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Storyline
In a London boarding house, a number of lives exist precariously on the edge of disaster or despair. Stasia, the housemaid, hungers for happiness but is treated like a drudge and constantly threatened with a return to the punishments of her youth. Vivian, a beautiful young girl, loves the architect Chris, but must marry the repugnant Mr. Wright in order to erase her parents' debts. Miss Kite derides all around her out of fear of aging and loss of beauty, while her friend Mr. Larkcom sells mediocre phonograph records though he'd secretly love to be a concert pianist. Into the lives of these and other unhappy residents comes a mysterious stranger, under whose influence they each begin to see the possibility of happiness. But the cynical Mr. Wright prefers to see them in misery and plots to thwart the angelic stranger who lives in the back room of the third floor. Written by
Jim Beaver <jumblejim@prodigy.net>
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I thoroughly enjoyed this film the first time I saw it. I have seen it twice in about the last 10 years on late night TV. It's been a while since my last viewing of the film.
It has a powerful message and has elements of the hero-flick, in the personal presence, and apparent infallibility of Mr Veidt's character.
The sinfulness of our human character, in several of its guises, is on display in this film; lust, greed, folly, etc.
What is compelling is Veidt's character's dealing with such realities of our nature. Rather than blasting all the evildoers away with bullets as one might expect in a "hero-flick", he expresses patience, acceptance of their frailties and love to the unlovable house guests.
The film might prompt you to ask the question, who in history has loved humanity in such a sacrificially way?