10/10
The Window of Time....
6 September 2010
I was a youth living near Hornchurch RAF aerodrome during this battle and vividly remember the hot sunny September afternoons when we could watch great aerial dogfights in the skies above almost every afternoon. We ducked into the shelter if the dogfights were directly overhead, but the drama was too great to stay there if the coast seemed clear enough (This was probably unwise- on one occasion a piece of metal, later identified as part of the engine cowling from a Me 109, whistled into our garden a few yards from us - but what wonderful memories it has left me throughout a long life.) I avoided watching this film depicting the events for a very long time - I did not want to come up with some lukewarm judgment that yes it was quite a good attempt to re-create what I remembered so well. The greatest compliment I can pay this film is to acknowledge that I made a mistake - watching it, I learned what it means to be transported back in time and to be present again during one of the great moments in history. This experience totally transcends any reality TV.

My heading - the window of time- refers to the short period following any great event during which it is possible to create a worthy reproduction of it in pseudo-documentary form. Once this opportunity has slipped away it will never return. Recognition of this finally led to the long planned film actually being created - there were only just enough of the aircraft left flying, many of them having reached the end of a long period of service with the Spanish Air Force. Details like antennae changes were not really important except to survivors of the battle, but it was sad that the film has had to reinforce the myth that the United Kingdom was saved by the magic of its new Spitfire fighters - actually the brunt of the battle on the British side was carried by the more venerable Hurricanes which achieved the majority of the "kills" during this phase of the war. There were not enough Hurricanes still in serviceable condition to enable this to be shown accurately (one of the very few minor historical 'errors' in the film). We can all envisage an attempt to create a similar film today if it had not been made when it was. Very carefully constructed flying models, assisted by close-ups shot in re-constructed cockpits and some computer generated fighting effects, would all look incredibly real on the screen but at the end our reaction would be that we had watched a technological masterpiece, not a feeling that we were present during real events! The cast list reads like a who's who of the great British actors of the period, but as with the real events the Germans and all important Canadians, Poles and Czecho-Slovakians were also appropriately represented. Overall the acting level was consistently good and this film also incorporates one of the all time great moments on film - I am thinking of four very brief linked sequences totalling not much over a minute which essentially summed up the complete story. First Londoners, sheltering underground from the nightly blitz on September 15th, listening to a news bulletin reporting heavy German air attacks all day, their losses 163 planes with RAF losses 40 and 10 pilots safe; then Air Marshall Downing, asked by Churchill for amplification because Capital Hill believed German claims that the low RAF losses showed the final destruction of the RAF, responded "I am not very interested in propaganda, if we are right we have won this battle - if wrong the Germans will be in London in a week." These were coupled with two very brief sequences, one showing returned German pilots assembling for their evening mess dinner and staring dismayed at all the seats which were not filled, the other the German invasion flotillas in the Channel ports being dismantled two days later. Historically this film has few inaccuracies but wisely does not address the ongoing question of whether the Battle of Britain or the Battle of the Atlantic (almost equally well served by the film "The Cruel Sea") was the more important. Whilst both were vital to an allied victory, the former was shorter and more intense - which made it easier to reduce to the scale of a film - whilst the latter dragged on right until the end of the war and ultimately claimed many more lives.

For a very long time to come this film will remain a standby in schools trying to increase awareness of key events that have shaped their world among today's children - many uninterested per se in history, But I was too personally involved to assess its likely appeal for other IMDb users - all I can say is that it a well made and gripping film which will not be quickly forgotten. Some critics dislike a very minor romantic sub-plot involving the wife of a squadron leader serving in the WAAF, who fears hearing of his death every day as she is plotting the movements of the planes - eventually he experiences a bad crash, surviving severely burned and facing a very long period of rehabilitation. But I believe this provided a very necessary reminder that great events are achieved only at high personal cost.

Real history buffs may note that there is a later DVD also entitled 'The Battle of Britain' (Classic Pictures- 2004) It carries the sub-title 'The Official History' and is essentially a documentary assembled from contemporary monochrome newsreel sequences, spanning a longer period that includes the night bombing 'blitz' which followed.
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