| Photos (see all 25 | slideshow) |
| Peter Lorre | ... | Hans Beckert | |
| Ellen Widmann | ... | Frau Beckmann | |
| Inge Landgut | ... | Elsie Beckmann | |
| Otto Wernicke | ... | Inspector Karl Lohmann | |
| Theodor Loos | ... | Inspector Groeber | |
| Gustaf Gründgens | ... | Schränker | |
| Friedrich Gnaß | ... | Franz, the burglar | |
| Fritz Odemar | ... | The cheater | |
| Paul Kemp | ... | Pickpocket with six watches | |
| Theo Lingen | ... | Bauernfänger | |
| Rudolf Blümner | ... | Beckert's defender | |
| Georg John | ... | Blind panhandler | |
| Franz Stein | ... | Minister | |
| Ernst Stahl-Nachbaur | ... | Police chief | |
| Gerhard Bienert | ... | Criminal secretary | |
| Karl Platen | ... | Damowitz, night watchman | |
| Rosa Valetti | ... | Elisabeth Winkler, Beckert's landlady | |
| Hertha von Walther | ... | Prostitute | |
| rest of cast listed alphabetically: | |||
| Behal Carrell | ... | (uncredited) | |
| Josef Dahmen | ... | (uncredited) | |
| J.A. Eckhoff | ... | (uncredited) | |
| Else Ehser | ... | Woman (uncredited) | |
| Karl Elzer | ... | (uncredited) | |
| Ilse Fürstenberg | ... | (uncredited) | |
| Anna Goltz | ... | Woman (uncredited) | |
| Heinrich Gotho | ... | (uncredited) | |
| Heinrich Gretler | ... | Man (uncredited) | |
| Günther Hadank | ... | (uncredited) | |
| Albert Hoermann | ... | (uncredited) | |
| Ellen Isenta | ... | Woman (uncredited) | |
| Karl Junge-Swinburne | ... | Man (uncredited) | |
| Albert Karchow | ... | (uncredited) | |
| Werner Kepich | ... | (uncredited) | |
| Hermann Krehan | ... | (uncredited) | |
| Kurth Leeser | ... | (uncredited) | |
| Rose Lichtenstein | ... | (uncredited) | |
| Lotte Loebinger | ... | Woman (uncredited) | |
| Sigurd Lohde | ... | (uncredited) | |
| Alfred Loretto | ... | Man (uncredited) | |
| Paul Mederow | ... | (uncredited) | |
| Margarete Melzer | ... | (uncredited) | |
| Hanna Meron | ... | Girl in circle at the beginning (uncredited) | |
| Trude Moos | ... | (uncredited) | |
| Hadrian Maria Netto | ... | (uncredited) | |
| Günter Neumann | ... | Man (uncredited) | |
| Neumann-Schüler | ... | Bit Role (uncredited) | |
| Maya Norden | ... | (uncredited) | |
| Fred Nurney | ... | Man (uncredited) | |
| Edgar Pauly | ... | Man (uncredited) | |
| Klaus Pohl | ... | Witness / one-eyed man (uncredited) | |
| Franz Poland | ... | (uncredited) | |
| Paul Rehkopf | ... | (uncredited) | |
| Hans Ritter | ... | (uncredited) | |
| Agnes Schulz-Lichterfeld | ... | (uncredited) | |
| Leonard Steckel | ... | Man (uncredited) | |
| Wolf Trutz | ... | (uncredited) | |
| Otto Waldis | ... | (uncredited) | |
| Borwin Walth | ... | (uncredited) | |
| Rolf Wanka | ... | Man (uncredited) | |
| Bruno Ziener | ... | (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits | ||
| Egon Jacobson | (article) uncredited | |
| Thea von Harbou | (script) and | |
| Fritz Lang | (script) | |
Produced by | |||
| Seymour Nebenzal | .... | producer (uncredited) | |
Cinematography by | |||
| Fritz Arno Wagner | |||
Film Editing by | |||
| Paul Falkenberg | |||
Art Direction by | |||
| Emil Hasler | |||
| Karl Vollbrecht | |||
Production Management | |||
| Gustav Rathje | .... | production manager (uncredited) | |
Art Department | |||
| Edgar G. Ulmer | .... | set designer (uncredited) | |
Sound Department | |||
| Adolf Jansen | .... | sound | |
Camera and Electrical Department | |||
| Erwin Hillier | .... | assistant camera (uncredited) | |
| Karl Vash | .... | assistant camera (uncredited) | |
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| M | The Spider Returns | Cidade de Deus | King of the Rocket Men | Red Dragon |
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| Full cast and crew | Company credits | External reviews |
| IMDb top 250 movies | IMDb Crime section | IMDb Germany section |
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Being a huge fan of German Expressionist art, I'm naturally drawn to the films of Fritz Lang. I recently was able to see the restored version of "Metropolis" on the big screen, and was delighted to see "M" on the Sundance channel - especially since it was the uncut version. M follows the trail of a child killer (Peter Lorre), sought both by the police and the members of the underworld whose businesses are being effected by the investigation.
This film is ground-breaking for many reasons: It is Fritz Lang's first talking picture, it is one of the first in the serial killer genre and it was overtly anti-Nazi. This film was banned in Germany shortly after it premiered, and Fritz Lang and Peter Lorre, both Jews, soon fled the country. It has superb acting (most notably, Peter Lorre's trial scene in the catacombs) and very stark yet at times gritty cinematography. The story is indeed suspenseful and at times, very creepy (what whistling child killer isn't?). The entire movie, however is extremely thought-provoking and challenging, much like the German Expressionist movement itself.
This is not a movie for everyone; some may find it boring, some may find it too abstract. It also has one of the most bizarre shots I've ever seen in film - essentially it's a 30 second shot of the police inspector talking on the phone, but you're under his desk and looking up his pants leg. It actually kind of baffled me and made me chuckle for a second, but it was avant garde if anything.
To those who appreciate early cinema that truly makes you think, both about the film and the subtext with which it was written and filmed, it is a must-see.
--Shelly