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A Walk in the Sun (1945)

 -  Drama | War  -  25 December 1945 (USA)
7.4
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Ratings: 7.4/10 from 2,374 users  
Reviews: 66 user | 16 critic

In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually ... See full summary »

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Title: A Walk in the Sun (1945)

A Walk in the Sun (1945) on IMDb 7.4/10

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Nominated for 1 BAFTA Film Award. Another 1 win. See more awards »
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Cast

Cast overview, first billed only:
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George Tyne ...
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Herbert Rudley ...
Richard Benedict ...
Huntz Hall ...
James Cardwell ...
George Offerman Jr. ...
Steve Brodie ...
Matt Willis ...
Chris Drake ...
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Storyline

In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

THEY FOUGHT BEST WHEN IT WAS HOPELESS! (print ad for reissue "Salerno Beachhead" - all caps)

Genres:

Drama | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

25 December 1945 (USA)  »

Also Known As:

Salerno Beachhead  »

Box Office

Budget:

$800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The footage of the platoon attacking the German armored car--which was actually a US Army halftrack--has been used in many subsequent war movies and TV shows. See more »

Goofs

When the platoon is being strafed, the airplane that attacks them is a P-51D Mustang, although it is intended by the producers to represent a German or Italian plane. Machine-gun bursts can be seen in only two guns - one in each wing. Me-109s, FW-190s, and C-205s had guns mounted in the nose of the aircraft, rather than just in the wings. See more »

Quotes

Friedman: You ever think you'll live to make corporal?
Rivera: Baby, I just want to live long enough to make civilian.
See more »

Crazy Credits

Closing credits: It's the walk that leads down through a Philippine town, And it hits Highway seven,north of Rome; It's the same road they had coming out of Stalingrad, It's the old Lincoln Highway back home It's when ever men fight to be free. See more »

Connections

Featured in Blue in the Face (1995) See more »

Soundtracks

The Ballads
Words by Millard Lampell
Music by Earl Robinson
See more »

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User Reviews

 
Real war, real emotion, real people, really good movie
16 December 2003 | by (Toronto) – See all my reviews

This movie is beyond criticism. Within its celluloid record there clambers cold history. The tanks are real. The planes are real. The people are real. This was a contemporary war movie to the actual war, without the layers of myth laquered by years of failing memory.

Unlike recent high budget over-the-top productions and the copious blood spattering within, this little epic tends to mute the violence into the pathos of the moment of death. That being the death of heroes. And the emphasis appears to hinge on the suddenness, the randomness, and the tragedy of men dying hard. It is a stark memorial to the courage and sacrifice of the World War II soldier.

Amazingly, and very much in contrast to most other war films of the period which demonized the enemy, this film provides a neutral texture to the foe. Here the German soldiers are but shadows on the cave wall. The stray Italian soldiers appear as comic sidekicks in the maelstrom of a nation at peril from two sides. The enemy appears to escape the moral condemnation that other films embraced. This is war and this is what it is by those who fought it.

The film describes the landings of an infantry platoon on the Salerno beaches in Italy. All of a sudden they are left leaderless as two of the senior officers meets a soldier's fate. The beach scene remains a descriptive detail of what a soldiers paradox in modern warfare was. They bring the war but they do not know where it is, where they are, whether the war will visit them, or what lies in front of them. Without the need for special effects the director garnishes the film with the fog of war skillfully.

A startling moment is when the third ranking leader, a noncom sargeant succumbs to panic and shell shock. It is perhaps the kindest treatment of the condition ever presented cinematically during that period. The rest of the platoon appears to be supportive to the fallen insane sargeant. But the war goes on. They move on.

Rallied by a solid sargeant the platoon moves onto its objectives, a bridge and a farmhouse at a cost. The objectives are difficult and the angst of leadership and follower play the scene well. And unlike most war movies where heroism goes beyond definition, these heroes are all very much afraid.

The film has a solid core of young actors of the period. Dana Andrews, a very young Lloyd Bridges appear to anchor the cast. The black and white format suits this tiny epic. The cinematography, stunts are solid and consistently well done. It is a darkish film very much worth seeing.


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armored half-track scene pathfinder616
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