8/10
Opening the Open Door
23 February 2006
For a while there Samuel Bronston was in a contest with Dino De Laurentis to see who would inherit the mantle of Cecil B. DeMille for producer/director of big budget spectacles. Bronston's 1963 entree is 55 Days in Peking about the Boxer Rebellion and the attack on the foreign compound in Peking.

A Chinese made film on this would certainly tell a different tale. Since the Opium War when Great Britain humiliated China and was granted all kinds of trading concessions a whole flock of other powers came in and nibbled off chunks of China. There were pieces of that country on the coast that were colonies in all, but name. The latest nibbler was Japan who defeated them in the Sino-Japanese War a few years earlier and they are among those in the foreign compound.

A Chinese made film this was not, it is an American produced European made film and the concentration is on the heroic resistance of the foreigners. The Boxers are a secret society who's symbol is the clenched fist. They start the rebellion against the Chinese government, but the government directs them against the foreigners.

One thing that must be remembered. It's common even today to have one's military personnel, a corporal's guard of them, stationed at embassies all over the world. But you can see for yourself that there sure were a lot more troops than a small guard force.

David Niven and Elizabeth Sellars are the British Minister and his wife who lead the resistance. They bring the others in line, including the Americans who have no colonies as such, but sure are looking for some better trading rights. The American minister who is played by director Nicholas Ray is ill so the marine commander Charlton Heston is making the decisions for the USA. Heston's also got some romantic entanglements with Ava Gardner the widowed sister-in-law of the Russian minister Kurt Kaszner.

Another perceptive viewer mentioned that Heston and Gardner were not a great romantic team and waited patiently for the action to begin during the romantic interludes. Heston and Gardner did not get along during the filming of 55 Days at Peking, so Heston says in his autobiography. Got along great with David Niven though, but then again I can't think of anyone who didn't.

One of Heston's men who is killed in the siege is the father of a AmerAsian child who is now an orphan. Some of the best scenes involving the personal issues raised in this film are with Heston and the child. Heston has to confront some of his own feelings there and his character grows as a result.

The outcome of this for the Americans was our Secretary of State John Hay issuing the Open Door declaration, guaranteeing Chinese sovereignty. Sad to say, but with the best of intentions it just wasn't possible. China as we all know worked out her own salvation at a terrible price.
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