The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hopes of pursuing freedom while also falling in love with his master, the famous female philosophy and mathematics professor Hypatia of Alexandria.
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny. Written by
The first instance of a ship being constructed from its original plans specifically for the purposes of being used in a film. See more »
When the officers are dining together, a block of cheese on the table changes shape between shots. When the captain slices a piece of cheese for himself, the block is intact. But only moments earlier, it was clear that the cheese had already been sliced. See more »
We need only persuade the British people of something they already know - that inhumanity is its poorest servant.
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I wonder if they made more three-hour-plus films in the 1960s than any other decade? It seems that way. Here is another one. This also is a re-make from a 1935 version of the famous story
I liked this 'Mutiny On The Bounty' better than the critics did, who got annoyed at Marlon Brando's British accent. I found nothing wrong with it and I usually am critical about that sort of thing myself. Brando gave a solid performance.
Trevor Howard was convincing as the sadistic "Captain Bligh" and Tarita was fair as the love interest "Maimiti." The cinematography might have been the best feature of the film, a definite movie for widescreen as a lot of these mid '50s-to-mid '60s films were. There are some beautiful shots in here, beginning with those Tahiti sunsets. The color in this movie is magnificent.
Although not particularly a film you might watch over and over, I found no major fault with it except for perhaps the romance which was a bit sappy. The adventure, acting and photography were all top-notch and the three hours went by fairly fast.
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