For the life of me, I have never been able to understand why the 1962 version of the "Bounty" tale is so maligned. It is a magnificent movie, stunningly photographed. It is not a perfect film, but it is undeniably entertaining. I actually (dare I say it?) enjoy it more than the original 1935 version that is so revered.
I can understand that some viewers balk at Marlon Brando's affected foppishness. IMO, however, the actor is taking a calculated risk in attempting to illustrate the profound transformation that Fletcher Christian undergoes as the story progresses. It does not always ring true, but, taken as a whole, it works very well. Some moments are brilliant. By the time we reach the actual mutiny, his growing rage (which has been suppressed almost imperceptibly up to this point) explodes in a massive rush and instantly we see a side of Christian that we weren't quite sure existed. His self-serving has finally given way to inevitable sympathy for the much-abused crew and even a sort of new-found idealism.
However, it is Trevor Howard's performance as Lt. Bligh which is the backbone of this movie. This man IS Bligh. At first he seems approachable and even affable, but each succeeding scene reveals some new brush stroke of character that illustrates the single-minded, ruthless soul of stone contained within. Howard also has this playfully mischievous smile that, every now and then, leads you to believe that there may be some glimmer of warmth inside the man. This hope, of course, is dashed to pieces every time.
"Mutiny on the Bounty" is also a strong example of how a soundtrack can make a film. This music always gives me goosebumps. From the overture through intermission to closing, it sets the tone of the picture brilliantly as a seafaring drama/adventure. It sounds like the ocean. It sounds the way the cinematography looks. Vast panoramas of blue ocean, endless skies, lush green tropical islands, and, most of all, the ship itself (which was built specifically for this film). And the icing on the cake is the song "Follow Me", one of the most hauntingly beautiful melodies ever written for the screen. To me (here I go again), it sounds like Tahiti.
Watch "Mutiny on the Bounty" in letterbox and full stereophonic sound and THEN see if you don't like it.
I can understand that some viewers balk at Marlon Brando's affected foppishness. IMO, however, the actor is taking a calculated risk in attempting to illustrate the profound transformation that Fletcher Christian undergoes as the story progresses. It does not always ring true, but, taken as a whole, it works very well. Some moments are brilliant. By the time we reach the actual mutiny, his growing rage (which has been suppressed almost imperceptibly up to this point) explodes in a massive rush and instantly we see a side of Christian that we weren't quite sure existed. His self-serving has finally given way to inevitable sympathy for the much-abused crew and even a sort of new-found idealism.
However, it is Trevor Howard's performance as Lt. Bligh which is the backbone of this movie. This man IS Bligh. At first he seems approachable and even affable, but each succeeding scene reveals some new brush stroke of character that illustrates the single-minded, ruthless soul of stone contained within. Howard also has this playfully mischievous smile that, every now and then, leads you to believe that there may be some glimmer of warmth inside the man. This hope, of course, is dashed to pieces every time.
"Mutiny on the Bounty" is also a strong example of how a soundtrack can make a film. This music always gives me goosebumps. From the overture through intermission to closing, it sets the tone of the picture brilliantly as a seafaring drama/adventure. It sounds like the ocean. It sounds the way the cinematography looks. Vast panoramas of blue ocean, endless skies, lush green tropical islands, and, most of all, the ship itself (which was built specifically for this film). And the icing on the cake is the song "Follow Me", one of the most hauntingly beautiful melodies ever written for the screen. To me (here I go again), it sounds like Tahiti.
Watch "Mutiny on the Bounty" in letterbox and full stereophonic sound and THEN see if you don't like it.