A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin to renovate the place they discover their new home harbors secrets, conceals a horrific past, and may not be free of the former inhabitants completely.
On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
The restless sales representative of a transport company Joanna Mills travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl, who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film was originally titled Revolver, but it was later changed when another film titled Revolver (2005) came out beforehand. See more »
When Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank. See more »
[talking to Terry]
This farmhouse, you, the town, they're all connected to me somehow.
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When the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body. See more »
The Return is an effectively suspenseful psychological thriller and not the standard type of horror movie that the trailer implies. It has the feel of Korean cinema with redneck overtones, which add to the overall vibe. Many reviews have complained that there are'nt any jump scares and the story evolves slowly, but that makes the uneasiness all the more effective. Please don't let the misleading trailer cloud your judgement. Immerse yourself in the story and you'll appreciate this film. The cast do a great job, especially Sarah Michelle Gellar who, as always gives a believability to the character of Joanna and creates a vulnerable person that can be easily empathised with. A movie that should be seen more than once and that, in time, will be given the accolades that it deserves.
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