4.8/10
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125 user 102 critic

The Return (2006)

Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.

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Cast

Complete credited cast:
...
...
Terry Stahl
...
Kurt
...
Michelle
...
Ed Mills
...
Griff / Young Griff
...
Annie
...
...
Snack Stand Vendor
...
Ambrose Miller
...
Mr. Marlin
Bonnie Gallup ...
Bella
...
Higgins
Robert Wilson ...
Billy
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Storyline

The restless sales representative of a transport company Joanna Mills travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl, who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The past never dies. It kills. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, terror and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

10 November 2006 (USA)  »

Also Known As:

Revolver  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$4,479,621 (USA) (10 November 2006)

Gross:

$7,744,785 (USA) (8 December 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Asif Kapadia's American debut film. See more »

Goofs

Near the beginning, Joanna skids to a quick stop onto the shoulder to investigate the odd music. The shoulder is a full shoulder, completely paved and her truck fits on it completely. She gets out of the truck and walks backward and is always on a solid surface. However, when she awakens, the shoulder is noticeably narrower. Only the drivers side tires are actually on pavement. The rest is just dirt. See more »

Quotes

[last lines]
Griff & Young Griff: [on being stabbed] Sunshine!
See more »

Crazy Credits

When the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body. See more »

Connections

Features Winchester '73 (1950) See more »

Soundtracks

Roses from the South
Written by Johann Strauss (as Johann Strauss II)
Arranged and Performed by Patrick J. Donaghy & Louis Bilton
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmosphere and character
10 November 2006 | by (Texas, USA) – See all my reviews

There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.

The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)

The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")

Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.


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