It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. ... See full summary »
A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing ... See full summary »
Based on the Stephen Potter "One Upmanship" and "Lifemanship" books, Henry Palfrey tries hard to impress but always loses out to the rotter Delauney. Then he discovers the Lifeman college ... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
When an unexploded WWII bomb is accidentally detonated in Pimlico, an area of London, it reveals a treasure trove and documents proving that the region is, in fact part of Burgundy, France and thus foreign territory. The British Government attempt to regain control by setting up border controls and cutting off services to the area. The 'Burgundians' fight back... Written by
Stephen Parkin <email@example.com>
At the start of the film a radio announcement mentions Latin music performed by "Les Norman and his Bethnal Green Bambinos". This is an in-joke referring to Ealing producer Leslie Norman. Bethnal Green was an unattractive area in the East End of London. See more »
Frank Huggins appears with a group of men refilling the reservoir with a hosepipe, while simultaneously refilling his goldfish tank back at the shop. See more »
Do you think we shall get more than two main dishes?
Oh, I hope so. I haven't had a good feed since that last deadlock in Moscow.
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The opening/closing credits are written on a scroll, like the documents found in the bomb crater. See more »
I saw this film as a boy living in Chelsea (next door to Pimlico) and found it utterly charming. Curious, isn't it, how a film that one appreciated so long ago should remain firmly embedded in the memory. Other critics and reviewers have discussed the plot and actors, so there is no point in repeating their revelations. I would say, though, that it reminds me, in retrospect, of THE MOUSE THAT ROARED in its approach to the, ahem, inconsistencies of life. And it brought Post WWII London to life with clarity and power, with cinematography and dialogue that were entirely to the point. My complaint, now that I live in the U.S., is why the **** we can't get this film on VHS or DVD for enjoyment here. Much like that other spectacular comedy of a few years later, GENEVIEVE.
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