The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hopes of pursuing freedom while also falling in love with his master, the famous female philosophy and mathematics professor Hypatia of Alexandria.
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny. Written by
The ship built for the film sank in the Atlantic Ocean after taking on water on October 29, 2012 during Hurricane Sandy off of the East Coast of the United States. It was last seen with only the masts standing above the water. Two of the crew died: the captain, Robin Walbridge, and Claudene Christian - the direct descendant of Fletcher Christian. See more »
In the film, the decision to attempt to sail to the Pacific via Cape Horn is portrayed as an independent and ill-conceived decision by Bligh to attempt to reach Tahiti faster. In actuality, Bligh had received orders to proceed via Cape Horn. It was only at the last minute that his orders were amended that allowed him the option of sailing via Cape Good Hope and the Indian Ocean if rounding Cape Horn was unmanageable. As well, the failure to go around Cape Horn was due to the delay in the ship getting her final sailing orders. Bligh couldn't sail without them. He'd originally been scheduled to sail in October of 1787, but his orders were delayed. When they finally arrived, unfavourable wind conditions kept him from leaving Plymouth. Had he been able to sail as originally scheduled, he would've reached Cape Horn before the time of bad storms and in all likelihood have made it around. If that had happened, the chain of events leading to the mutiny likely would never have taken place. See more »
It is a matter of supernatural indifference to me whether you contaminate the natives or the natives contaminate you. I have but one concern - our mission. Let one of you provoke an incident which endangers it and I shall cause that man to curse his mother for giving him birth.
See more »
When the news broke that MGM had the audacity to remake the hallowed 1935 classic `Mutiny on the Bounty' starring Clark Gable and Charles Laughton, the critics were aghast. As the news leaked out about trouble in production, they whipped themselves into a self-righteous frenzy. Brando was a lightening rod for criticism because he was renowned as arrogant hothead. Compared with Gable, who was universally loved and adored, Brando was a boor. It was almost sacrilegious to put Brando in any part Gable had played. When the film opened, it never had a chance. It was ripped to shreds. Brando was ridiculed as a lower class character actor who couldn't step up to the part, and derided for his dreadful attempt at an English accent. The film was a box office loser and critics smugly declared they told us so.
The film was beset by problems throughout production. The full-scale replica of the Bounty arrived on location two months after the film was scheduled to begin shooting. There were three deaths among the film's personnel and the film ran well over budget. The biggest problems were the result of Brando's constant temper tantrums as he tried to rewrite the entire film from the set. At least six writers came and went. After countless confrontations, director Carol Reed gave up and quit to be replaced by Lewis Milestone (`All Quiet on the Western Front'). Milestone was an utterly intractable director that Brando couldn't bully. The result was a battle between the immovable object and the irresistible force, with daily emotional pyrotechnics that further delayed the film. Although Milestone usually prevailed in the fracases, this film turned out to be his last in a 37-year career.
Over the years, the critics have continued to pillory the film, but the public generally receives it more favorably as time passes. Though I often disagree with the masses, in this case I concur. Having seen both the 1935 and 1962 versions, I prefer the latter. Gable is clearly more charming and dashing in the role, but Brando gives the more complete performance. Gable's Christian seems far less ruffled by the events that transpire on the Bounty, whereas Brando accomplishes a believable transition from the cavalier rogue to an honorable hero who endures self-torment over the treasonous act. Though Brando's English accent is oft ridiculed, I have heard far worse. Part of the problem probably stemmed from the fact that the accent he attempted to imitate was very upper crust and he delivered it with a certain sneering tone that made it seem like he was mocking the English. Just hearing that accent from the same lips that gave us, `I coulda been a contenda' was a kind of ironic comedy unto itself.
Between the Bligh portrayed by Charles Laughton and that depicted by Trevor Howard in the remake, Howard wins hands down for pure detestability. Most of the production values, such as music, set design and costumes were superior in the remake. Moreover, the remake was more historically accurate than the original.
The film features a youthful Richard Harris in the role of Mills, who gives an excellent performance of the petulant sailor. Also noteworthy is the lovely Tarita, a native Tahitian who plays Christian's love interest Maimiti, and does a scorching belly dance. This was Tarita's only film, but to anyone who has seen the film, she will not be soon forgotten.
This is an excellent film. It was nominated for seven Oscars including Best Picture, but it was shut out, trampled by `Lawrence of Arabia'. It is highly entertaining with wonderful costumes, props and sets, fabulous locations and photography, and some terrific performances. Though many will disagree, I rated it a 10/10. If one can step back from the controversy that swirled around this film when it debuted, it is an easy film to enjoy.
83 of 91 people found this review helpful.
Was this review helpful to you?