The story centers on Veronika, a woman in her mid twenties who appears to have everything: good looks, good job and a great life ahead of her. Yet she decides to end her own life. She is ... See full summary »
Sarah Michelle Gellar,
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
In Tokyo, a young woman (Tamblyn) is exposed to the same mysterious curse that afflicted her sister (Gellar). The supernatural force, which fills a person with rage before spreading to its next victim, brings together a group of previously unrelated people who attempt to unlock its secret to save their lives.
A woman travels to an isolated cabin where she finds herself stalked by an apparition who has come to inhabit her space as his own. With the unexpected arrival of the woman's boyfriend, the... See full summary »
The restless sales representative of a transport company Joanna Mills travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl, who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank. See more »
When you were 11 years old, you became violent. You started seeing things. You started to hurt yourself. Doctor said we were lucky you didn't hit an artery. He said it was some kind of breakdown. You were a whole different girl after that Joanna. I couldn't control you, honey.
Control me? Dad, it is not normal for an 11 year old girl to cut herself. I was trying to tell you I needed help. I still...
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When the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body. See more »
OK. Well...The Return. Sarah Michelle Gellar's latest genre addition finds her running from a cowboy with a killer past. Asif Kapadia's sophomore effort, after 2001's The Warrior, will likely disappoint more than entertain. The story is convoluted and under developed, and aside from Gellar's Joanna, we really don't have any idea why any of the other characters are there. However, in stark comparison to the other filler thrillers we have seen for years, The Return boasts excellent camera work and even better art direction and cinematography. It is told in heavy visual style, which is a refreshing take on an old tale. Twitchy camera movement heightens the suspense and paranoia of the film while the bleak colors and atmosphere add themes of isolation and desolation. Gellar is exceptional as Joanna Mills, a successful midwesterner constantly on the road to elude some painful past, not to mention the hallucinations and creepy visions she keeps enduring. It is a solid transition from horror to... something else. And while we as an audience may not have any idea what Gellar is pulling, it's certain that she does, and is making some very interesting and risky role choices which adds to her versatility. (Keep your eyes peeled for her work in Southland Tales as a porn-star come reality-television conoisseur) I am not going to bore you with the details of the story, since every other review basically regurgitates the little material there is to work with. The plot isn't bad, it's just very minimalistic and sparse on character detail, which, for an atmosphere and mood-driven film like this one, is a fatal mistake. The suspense is good, it holds enough tension to keep you entertained enough to keep watching. The supporting cast are all pretty good, no Oscar contenders here but take it for what it is. The score is effective, using violins and chimes to purvey a sense of dread and malice. The visual style is very compelling, we feel like we're in Texas, seeing this happen through a series of well thought out, well lit shots that subtley take us deeper into Joanna's psychological state. The scene where she awakes in the field is one of the best, and proves that Kapadia's second feature may not be the greatest, but started out to be a very different, innovative project that got a little muddled in post-production. A good film, I'd wait for DVD, but the creepy soundbytes and ghostly whispers won't have the same effect as in the theatre. The Return is definitely misunderstood, but for those keen enough to see it through, you will get a glimpse of isolated, lonely people just looking to connect and get over the issues that have brought them together.
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