Diplomats, soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion. The disparate interests unite ... See full summary »
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Diplomats, soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion. The disparate interests unite for survival despite competing factions, overwhelming odds, delayed relief and tacit support of the Boxers by the Empress of China and her generals. Written by
Martin H. Booda <email@example.com>
It is still possible to walk around the area of Beijing which was the actual location of the Siege of the Peking Legations in 1900, and to recognize sites and street layout depicted with admirable accuracy by the sets constructed in Spain for '55 Days At Peking'. The former legation quarter is east of Tiananmen Square, bounded in the north by Changan Avenue and south by Qianmen Street. One such important site is the gate of the former British Legation in Zhengyi Road, looking remarkably as it did in photos taken in 1900. Much of the area has been occupied for many years by Chinese Government agencies. Most of the heritage buildings remaining of the old legation quarter are reconstructions after the Boxer uprising. The area's tourist potential has been little exploited. The post-Boxer former French Legation post office is the foyer of the Dongjiaominxiang Hotel. The site of the former US Legation has been renovated for up-market restaurants, bars and event venues. See more »
Based on the TCM showing of the film there were two jump cuts both during fight scenes. The first is near the end of the Boxer martial arts demonstration in the ballroom scene. It occurs as one of the Boxers with his sword over his head runs at the other two men. The second is when the foreign contingent sabotages the Chinese munitions storehouse. A man jumps from the roof the munitions storehouse to disable a Chinese guard soldier. It happens right as he karate chops the soldier in the neck. It is not clear if these are in the original film or were introduced later because of a bad print or other unknown reason. See more »
55 Days at Peking is directed by Nicholas Ray and Andrew Marton and collectively written by Philip Yordan, Bernard Gordon, Robert Hamer and Ben Barzman. It stars Charlton Heston, Ava Gardner, David Niven and Flora Robson. Music is scored by Dimitri Tiomkin and cinematography is by Jack Hildyard.
1900, Peking, China. The Boxer Rebellion. 13 of 18 provinces are under foreign rule and the Chinese have had enough. With Dowager Empress Tzu-Hsi secretly supporting the Boxer societies, the foreign powers come under attack and are forced to defend the legations' compound until reinforcements from the military arrive. The defence would last for 55 days.
Lavish, full of pictorial scope, often stirring, yet it's saggy in the middle, too long, killed Nicholas Ray's career (and nearly himself since he collapsed on set) and apparently offensive to some with its imperialistic trumpeting. It has been called the magnificent failure, and in truth that's about as apt a tag line as you could get. For production value it's up with the best of them as producer Samuel Bronston oversees the building of the wonderful Peking sets (Veniero Colasanti & John Moore) at his Madrid base, and it is a joy to behold. Tiomkin's score pings around the locale with aural pleasure and when the action does come it considerably raises the pulses.
Acting performances are mostly OK, especially when Niven and Heston share scenes as it's great to see a genuine screen presence playing off of classy elegance. Gardner, whilst not in any shape or form bad, gets one of those annoyingly dull romantic interest roles that a film of this type didn't need. It doesn't help that there is zero chemistry between Gardner and her "borderline" beau, Heston. It's no surprise to find that Heston thought Gardner was a pain during the shoot!
As for the troubling thematics? Where the Chinese are portrayed as Christian slaughtering savages and the foreign imperialists as noble defenders of the right to take over China? Well the picture does come off as trying to excuse foreign imperialism in China, but it helps to note that this is merely a movie about one event in that part of history. With that in mind, anyone viewing it expecting anything other than the 55 day siege told from the legation's viewpoint is always going to be in for a let down! And right from the off we are shown and told with a tint of sarcasm that all these "foreign" countries want a piece of China as they raise their flags and trundle out their national anthems.
The Peking Alamo? Well maybe? Best to go into it expecting your eyes and ears to be dazzled rather than your brain. 7/10
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