Review of Yella

Yella (2007)
8/10
This film is as much aloof as it is intriguing
28 December 2020
In my opinion Christian Petzel is one of the most prominent German directors of the new century. It amazes me how low his films are usually rated.

With respect to "Yella" a possible explanation could be that the story is complicated. The film has a surprising ending (about which I shall say nothing in this review), but even including this ending there remains much to think about.

Despite or perhaps thanks to this complicated plot the film is very rewarding. It is situated in impersonal and distant environments such as highways, business motels and conference rooms. The facial expressions (amazement, disbelief, amusement) of main character Yella (Nina Hoss) contributes more to the story than the often somewhat disguised dialogue.

In the film Yella forms more and more a duo with Philipp (Devid Striesow), a shady venture capitalist who tries to buy firms in distress at a very low price and thereby explores and transcends the limits of the law.

Illuminating is the scene in which Philipp puts Yella to a test. He asks her to deposit some cash money on a bank account and gives her an exces of cash. Will she return the "spare change" to him or not? Initially she does not. It remains unclear of she thereby was failing or passing the test. Personally I think she is passing it, proving that she too could embezzle money when opportunity knocks.

Important in my opinion is that Philipp is much like Ben (Hinnerk Schönemann), the ex of Yella. Philipp has the same character and the same physical appearance as Ben, being only a little smarter and more succesful. Given the fact that Yella and Ben are from East Germany (Wittenburg) and Philipp from West Germany, there seems to be some symbolism hinting at the re-unification.
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