It is very easy to see why 'Battlestar Galactica' was popular at the time, even with its early cancellation, and had high ratings, as well as still having people very fond of it.
At the same time it is also easy to pick faults with 'Battlestar Galactica', which through adult eyes is an uneven show with the flaws much more noticeable. With me, there is still fondness for it from a nostalgic point of view, it fascinated and entertained me as a child and it still does now as a young adult. However, 'Battlestar Galactica' is a long way from a perfect show and could have done far more with the potential it had. It is a long way from a bad show, just not great.
There is a lot to like. Apart from costumes and hairstyles that feel very 70s and date the show a bit, repetitive use of effects and lack of scope for space itself (space is huge, this felt pretty compact), the look of 'Battlestar Galactica' is fine. The sets are eye-catching, it's very nicely shot and the effects themselves were great for the 70s and even though used in a repetitious and recycled fashion hold up reasonably well now with the odd limitation here and there.
With the music, one has to love the rousing bombast and playful energy of the scoring, while the theme tune is up there with the most iconic theme tunes of any show from the 70s and of the sci-fi genre. There are many nice moments in the script, with some knowing humour and thought-provoking opening narration and closing quotes. Tonally and quality-of-plots-wise, 'Battlestar Galactica' is inconsistent. When it was not good it was cringe-worthy ("The Young Lords", especially the annoying interplay of the child actors and the child actors themselves) but when it was good it was fantastic ("War of the Gods" took a darker and bolder approach and at the same time ended up epitomising what the show is all about).
'Battlestar Galactica's' stories could have benefited better from having a time-line, which would have made the tone more focused and the quality of stories more consistent. Due to that the show can get bogged down by some childish antics, that turned out not to be cheesy in a good way it sometimes got embarrassing (like they were trying too hard to appeal to children or a family-friendly audience). As well as too many homages (like in "The Magnificent Warriors" or that clumsy and weird cowboy in space episode "Lost Warrior" - in an attempt to appeal to older audiences, indicating a confusion as to which target audience to aim it at- that serve little relevance or point, loses the whole focus of the story in question and like they'd forgotten what the quest was. When it took a darker and bolder approach with more challenging subjects, it was often very engrossing and that approach could have been explored even more.
Most of the characters work very well, Starbuck (a favourite among fans and with good reason) and dignified Adama are my favourites. Apollo and Boomer are also great. The exceptions are the child actors in "The Young Lords", annoying and trying-too-hard-to-be-cutesy Boxey (played to not much better effect by Noah Hathaway, who went on to give a great performance in 'The NeverEnding Story', so the blame lies on the writing not Hathaway) and the less said about Muffit II (especially painful in his very over-exposed role in "Fire in Space") the better. The Cylons are also inconsistently characterised, sometimes menacing at other idiotic and made to look like fools.
The performances, apart from the children, are in fine keeping with the show and hold up well on their own, Lorne Green, Richard Hatch and Dirk Benedict being especially good. Patrick Macnee, Herbert Jefferson Jnr and John Colicos are sterling support as well.
In conclusion, uneven but entertaining. 7/10 Bethany Cox
At the same time it is also easy to pick faults with 'Battlestar Galactica', which through adult eyes is an uneven show with the flaws much more noticeable. With me, there is still fondness for it from a nostalgic point of view, it fascinated and entertained me as a child and it still does now as a young adult. However, 'Battlestar Galactica' is a long way from a perfect show and could have done far more with the potential it had. It is a long way from a bad show, just not great.
There is a lot to like. Apart from costumes and hairstyles that feel very 70s and date the show a bit, repetitive use of effects and lack of scope for space itself (space is huge, this felt pretty compact), the look of 'Battlestar Galactica' is fine. The sets are eye-catching, it's very nicely shot and the effects themselves were great for the 70s and even though used in a repetitious and recycled fashion hold up reasonably well now with the odd limitation here and there.
With the music, one has to love the rousing bombast and playful energy of the scoring, while the theme tune is up there with the most iconic theme tunes of any show from the 70s and of the sci-fi genre. There are many nice moments in the script, with some knowing humour and thought-provoking opening narration and closing quotes. Tonally and quality-of-plots-wise, 'Battlestar Galactica' is inconsistent. When it was not good it was cringe-worthy ("The Young Lords", especially the annoying interplay of the child actors and the child actors themselves) but when it was good it was fantastic ("War of the Gods" took a darker and bolder approach and at the same time ended up epitomising what the show is all about).
'Battlestar Galactica's' stories could have benefited better from having a time-line, which would have made the tone more focused and the quality of stories more consistent. Due to that the show can get bogged down by some childish antics, that turned out not to be cheesy in a good way it sometimes got embarrassing (like they were trying too hard to appeal to children or a family-friendly audience). As well as too many homages (like in "The Magnificent Warriors" or that clumsy and weird cowboy in space episode "Lost Warrior" - in an attempt to appeal to older audiences, indicating a confusion as to which target audience to aim it at- that serve little relevance or point, loses the whole focus of the story in question and like they'd forgotten what the quest was. When it took a darker and bolder approach with more challenging subjects, it was often very engrossing and that approach could have been explored even more.
Most of the characters work very well, Starbuck (a favourite among fans and with good reason) and dignified Adama are my favourites. Apollo and Boomer are also great. The exceptions are the child actors in "The Young Lords", annoying and trying-too-hard-to-be-cutesy Boxey (played to not much better effect by Noah Hathaway, who went on to give a great performance in 'The NeverEnding Story', so the blame lies on the writing not Hathaway) and the less said about Muffit II (especially painful in his very over-exposed role in "Fire in Space") the better. The Cylons are also inconsistently characterised, sometimes menacing at other idiotic and made to look like fools.
The performances, apart from the children, are in fine keeping with the show and hold up well on their own, Lorne Green, Richard Hatch and Dirk Benedict being especially good. Patrick Macnee, Herbert Jefferson Jnr and John Colicos are sterling support as well.
In conclusion, uneven but entertaining. 7/10 Bethany Cox