IMDb > The Passion of Joan of Arc (1928)
La passion de Jeanne d'Arc
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The Passion of Joan of Arc (1928) More at IMDbPro »La passion de Jeanne d'Arc (original title)

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Overview

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8.3/10   20,885 votes »
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Release Date:
1928 (Germany) See more »
Genre:
Plot:
A chronicle of the trial of Jeanne d'Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
User Reviews:
Sensory Shift See more (147 total) »

Cast

  (in credits order) (verified as complete)

Maria Falconetti ... Jeanne d'Arc (as Melle Falconetti)
Eugene Silvain ... Évêque Pierre Cauchon (Bishop Pierre Cauchon) (as Eugène Silvain)
André Berley ... Jean d'Estivet
Maurice Schutz ... Nicolas Loyseleur

Antonin Artaud ... Jean Massieu

Michel Simon ... Jean Lemaître
Jean d'Yd ... Guillaume Evrard
Louis Ravet ... Jean Beaupère (as Ravet)
Armand Lurville ... Juge (Judge) (as André Lurville)
Jacques Arnna ... Juge (Judge)
Alexandre Mihalesco ... Juge (Judge)
Léon Larive ... Juge (Judge)
rest of cast listed alphabetically:
Jean Aymé ... Juge (Judge) (uncredited)
Gilbert Dacheux ... Juge (Judge) (uncredited)
Gilbert Dalleu ... Jean Lemaître (uncredited)
Paul Delauzac ... Martin Ladvenu (uncredited)
Dimitri Dimitriev ... Juge (Judge) (uncredited)
Fournez-Goffard ... Juge (Judge) (uncredited)
Henri Gaultier ... Juge (Judge) (uncredited)
Paul Jorge ... Juge (Judge) (uncredited)
Henri Maillard ... Juge (Judge) (uncredited)
Raymond Narlay ... Juge (Judge) (uncredited)

Directed by
Carl Theodor Dreyer  (as Carl Th. Dreyer)
 
Writing credits
(in alphabetical order)
Joseph Delteil  writer
Carl Theodor Dreyer  writer

Original Music by
Jesper Kyd (2007 New Score)
Ole Schmidt (1982)
 
Cinematography by
Rudolph Maté 
 
Film Editing by
Marguerite Beaugé (uncredited)
Carl Theodor Dreyer (uncredited)
 
Set Decoration by
Jean Hugo (settings)
Hermann Warm (settings)
 
Costume Design by
Valentine Hugo 
 
Second Unit Director or Assistant Director
Ralph Christian Holm .... assistant director
Paul La Cour .... assistant director
 
Other crew
Pierre Champion .... historial advisor
Carl Theodor Dreyer .... title designer (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
"La passion de Jeanne d'Arc" - France (original title)
See more »
Runtime:
110 min | France:88 min (1952 re-release) | USA:114 min | 82 min (restored DVD version) (24 fps) | Denmark:96 min | Germany:97 min (DVD)
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Argentina:13 | Australia:PG | Finland:K-12 (1988) | Finland:K-16 (1954) | Germany:12 (DVD rating) | Norway:16 (1928) | South Korea:12 | Spain:13 | Sweden:15 | UK:PG (2003 re-rating) | USA:Not Rated

Did You Know?

Trivia:
Included among the '1001 Movies You Must See Before You Die', edited by Steven Jay Schneider.See more »
Goofs:
Revealing mistakes: Near the end of the film when two rocks are thrown through what is supposed to be a leaded glass window it is clear from the way it breaks that it is just a regular pane of glass with lines drawn on it to simulate leaded glass.See more »
Quotes:
Juge:What is your name?
Jeanne d'Arc:In France, I am called Joan... in my village, I am called Jeanneton.
See more »
Soundtrack:
Voices of LightSee more »

FAQ

This FAQ is empty. Add the first question.
23 out of 28 people found the following review useful.
Sensory Shift, 16 September 2004
Author: checyn from Phoenix, AZ

This film almost leads one to believe that sound betrays the emotion the eyes capture. Just as the blind develop hearing far better than the average, the deaf develop a keen sense of sight. I am convinced that a lack of dialogue forces us to read the language of the face and body, a verbage unmatched in beauty and nuance. Though the accompanying musical piece (be careful not to identify it as a score), so deliciously inspired by the film, enhances the visual playground; it is the actors' faces that comprise this tour de force. Ms. Falconetti shifts from worry and doubt to unabashed conviction in a single shot, giving the viewer the luck of seeing one's thoughts in progress. She needs no response to the interrogation, it's all in her face. Renee is not superficially beautiful and the lack of make-up only reinforces how bare Joan is, but it is the uncanny ability of an incomparable stage actor to be a window into the soul that makes her so stunning, for the soul we see is one we only wish to attain for ourselves. The Church sees what we see, and they respond just as clearly to her unspoken protest with vehement pomp. The cinematography is so astounding for its time no comment could ever do it justice. Though many comments can be made, and are, surrounding the inspiration and detail for the set, it is at its core an incredible gift from Dreyer to the actors meant to inspire. It plays little part in the film, but to pull an inconceivable last drop of reality from the actors. A testament I can imagine will never be matched to the incredible power of silence.

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