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Yella (2007)
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Overview
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Director:
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Release Date:
16 May 2008 (USA)
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Plot:
Yella is estranged from her possessive and violent husband; but he can't quite bring himself to give her up. When their fraught interaction finally comes to dramatic conclusion, Yella's life takes an odd shift. full summary | add synopsis
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Awards:
5 wins
&
5 nominations
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NewsDesk:
(15 articles)
Fall Preview: Anywhere But a Movie Theater
(From IFC. 5 August 2009, 11:08 AM, PDT)
Woman's Wartime Hell
(From New York Post. 16 July 2009, 10:18 PM, PDT)
(From IFC. 5 August 2009, 11:08 AM, PDT)
Woman's Wartime Hell
(From New York Post. 16 July 2009, 10:18 PM, PDT)
User Comments:
Falling asleep... so boring
more (18 total)
Cast
(Complete credited cast)| Nina Hoss | ... | Yella Fichte | |
| Devid Striesow | ... | Philipp | |
| Hinnerk Schönemann | ... | Ben | |
| Burghart Klaußner | ... | Dr. Gunthen | |
| Barbara Auer | ... | Barbara Gunthen | |
| Christian Redl | ... | Yellas Vater | |
| Selin Bademsoy | ... | Dr. Gunthens Tochter (as Selin Barbara Petzold) | |
| Wanja Mues | ... | Sprenger | |
| Michael Wittenborn | ... | Dr. Schmidt-Ott | |
| Martin Brambach | ... | Dr. Fritz | |
| Joachim Nimtz | ... | Prietzel | |
| Peter Benedict | ... | Dr. Friedrichs Anwalt Oliver | |
| Ian Norval | ... | Rezeptionist | |
| Peter Knaack | ... | Insolvenzverwalter | |
| Thomas Giese | ... | Kassierer |
Additional Details
Parents Guide:
Runtime:
89 min
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Color:
Aspect Ratio:
1.85 : 1 more
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Fun Stuff
Trivia:
Third part of director Christian Petzold's "Gespenster"-trilogy. The other two parts are Die innere Sicherheit (2000) and Gespenster (2005).
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Movie Connections:
Referenced in "Kennwort Kino: Das Geheimnis von Yella" (2007)
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Soundtrack:
Piano Sonata No.14, Op.27 No.2
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FAQ
This FAQ is empty. Add the first question.more (18 total)
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We can forgive wooden dialog, flat characters, and all manner of implausibilities, just so long as the story's a good one. But this film looks like a draft from a bad and very boring TV show: a bunch of scarcely-related, independently developed thematic elements are sliced, diced, and shuffled together into a melange of ideas precariously balanced on the teetering bones of a half-baked story. Pacing and sequencing is clumsy and amateurish. I made it through about one hour and I only got that far because I thought it HAD to get better - it just couldn't be this lousy and boring. It did not get better at all. I kept thinking, "How much longer can this pseudo-artistic film go on?"