Once rumoured to be another film in the DIRTY HARRY saga, GRAN TORINO is actually much, much more than a crime film. It's not even an action film, or a thriller, despite containing elements from those genres: in actual fact, it's a solid human drama about human relationships, along with ruminations on plenty of issues affecting today's world: immigration, integration into society, crime, violence, friendship, life and death, regret. I can't imagine anyone but Clint Eastwood starring in this film. Eastwood plays his usual character, except older, more frail than more; perhaps the word I'm thinking of is 'more human'. Whatever, he's absolutely astounding in this film, giving a brilliant performance as Walt Kowalski, a foul-mouthed, irritable old racist who gradually uncovers his humanity as the story progresses.
Eastwood surrounds himself with a cast of unknowns, and these actors are also triumphant. Bee Vang, as Thao, Eastwood's initial enemy and then friend, has to be singled out as giving one of the best turns, and he's matched by Ahney Her who plays his sister, Sue. I loved the performances of these two actors, who successfully manage to hold their own against Clint.
GRAN TORINO is a film firmly rooted in reality, which is why there are no gung-ho heroics here, no scenes of grandeur. The ending is particularly true to life, a neat twist that defies audience expectations. The script is sparkling and witty, never losing focus of the main themes, and also particularly moving without being sentimental. It's a difficult line to walk, but this film manages it. In all, a delight and one of the best Eastwood movies I've watched. This one's a keeper.
Eastwood surrounds himself with a cast of unknowns, and these actors are also triumphant. Bee Vang, as Thao, Eastwood's initial enemy and then friend, has to be singled out as giving one of the best turns, and he's matched by Ahney Her who plays his sister, Sue. I loved the performances of these two actors, who successfully manage to hold their own against Clint.
GRAN TORINO is a film firmly rooted in reality, which is why there are no gung-ho heroics here, no scenes of grandeur. The ending is particularly true to life, a neat twist that defies audience expectations. The script is sparkling and witty, never losing focus of the main themes, and also particularly moving without being sentimental. It's a difficult line to walk, but this film manages it. In all, a delight and one of the best Eastwood movies I've watched. This one's a keeper.