Historical reenactment of the air war in the early days of World War Two for control of the skies over Britain as the new Luftwaffe and the Royal Air Force determine whether or not an invasion can take place. Written by
John Vogel <email@example.com>
A B-25 Mitchell bomber, owned and piloted by Jeff Hawke and his co-pilot Duane Egli, was converted into a camera plane. Cameras were fitted into the nose, tail, dorsal and belly turrets, the nose being fitted with an optically perfect dome. The plane was painted in many bright colors so it would look different from all angles and would be easily seen by other planes. It was nicknamed the "Psychedelic Monster". Eventually flown back to USA it sat derelict for many years in New Jersey before being restored back to flying condition in Florida. Flown in air shows for many years as "Chapter XI", referring to the high cost of flying, but later repainted as "Lucky Lady". See more »
When Squadron Leader Colin Harvey bails out, his cockpit is clearly ablaze, yet the external shot of him leaving the Spitfire clearly shows only the engine producing smoke. See more »
Perhaps not many new viewers of this gigantic recreation are aware of the fact that this movie was filmed almost 30 years after the actual events took place.
The efforts to put History on screen were huge. Everything in this account of the facts, comes directly from those who were actually involved in it: from the British and German fighter aces to private Londoners, they all contributed to make this not just another "war movie", but rather a dramatized documentary with accurate precision.
This by no means signifies that it is just that. The sky battles were very carefully choreographed, in accordance to rules of combat, which were followed in the 1940s. Some planes were flown by the same veterans, so that when you see a Messerschmitt Bf-109 followed by Spitfire Mk 1, you know it's for real.
The technical efforts were immense and although the Messerschmitts have reworked engines and even the Heinkel He.111s have different aerials and engine specs, because they were updated by the Spanish Air Force for later use after World War Two, the difference is barely noticeable when one watches one of those spectacular aerial battles.
On the whole, this is a history lesson about how a people, isolated from the rest of the world, and in a minority position, withstood the overwhelming crushing machine of the Axis: the Luftwaffe.
More than a movie, this is a celebration to those brave people, both civilian and military, who did commit themselves against all odds, to resist and fight back a very aggressive and dangerous enemy.
This, together with "The Longest Day", "Sink the Bismarck!", "Tora! Tora! Tora!" and "A Bridge Too Far" is one of those rare examples to make history come to life again and should be considered as didactic material for schools.
An excellent multi-national cast and a skillful direction, make this a masterpiece of its genre.
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