I could listen to the sound track all day, everyday. And this is my favorite cinematic production.
Tom Hooper did a great job as director of a powerful star studded cast and Danny Cohen as cinematographer.
This production carry's me to Victor Hugo's epic imagination based on the reality of life during his lifetime, imprinted on our extraordinary literary accomplishment-a timeless classic surviving over 150 years... as well all the previous theatrical and cinematic productions since 1984.
The optics are an enthralling cinematic accomplishment capturing the sung live scenes... and the actors all out effort to make this as true to the emotional turmoil of a horrendous life in early 18th century Paris; all the begotten injustices on the very fabric of humanity's birth right for freedom- known later as The Birth of Enlightenment.
Anne Hathaway sings "I DREAMED A DREAM" with a definitive voice of a dying woman elevated to divine presence. Kudos!!!
Jackman and Crowe compliment each other's roles to perfection. Spellbinding.
Eddie Reymane and Amanda Seyfried as well make it all the more real. They brought me to tears.
I could go on, but in light of the negative, rather jaded reviews of this production, it goes without my saying that some people just have to be negative about anything that's actually well performed.
Sad because Hugo's timeless message is lost to them who focus on the actors themselves instead of seeing the Fourth Wall in front them.
As a theatrical producer, playwright, musical performer and director, the efficacy it takes to bring a production of this genre is in and of itself in a category of an epic artistic ideal to be met.
I've seen the theatrical production as well. Both revenues are complimentary at best. Neither can be compared as one being better than the other. That's a mistake to be made when reviewing Hugo's legacy. Here we have poetry, drama and prose that rise to the heavenly heights of cinematic theater.
Tom Hooper did a great job as director of a powerful star studded cast and Danny Cohen as cinematographer.
This production carry's me to Victor Hugo's epic imagination based on the reality of life during his lifetime, imprinted on our extraordinary literary accomplishment-a timeless classic surviving over 150 years... as well all the previous theatrical and cinematic productions since 1984.
The optics are an enthralling cinematic accomplishment capturing the sung live scenes... and the actors all out effort to make this as true to the emotional turmoil of a horrendous life in early 18th century Paris; all the begotten injustices on the very fabric of humanity's birth right for freedom- known later as The Birth of Enlightenment.
Anne Hathaway sings "I DREAMED A DREAM" with a definitive voice of a dying woman elevated to divine presence. Kudos!!!
Jackman and Crowe compliment each other's roles to perfection. Spellbinding.
Eddie Reymane and Amanda Seyfried as well make it all the more real. They brought me to tears.
I could go on, but in light of the negative, rather jaded reviews of this production, it goes without my saying that some people just have to be negative about anything that's actually well performed.
Sad because Hugo's timeless message is lost to them who focus on the actors themselves instead of seeing the Fourth Wall in front them.
As a theatrical producer, playwright, musical performer and director, the efficacy it takes to bring a production of this genre is in and of itself in a category of an epic artistic ideal to be met.
I've seen the theatrical production as well. Both revenues are complimentary at best. Neither can be compared as one being better than the other. That's a mistake to be made when reviewing Hugo's legacy. Here we have poetry, drama and prose that rise to the heavenly heights of cinematic theater.