The life of spoiled rich Robert Merrick is saved through the use of a hospital's only resuscitator, but because the medical device cannot be in two places at once, it results in the death ... See full summary »
John M. Stahl
1959. Guilty of a double-murder, a man is beheaded. At the bottom of the basket that just welcomed it, the head of the dead man tells his story: everything was going so well. Admired priest... See full summary »
Triest in the year 1911. Ernesto is the priviliged, seventeen year old son of a jewish mother and a non-jewish father, who has deserted his family. He is raised by his uncle Giovanni and ... See full summary »
An unknown Polish writer can't publish his novels, so his ex-wife decides to help him and get some of the profit for herself. She finally finds a publisher, but there's a strange single condition that could cost the writer his life.
A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne Phillips, who dies as a result. Phillips had helped many people, and when Merrick learns Phillips' secret, to give selflessly and in secret, he tries it in a ham-handed way. The result further alienates Phillips' widow, Helen, with whom Merrick has fallen in love. Merrick's persistence causes another tragedy, and he must remake his life, including going back to medical school, in an attempt to make amends and win her love. Written by
Looking back on the abbreviated career of Douglas Sirk, "Magnificent Obsession" rises above being just another "woman's film" or "weepie". It actually serves as a notable turning point as it is the first in a string of Technicolor melodramas Sirk helmed at Universal-International, as well as one of his most popular. It also kick-started the malnourished career of Rock Hudson and sent his fame into another realm. Despite the film's lame-brained premise and endless implausibilities, Sirk takes the material and dishes out a sweet, moving drama that is a thinly disguised tale of Christianity.
Hudson stars as Bob Merrick, a millionaire playboy with no cares in the world. His lavish and self-serving lifestyle inadvertently leads to the death of a prominent local doctor, Wayne Phillips. Dr.Phillip's widow, Helen(Jane Wyman)tries to pick up the pieces of her shattered life, while at the same time resisting the advances of Bob Merrick. His persistence results in an accident in which Helen goes blind. In a convoluted and corny twist, Bob tries to redeem himself by giving selflessly to others and devoting his life to medicine to find a way to restore Helen's eyesight.
Every stereotype of every soap opera convention is used in overwhelming doses to tell the story of "Magnificent Obsession". The "alternative lifestyle" of Christianity that Bob learns is a mish-mash of psychobabble that even the most detail-oriented viewer would find boring and confusing. And the seriousness in which the actors take the material is eye-rollingly unbelievable. But this film is saved by the always-savvy direction of Douglas Sirk(who himself hated the plot)and an elegant, understated Jane Wyman who brought her own brand of sophistication to every role she played - and was Oscar-nominated for this role. Even Hudson is able to overcome his nerves in his first leading, A-list role to give a performance that is convincing. Sirk's use of reflective surfaces and a dominating color palette give this movie a look that is undeniably sheen. And Frank Skinner's classical score takes the ordinary material to an emotional level; although the choral "oohs and aahs" on the soundtrack are a bit pungent for such a quiet film. This is not Sirk's best work, but it is definitely solid enough to engage first time viewers and a must for fans of the German-bred director's work.
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