How on earth is it possible that, in this modern day & age of progressive cinema and amazing visual techniques, such redundant and out-of-date films like "The Return" still manage to find their way to theater distribution? I can't even decide what to hate most about this film, as the list of inept & pitiable aspects is almost too long to choose from. Sarah Michelle Gellar's embarrassing attempt to come across as a real actress? The total lack of logic and continuity? Or simply the fact it's an unendurably boring & soporific film that doesn't feature a single moment of action or tension? But most likely I hate it because director Asif Kapadia and writer Adam Sussman haven't even got an actual story to tell and simply attempt to tie together the loose ends of something that vaguely resembles a supernatural thriller/ghosts-from-the-past melodrama. I watched this dull turkey at the Belgian Festival of Horror & Fantasy Films and the spontaneous reactions of the audience didn't lie. "The Return" honestly deserved all the BOOH's and BOOOOOOORING's that were disrespectfully yelled at the screen. They want us to believe Gellar is a successful young saleswoman on her way to close up a million Dollar deal in the Texan area where she grew up. The poor woman is haunted by visions of a murder that occurred in the area almost 15 years ago and, even though she doesn't recognize the man in her dreams, she feels connected to him and carefully seeks contact. A whole lot of boredom and pointless sub plot later, there's the climax that doesn't make the slightest bit of sense and won't shock or surprise even the smallest child. I tremendously disliked the recent mystery-thriller "The Messengers" because it shamelessly presented an endless number false frights and clichés, but that film is honestly a masterpiece compared to "The Return", as the latter features nothing! Not even a single slamming door or random ghostly appearance in a mirror. The plot is often more incoherent than the ones of low-budget B-movies of the 70's, as some supportive characters inexplicably disappear and others abruptly enter the scene without being introduced. Sam Shepard, the only decent player in the entire film, is dreadfully underused while the awful TV-actor Peter O'Brien gives away a terrible performance. Roman Osnin provides the film with a handful of beautifully shot images that actually deserved to be in a better film. Some people claimed that "The Return" turned out a lot better because they didn't expect to see a horror film. Well, I think that no matter what genre you're expecting to see, it'll always remain a dire film.
Review of The Return
