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Hearts of the World (1918)

TV-PG | | Drama, War | June 1918 (UK)
Young lovers in a French village are torn apart with the coming of the Great War.

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Writers:

(English translation) (as Capt. Victor Marier), (scenario) (as M. Gaston de Tolignac)
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Cast

Cast overview, first billed only:
Adolph Lestina ...
The Grandfather
...
The Mother
...
...
Jack Cosgrave ...
The Father of the Boy
Kate Bruce ...
The Mother of the Boy
...
The Boy's Littlest Brother
Marion Emmons ...
The Boy's Other Brother (as M. Emmons)
Francis Marion ...
The Boy's Other Brother (as F. Marion)
...
...
Monsieur Cuckoo
...
The Village Carpenter
...
Von Strohm
Fay Holderness ...
The Innkeeper
L. Lowry ...
A Deaf and Blind Musician
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Storyline

A group of youngsters grow up and love in a peaceful French village. But war intrudes and peace is shattered. The German army invades and occupies village, bringing both destruction and torture. The young people of the village resist, some successfully, others tragically, until French troops retake the town. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

D.W. Griffith's Supreme Triumph See more »

Genres:

Drama | War

Certificate:

TV-PG
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Details

Country:

Language:

Release Date:

June 1918 (UK)  »

Also Known As:

Love's Struggle  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film was originally shown with a false newsreel prologue, with intertitles featuring a border title of "British Official War Films," showing Griffith at the war front and with British Prime Minister David Lloyd George. See more »

Connections

Featured in Hollywood (1980) See more »

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User Reviews

 
Hearts of the World
16 November 2008 | by (United States) – See all my reviews

I just returned from a screening of Hearts of the World at the Museum of Modern Art in New York. This screening showed a restored version of the film with live piano accompaniment by the brilliant pianist, Donald Sosin. The film itself was quite spectacular but it was made even more so by the incredible artistry of Donald Sosin. He played for the entire 2 1/2 hours, without a break, and with just a few notated markings. He presented a very operatic treatment of the story, which suited the plot perfectly. I was fascinated by his ability to improvise many musical themes and leitmotivs-all with such great flare and virtuosity. I must admit that these silent films can have very fragile plots but with the right kind of music accompanying them, they take on real substance and even nuance. MOMA should be congratulated for taking silent films so seriously and making sure that they all receive live musical accompaniment


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