René Ray is wonderful as Stasia, servant girl at a London boarding house occupied by a nasty landlady and a wicked bunch of boarders. Stasia was hired on the cheap from a reformatory and receives nothing but scorn and cruelty from the boarders. She longs for escape, or at least a bit of kindness: "If only there was one decent person
." Pushed to her limit, Stasia heads for the door, where—
Conrad Veidt walks in and immediately the girl senses something different in him. It's a beautiful, surprising scene: She is suddenly smiling.
Veidt is a very polite, extremely soft-spoken and apparently nameless stranger. He leases a tiny third floor apartment in the house and quickly and quietly changes the atmosphere, the relationships, the attitudes of the other boarders.
Among the group, Beatrix Lehmann stands out as Miss Kite, a not-so-old spinster who is bitter that time is passing her by—and in whom the spark of energy and love of life is perhaps re-lit. Anna Lee gives a strong performance as the beautiful young woman who is her impoverished parents' only valuable possession. Must she marry the wealthy Mr. Wright, thus solving their financial problems? It's a heartbreaking dilemma; Lee makes it seem real.
Frank Cellier is the slimy Mr. Wright, a businessman whose success is achieved through laying others low. Alone among the boarders, Mr. Wright is not affected by the stranger's mysterious presence. The action will eventually build toward a showdown of sorts but not one in any way conventional or expected.
Although most of the action takes place in the boarding house, a joyous sequence in the film's midsection shows the group taking a boat trip down the Thames. The characters loosen up, find enjoyment, begin friendships. The wonder in Stasia's face when the boat goes under the Tower Bridge as it opens for them! It's a glorious moment.
Conrad Veidt is mesmerizing and intense; René Ray is full of fear and joy and excitement. Their scenes together are quite wonderful.
It's an oddball movie, not particularly easy to watch; it looks evil and human weakness pretty directly in the face. But it's also positively moving—it's certainly left me thinking and wondering what it's all about.
Conrad Veidt walks in and immediately the girl senses something different in him. It's a beautiful, surprising scene: She is suddenly smiling.
Veidt is a very polite, extremely soft-spoken and apparently nameless stranger. He leases a tiny third floor apartment in the house and quickly and quietly changes the atmosphere, the relationships, the attitudes of the other boarders.
Among the group, Beatrix Lehmann stands out as Miss Kite, a not-so-old spinster who is bitter that time is passing her by—and in whom the spark of energy and love of life is perhaps re-lit. Anna Lee gives a strong performance as the beautiful young woman who is her impoverished parents' only valuable possession. Must she marry the wealthy Mr. Wright, thus solving their financial problems? It's a heartbreaking dilemma; Lee makes it seem real.
Frank Cellier is the slimy Mr. Wright, a businessman whose success is achieved through laying others low. Alone among the boarders, Mr. Wright is not affected by the stranger's mysterious presence. The action will eventually build toward a showdown of sorts but not one in any way conventional or expected.
Although most of the action takes place in the boarding house, a joyous sequence in the film's midsection shows the group taking a boat trip down the Thames. The characters loosen up, find enjoyment, begin friendships. The wonder in Stasia's face when the boat goes under the Tower Bridge as it opens for them! It's a glorious moment.
Conrad Veidt is mesmerizing and intense; René Ray is full of fear and joy and excitement. Their scenes together are quite wonderful.
It's an oddball movie, not particularly easy to watch; it looks evil and human weakness pretty directly in the face. But it's also positively moving—it's certainly left me thinking and wondering what it's all about.