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The Passion of Joan of Arc (1928)
"La passion de Jeanne d'Arc" (original title)

Not Rated  |   |  Biography, Drama, History  |  25 October 1928 (France)
8.4
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Ratings: 8.4/10 from 22,263 users  
Reviews: 148 user | 119 critic

A chronicle of the trial of Jeanne d'Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions.

Director:

(as Carl Th. Dreyer)
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Cast

Complete credited cast:
...
Jeanne d'Arc (as Melle Falconetti)
Eugene Silvain ...
Évêque Pierre Cauchon (Bishop Pierre Cauchon) (as Eugène Silvain)
...
...
...
...
Jean Lemaître
Jean d'Yd ...
Louis Ravet ...
Jean Beaupère (as Ravet)
Armand Lurville ...
Juge (Judge) (as André Lurville)
Jacques Arnna ...
Juge (Judge)
Alexandre Mihalesco ...
Juge (Judge)
Léon Larive ...
Juge (Judge)
Edit

Storyline

The sufferings of a martyr, Jeanne D'Arc (1412-1431). Jeanne appears in court where Cauchon questions her and d'Estivet spits on her. She predicts her rescue, is taken to her cell, and judges forge evidence against her. In her cell, priests interrogate her and judges deny her the Mass. Threatened first in a torture chamber and then offered communion if she will recant, she refuses. At a cemetery, in front of a crowd, a priest and supporters urge her to recant; she does, and Cauchon announces her sentence. In her cell, she explains her change of mind and receives communion. In the courtyard at Rouen castle, she burns at the stake; the soldiers turn on the protesting crowd. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 October 1928 (France)  »

Also Known As:

The Passion of Joan of Arc  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1952 re-release) | (restored DVD) | (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Believed lost until a complete print was found in a mental institution in Oslo. See also Der brennende Acker (1922). See more »

Goofs

Near the end of the film when two rocks are thrown through what is supposed to be a leaded glass window it is clear from the way it breaks that it is just a regular pane of glass with lines drawn on it to simulate leaded glass. See more »

Quotes

Juge: What is your name?
Jeanne d'Arc: In France, I am called Joan... in my village, I am called Jeanneton.
See more »

Connections

Featured in Sueño lumínico (2005) See more »

Soundtracks

Voices of Light
Written by Richard Einhorn
The score used in the 1995 version
See more »

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User Reviews

 
When viewing it we look at it as looking in a mirror.
27 December 2004 | by (Los Angeles, CA) – See all my reviews

What can one say about this work of art that has not been said many times before by those far better qualified to explain both it's importance and place as cinema and art? I shall not comment on the greatness of the film's technical achievements; the stunning cinematography, the production design, the brilliance of the screenplay based on actual transcripts from the trial, or the perfection of Mr. Dreyer's direction. The performance of Falconetti as Jeanne d' Arc has a profundity and depth far beyond my ability to illuminate. I suppose the best I can hope to do is to share my feelings, however inadequately expressed, of the effect it had on me. To say that it may be the greatest film ever made is to sound both obvious and trite. That a work of such beauty and simplicity, made seventy-six years ago can still have the power to move audiences in an era of multi-million dollar, hi-tech, bombastic over-wrought cinematic drivel is in itself a testament to the vision and genius of Carl Theodor Dreyer, Maria Falconetti and their collaborators. It is nourishment for those that hunger for something more in cinema, a feast for the soul. It is a reminder that film can indeed be art, and this film like all great works of art, lifts and transports us from the routine of our work-a-day lives to enable us, if only for a moment to experience the sublime. When viewing it we look at it as looking in a mirror. That is to say we look into ourselves. We question ourselves as to our own beliefs, or the lack thereof and the strength of spirit that enables an individual to endure the unendurable. Viewing it is a profound experience the nature of which for myself is transcendent rather than religious, because I am not in the least a religious person. Transcendent because it evokes emotions and thoughts that I cannot wholly account for, or adequately explain.

"La Passion of Jeanne d'Arc" is stark, radiant, exalted, simple, (but never simplistic), and ultimately sublime. The rest is silence.


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