This Ealing comedy, like so many others, has such an interesting and entertaining story that you don't always notice the clever and rather perceptive touches. It takes an unlikely, bizarre situation and makes it completely believable, just by drawing things out to their logical extremes. A solid cast and a good dose of British dry wit also help out.
Stanley Holloway heads the cast, as one of a small group of Londoners who, as the result of an offbeat chain of events, find themselves declared subjects of Burgundy. As things proceed, one wacky development after another follows, but each one is simply a perfectly logical (or perhaps perfectly illogical) extension of the previous one.
It's a fine satire on the whole structure of arbitrary procedures and policies that go along with governments, borders, and the like. It also focuses its share of attention on human nature in general, since the hapless but sympathetic 'Burgundians' also have their own foibles. It works by creating sympathy for them simply because they are normal, everyday people like the rest of us, caught up in an unprecedented situation.
The settings are the kind of straightforward, convincing sets that you usually expect from Ealing, and they help in creating the contrast between daily life and the unexpected disruptions that the characters now face. Basil Radford and Naunton Wayne also add quite a bit, as a pair of high-level bureaucrats who seem more interested in deflecting responsibility than in getting problems solved. Things fit together quite well to make a movie that is enjoyable and insightful at the same time.
Stanley Holloway heads the cast, as one of a small group of Londoners who, as the result of an offbeat chain of events, find themselves declared subjects of Burgundy. As things proceed, one wacky development after another follows, but each one is simply a perfectly logical (or perhaps perfectly illogical) extension of the previous one.
It's a fine satire on the whole structure of arbitrary procedures and policies that go along with governments, borders, and the like. It also focuses its share of attention on human nature in general, since the hapless but sympathetic 'Burgundians' also have their own foibles. It works by creating sympathy for them simply because they are normal, everyday people like the rest of us, caught up in an unprecedented situation.
The settings are the kind of straightforward, convincing sets that you usually expect from Ealing, and they help in creating the contrast between daily life and the unexpected disruptions that the characters now face. Basil Radford and Naunton Wayne also add quite a bit, as a pair of high-level bureaucrats who seem more interested in deflecting responsibility than in getting problems solved. Things fit together quite well to make a movie that is enjoyable and insightful at the same time.