Directed by
| Paul Landres | ||
Writing Credits (in alphabetical order)
| William L. Nolte | ... | (based on a story) (as William Nolte) |
| Ron Ormond | ... | (screenplay) |
| Daniel B. Ullman | ... | (screenplay) |
Cast (in credits order)
Produced by
| Don 'Red' Barry | ... | executive producer (as Donald Barry) |
| June Carr | ... | producer |
| Murray Lerner | ... | associate producer |
| Robert L. Lippert | ... | executive producer |
| Ron Ormond | ... | producer |
| Ira Webb | ... | associate producer |
Music by
| Walter Greene | ||
Cinematography by
| Ernest Miller | ||
Editing by
| Hugh Winn | ||
Art Direction by
| Fred Preble | ||
Set Decoration by
| Ted Offenbecker | ||
Makeup Department
| Paul Stanhope | ... | makeup artist |
Second Unit Director or Assistant Director
| Austen Jewell | ... | assistant director |
Sound Department
| Glen Glenn | ... | sound |
| Earl Snyder | ... | sound |
Special Effects by
| Ray Mercer | ... | special effects |
Camera and Electrical Department
| James Doolittle | ... | still photographer (as Jimmy Doolittle) |
| Noble Craig | ... | grip (uncredited) |
| Archie R. Dalzell | ... | camera operator (uncredited) |
| Frank Jenkins | ... | gaffer (uncredited) |
Costume and Wardrobe Department
| Alfred Berke | ... | wardrober |
Music Department
| Walter Greene | ... | musical director |
Script and Continuity Department
| Moree Herring | ... | script supervisor |
Additional Crew
| June Carr | ... | choreographer |
| Gloria Welsch | ... | dialogue coach |
