Historical reenactment of the air war in the early days of World War Two for control of the skies over Britain as the new Luftwaffe and the Royal Air Force determine whether or not an invasion can take place. Written by
John Vogel <email@example.com>
The recently closed St Katherine's Dock was used for some of the bombing scenes, the site of the warehouse is now a hotel. At the time of filming, only that dock had closed in London and it had been badly damaged during the blitz. See more »
During scenes shot in the British cockpits it becomes obvious that many of the British aircraft have been painted on the inside of the cockpit canopies. All the real aircraft are seen to gently rise and drop through out the scene, but the aircraft painted on the canopies stay put in their positions. Sometimes a distant aircraft will partially overlay the closer real aircraft. See more »
Wing Cmdr. Willoughby:
[hanging up the phone and looking down at the plotting table, showing a large number of RAF Squadrons in place to intercept a Luftwaffe raid on London]
This should give them something to think about!
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A movie commonly praised while in the air but damned once the scenes move to the ground. I found it all watchable and quite inspiring. Not every actor rises above cameo level, but Michael Caine is good, and I would follow Robert Shaw into the thick of any battle fought in human history. The battle scenes are still the best aerial combat sequences on celluloid.
It's odd that Maltin gives this movie fewer stars than the Europroduction "Blue Max", with its staged-looking combat sequences and campily awful dialogue.
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