Lillian Gish is one major reason I want a time travel machine.
She was one of the loveliest women ever photographed; and she was a marvelous actress.
"Hearts of the World" is a major production, with some astonishing, especially for 1918, technical achievements.
Other reviewers have mentioned Billy Bitzer's photography, and every mention that can be made should be made: Magnificent!
Griffith's direction, overall, is also magnificent, but there are times the camera angle changes result in choppiness; perhaps, though, that is an editing fault more than one of directing.
Acting overall is superb; the story is heart-rending; the anti-war feeling engendered is urgent.
Ironically, supposedly the movie was made at the behest of the Brits, trying to propagandize these United States into joining the war. Yet Griffith still managed to portray the horrors of war, with a not exactly subliminal message against those horrors.
Lillian Gish said, "I don't believe that Mr. Griffith ever forgave himself for making 'Hearts of the World.' 'War is the villain,' he repeated, 'not any particular people.'"
"War's gift to the common people," reads one intertitle, as the people of the French village are told to evacuate.
The Girl, who was supposed to be marrying The Boy on this day, hurries to try to save her wedding ensemble.
"In the little room where she had dreamed so many dreams, she puts her sweetest one away," says the intertitle, while she tries to hide away her wedding gown. She is one of those "common people" who are allowed to exist only as cogs in the great machinery of the state, for the state, not for their own purposes.
Human lives matter not at all, not even lives of the civilians not, supposedly, actively engaged in the conflict.
All that matters is the state, the government, and such ephemera as national pride. More solid, but still meaningless, entities as national boundaries count for more than mere human beings.
D.W. Griffith was the son of a war hero, Roaring Jake Griffith, who, after being wounded, still led a charge against the invading Yankees -- driving a wagon!
Yet David Wark Griffith opposed war's horrors and demonstrated that opposition in several movies, including "Birth of a Nation" and "Intolerance."
In some ways, "Hearts of the World" is his biggest achievement even though it is little known today.
There are some few versions at YouTube.com, but the first one on the list has no music, the second has a score that is sometimes inappropriate. But both are pretty good prints. "Hearts of the World" is a must see, for its own self, and for your own self as a movie historian or as a movie scholar or as a movie fan.
She was one of the loveliest women ever photographed; and she was a marvelous actress.
"Hearts of the World" is a major production, with some astonishing, especially for 1918, technical achievements.
Other reviewers have mentioned Billy Bitzer's photography, and every mention that can be made should be made: Magnificent!
Griffith's direction, overall, is also magnificent, but there are times the camera angle changes result in choppiness; perhaps, though, that is an editing fault more than one of directing.
Acting overall is superb; the story is heart-rending; the anti-war feeling engendered is urgent.
Ironically, supposedly the movie was made at the behest of the Brits, trying to propagandize these United States into joining the war. Yet Griffith still managed to portray the horrors of war, with a not exactly subliminal message against those horrors.
Lillian Gish said, "I don't believe that Mr. Griffith ever forgave himself for making 'Hearts of the World.' 'War is the villain,' he repeated, 'not any particular people.'"
"War's gift to the common people," reads one intertitle, as the people of the French village are told to evacuate.
The Girl, who was supposed to be marrying The Boy on this day, hurries to try to save her wedding ensemble.
"In the little room where she had dreamed so many dreams, she puts her sweetest one away," says the intertitle, while she tries to hide away her wedding gown. She is one of those "common people" who are allowed to exist only as cogs in the great machinery of the state, for the state, not for their own purposes.
Human lives matter not at all, not even lives of the civilians not, supposedly, actively engaged in the conflict.
All that matters is the state, the government, and such ephemera as national pride. More solid, but still meaningless, entities as national boundaries count for more than mere human beings.
D.W. Griffith was the son of a war hero, Roaring Jake Griffith, who, after being wounded, still led a charge against the invading Yankees -- driving a wagon!
Yet David Wark Griffith opposed war's horrors and demonstrated that opposition in several movies, including "Birth of a Nation" and "Intolerance."
In some ways, "Hearts of the World" is his biggest achievement even though it is little known today.
There are some few versions at YouTube.com, but the first one on the list has no music, the second has a score that is sometimes inappropriate. But both are pretty good prints. "Hearts of the World" is a must see, for its own self, and for your own self as a movie historian or as a movie scholar or as a movie fan.