It has one thing in its favor...
25 July 2004
Warning: Spoilers
This version of Victor Hugo's TRAGIC tale of the poor deaf bell and deformed bell ringer's love for a kind and virginal gypsy is brought to life yet again. This adaptation suffers from poor acting and bad dubbing while keeping painfully faithful to the book. Now, don't get me wrong, I wish MORE adaptations of Notre Dame de Paris were closer to the book... but it's a shame a shabby film like this is the only one that even touches the book... Gina Lollabrigida (sp?) tries her darndest to capture the allure of the little dancing gypsy girl; she fails utterly... not saying she isn't sexy, but the allurement of Esmerelda is her innocence and youth (she was 16). Gina is far from being either innocent or 16; her whole performance cried "trollip". Antony Quinn (the retarded acting hunchback) is put on the back burner as Gina struts her stuff the whole movie. The guy who played the poet also contributed to the down fall of this movie. This film also has its own way of destroying my favorite scenes in all the other films. My favorite scene of all time is the rescue of Esmerelda from the gallows. In this version, there is no dramatic music, or near death escape, nor a dramatic swing from the bell tower. Esmerelda wasn't even at the gallows... she is knelling before the cathedral while the hunchback slides down a rope, clumsily swoops her up and carried her inside.

SPOILER! Now the one area that this film succeeds is the ending... In the novel, Esmerelda is captured and hanged as the hunchback watches from the bell tower... Well, in this version she is shot, but the guards take her body to the gallows anyway. I think the fact that this film used the original ending as opposed to a happy ending was a clever idea and it is the only thing that saves it in my opinion.
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