One of these fine days, the landing at Salerno which believe it or not was more difficult than the invasion of Normandy will get a full screen treatment like The Longest Day or Saving Private Ryan. The combined allied force was in a pitched battle for 21 days until the issue was decided. A lot was going on away from the sidebar action that is depicted in A Walk In the Sun.
The sidebar action involved a platoon that lands a few miles away from the beach with the objective of blowing up a bridge and taking a strategically located farm house. The lieutenant is killed even before the landing and the various sergeants take over. One of them, Herbert Rudley cracks under the strain, and Dana Andrews assumes overall command of the mission.
A Walk in the Sun is not so much a war story as a war character study. It's interesting to contrast this film with Lewis Milestone's masterpiece, All Quiet on the Western Front. Both involve citizen soldiers going to war and both are studies into the types of people making up a platoon. Milestone's sympathies are with both, but he does recognize the necessity for the trip to Europe made by these Americans in Italy.
Best in the film in my opinion is Richard Conte, the cynical wisecracking GI from, where else, Brooklyn. According to Hollywood, there wasn't a platoon in any theater of war in the forties that did not have a GI from Brooklyn. Huntz Hall, taking leave from the East Side Kids, also has a small part as one of the GIs in this platoon.
The film was made as the war ended in Europe. No mock heroics here, just the greatest generation demonstrating why they were just that.
The sidebar action involved a platoon that lands a few miles away from the beach with the objective of blowing up a bridge and taking a strategically located farm house. The lieutenant is killed even before the landing and the various sergeants take over. One of them, Herbert Rudley cracks under the strain, and Dana Andrews assumes overall command of the mission.
A Walk in the Sun is not so much a war story as a war character study. It's interesting to contrast this film with Lewis Milestone's masterpiece, All Quiet on the Western Front. Both involve citizen soldiers going to war and both are studies into the types of people making up a platoon. Milestone's sympathies are with both, but he does recognize the necessity for the trip to Europe made by these Americans in Italy.
Best in the film in my opinion is Richard Conte, the cynical wisecracking GI from, where else, Brooklyn. According to Hollywood, there wasn't a platoon in any theater of war in the forties that did not have a GI from Brooklyn. Huntz Hall, taking leave from the East Side Kids, also has a small part as one of the GIs in this platoon.
The film was made as the war ended in Europe. No mock heroics here, just the greatest generation demonstrating why they were just that.