| Photos (See all 11 | slideshow) |
| Maria Falconetti | ... | Jeanne d'Arc (as Melle Falconetti) | |
| Eugene Silvain | ... | Évêque Pierre Cauchon (Bishop Pierre Cauchon) (as Eugène Silvain) | |
| André Berley | ... | Jean d'Estivet | |
| Maurice Schutz | ... | Nicolas Loyseleur | |
| Antonin Artaud | ... | Jean Massieu | |
| Michel Simon | ... | Jean Lemaître | |
| Jean d'Yd | ... | Guillaume Evrard | |
| Louis Ravet | ... | Jean Beaupère (as Ravet) | |
| Armand Lurville | ... | Juge (Judge) (as André Lurville) | |
| Jacques Arnna | ... | Juge (Judge) | |
| Alexandre Mihalesco | ... | Juge (Judge) | |
| Léon Larive | ... | Juge (Judge) | |
| rest of cast listed alphabetically: | |||
| Jean Aymé | ... | Juge (Judge) (uncredited) | |
| Gilbert Dacheux | ... | Juge (Judge) (uncredited) | |
| Gilbert Dalleu | ... | Jean Lemaître (uncredited) | |
| Paul Delauzac | ... | Martin Ladvenu (uncredited) | |
| Dimitri Dimitriev | ... | Juge (Judge) (uncredited) | |
| Fournez-Goffard | ... | Juge (Judge) (uncredited) | |
| Henri Gaultier | ... | Juge (Judge) (uncredited) | |
| Paul Jorge | ... | Juge (Judge) (uncredited) | |
| Henri Maillard | ... | Juge (Judge) (uncredited) | |
| Raymond Narlay | ... | Juge (Judge) (uncredited) | |
Directed by | |||
| Carl Theodor Dreyer | (as Carl Th. Dreyer) | ||
Writing credits(in alphabetical order) | ||
| Joseph Delteil | writer | |
| Carl Theodor Dreyer | writer | |
Original Music by | |||
| Jesper Kyd | (2007 New Score) | ||
| Ole Schmidt | (1982) | ||
Cinematography by | |||
| Rudolph Maté | |||
Film Editing by | |||
| Marguerite Beaugé | (uncredited) | ||
| Carl Theodor Dreyer | (uncredited) | ||
Set Decoration by | |||
| Jean Hugo | (settings) | ||
| Hermann Warm | (settings) | ||
Costume Design by | |||
| Valentine Hugo | |||
Second Unit Director or Assistant Director | |||
| Ralph Christian Holm | .... | assistant director | |
| Paul La Cour | .... | assistant director | |
Other crew | |||
| Pierre Champion | .... | historial advisor | |
| Carl Theodor Dreyer | .... | title designer (uncredited) | |
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| Joan of Arc | The Messenger: The Story of Joan of Arc | The Trial of Joan of Arc | Saint Joan | Das Mädchen Johanna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
A certain amount of credit must surely be paid to the director for the genius of 'La Passion de Jeanne d'Arc.' The daring camera angles, use of incessant close-ups and peculiar authenticity all may be attributed to Carl Th. Dryer. However, Renee Maria Falconetti is the reason this film indeed surpasses all attempts at reaching the Platonic form of brilliance. Her performance is breathtaking by all accounts. One can not help but remain mesmerized by her expressions. Yes Dryer's gift to us of so many wonderful close shots of Falconetti should be acknowledged. He must be praised for his relentless filming of scenes to produce the desired result. Yet to imagine anyone else in this timeless role (such as Lillian Gish who was said to have been considered) is to envision a less than perfect film. Unimpeded by the silent medium in which she worked, Falconetti's mere tilt of the head or gentle glance pierce the soul of the viewer. We see her speak in Jeanne's native tongue. We see her compelling portrayal of the anguish which the saint most certainly endured. It is almost as if we are watching what the director said he had found; the martyr's reincarnation! This actress presents to us her raw beauty unmarred by powders or makeup - thanks to a decision of Dryer. How bitter-sweet the fact that we have this once thought to be lost silent film and yet can not help now but to long for more Falconetti. And so we return to 'La Passion de Jeanne d'Arc' and with each of many tears and inaudible sighs marvel at the staggering accomplishment which is Renee Maria Falconetti's Jeanne.