers:
Lloyd C. Douglas (novel)
Robert Blees (screenplay)
(more)
Contact:
View company contact information for Magnificent Obsession on IMDbPro.
Release Date:
7 August 1954 (USA) See more »
Genre:
Tagline:
THE STORY OF A WOMAN'S NEED FOR A MAN that will become one of the great emotional thrills of your lifetime!
Plot:
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates... See more » | Add synopsis »
Awards:
Nominated for Oscar. Another 1 win See more »
User Reviews:
Like a good stilton, right cheesy! See more (47 total) »

Cast

  (in credits order) (verified as complete)

Jane Wyman ... Helen Phillips

Rock Hudson ... Bob Merrick

Agnes Moorehead ... Nancy Ashford

Otto Kruger ... Edward Randolph

Barbara Rush ... Joyce Phillips
Gregg Palmer ... Tom Masterson
Paul Cavanagh ... Dr. Henry Giraud
Sara Shane ... Valerie Daniels
Richard H. Cutting ... Dr. Derwin Dodge
Judy Nugent ... Judy
Helen Kleeb ... Mrs. Eden
Rudolph Anders ... Dr. Albert Fuss
Fred Nurney ... Dr. Laradetti
John Mylong ... Dr. Emil Hofer
Alexander Campbell ... Dr. Allan

Mae Clarke ... Mrs. Miller
Harvey Grant ... Chris Miller
Joseph Mell ... Dan (as Joe Mell)
rest of cast listed alphabetically:
Gail Bonney ... Phyllis (uncredited)
George Brand ... Doctor (uncredited)
Jack Chefe ... Waiter (uncredited)
Harold Dyrenforth ... Mr. Jouvet (uncredited)
Lance Fuller ... Bar Patron (uncredited)
Jack Gargan ... Doctor (uncredited)
Lisa Gaye ... Switchboard Girl (uncredited)
Herschel Graham ... Bit Role (uncredited)
Joy Hallward ... Maid (uncredited)
Myrna Hansen ... Bar Patron (uncredited)
Bob Herron ... Taxi Driver (uncredited)
Bradford Jackson ... Bar Patron (uncredited)

Jack Kelly ... First Mechanic (uncredited)
Lucille Lamarr ... Nurse (uncredited)
William Leslie ... Bar Patron (uncredited)
Paul Levitt ... Anesthetist (uncredited)
George Lynn ... Williams - Bob's Butler (uncredited)
Kathleen O'Malley ... Switchboard Girl (uncredited)
Ray Quinn ... Doctor (uncredited)
Lee Roberts ... Joe - Mechanic (uncredited)
Norbert Schiller ... Julian Lang - Inter-Europa Travel Agent (uncredited)
Frederick Stevens ... Cafe Owner (uncredited)
Greta Ullmann ... Flower Saleswoman (uncredited)
Charles Victor ... Doctor (uncredited)
Will J. White ... State Police Sergeant Bill Ames (uncredited)
Robert Williams ... State Police Sergeant Burnham (uncredited)
Helen Winston ... Receptionist (uncredited)
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Directed by
Douglas Sirk 
 
Writing credits
Lloyd C. Douglas (novel)

Robert Blees (screenplay)

Wells Root (adaptation)

Sarah Y. Mason (based upon the screenplay by) and
Victor Heerman (based upon the screenplay by)

Finley Peter Dunne  uncredited

Produced by
Ross Hunter .... producer
 
Original Music by
Frank Skinner 
 
Cinematography by
Russell Metty (director of photography)
 
Film Editing by
Milton Carruth 
 
Art Direction by
Bernard Herzbrun 
Emrich Nicholson 
 
Set Decoration by
Russell A. Gausman 
Ruby R. Levitt 
 
Costume Design by
Bill Thomas (gowns)
 
Makeup Department
Joan St. Oegger .... hair stylist
Bud Westmore .... makeup artist
 
Production Management
Edward Dodds .... unit production manager (uncredited)
 
Second Unit Director or Assistant Director
William Holland .... assistant director
James Curtis Havens .... second unit director (uncredited)
Gordon McLean .... assistant director (uncredited)
 
Sound Department
Leslie I. Carey .... sound
Corson Jowett .... sound
 
Special Effects by
David S. Horsley .... special photography
 
Music Department
Joseph Gershenson .... musical director
 
Other crew
William Fritzsche .... technicolor color consultant
Jack Daniels .... dialogue director (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
108 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.00 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Finland:S | USA:Approved (PCA #16853, General Audience) | West Germany:12 | Sweden:Btl | UK:U | Australia:PG

Did You Know?

Trivia:
Jeff Chandler turned down the role of Bob Merrick because he thought the story was too "soppy".See more »
Goofs:
Boom mic visible: 17 minutes in: When the cab pulls up in front of Brightwood Hospital to drop off Tom, the shadow of the microphone boom is clearly visible on the hood of the vehicle.See more »
Quotes:
Valerie:[first lines]
Valerie:Bob! Bob, take it easy!
Dr. Bob Merrick:Easy? Where's that get ya?
See more »
Movie Connections:

FAQ

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4 out of 6 people found the following review useful.
Like a good stilton, right cheesy!, 15 May 2000
Author: Covey-3 from Sheffield, England

I watched this film as part of my film studies degree and I must admit, at first I was quite sceptical about Sirk and his directorial style. I must say however. I was surprised and when I was, it was a magnificent surprise.

The richness of the colour in the opening scene more than draws you into Sirk's world. The rich and sometimes glorious technicolor that Sirk shows us sums up what his films are about. Beautiful to look at. Stories about hope, devotion and redemption. Yet stories that only exist on a visual surface level. I had never seen a Sirk film before this so the mise-en-scene was at times, quite beautiful and when it was, it was a magnificent sight.

Being only 20 I can't comment much on Rock Hudson or Jane Wymans previous films. In this film however, their performences are drawn from the heart and the mind. A wonderful juxtaposition of feelings, emotions and heart felt affection. The chemistry between the two is at times electric, the two light up the screen and when they do, it is a magnificent feeling.

A criticism often levelled at Sirk is his films are out and out cheese. A claim that, while true most of the time, is part of the joy of watching the Sirk. Two classic scenes in the film are the definition of what Douglas Sirk stands for. Both occur near the end of the film when Jane Wyman is dying. The first, which through no fault of its own, drew hoots of laughter and drum rolls of applause from the cinema audience I viewed it with, occurs seconds before Rock Hudson operates on Wyman. Feeling unsure of himself, he looks up to the observation room above where he sees a mentor of his looking down, almost god like. His mentor gives Hudson the thumbs up and he continues on, saves Wyman's life and cures her blindness as well and when he does, it is a magnificent moment.

The second lies in the context of the films title. Delivered in possibly the best line ever spoken in cinema. Hudson, wanting to be a Doctor is given a lecture. He is told that ... "It will consume you, it will become an obsession, you will become a doctor, and when you do, it will be a Magnificent Obsession..."

Genius.

While I would never tell anyone to watch this film, I wouldn't tell anyone not to watch it either. The film is the definition of feelgood celluloid. OK. I lied. Watch this film. And when you do. It will be a "Magnificent Obsession."

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Message Boards

Discuss this movie with other users on IMDb message board for Magnificent Obsession (1954)
Recent Posts (updated daily)User
Jane Wyman is NOT beautiful katiewon
Why is 'Dr. Merrick' Shirtless in the O.R.?! sshistory
Rant about Dr. Phillips ncmoviefan
that hair jfm3
location of the lake garenceofcork
Dr Randolph's Obsession? miriamwebster
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