Fanfan is a young handsome peasant. He joins the army to escape marriage and because a gipsy girl predicted he will get glory and the king's daughter as a wife. But the gipsy girl was in ... See full summary »
Rome, 1905. Lina, a music hall singer, has fallen in love with Sergei, a Russian prince. Maestro Doria, who gives her voice lessons and who hopes to make her his mistress, takes her to ... See full summary »
Robert Z. Leonard
A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.
Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows ... See full summary »
This loose biopic relates the adult life of Paolina (Paulette), the sister of Napoleon Bonaparte. She is portrayed as a willful, yet impulsive woman, through her marriages and scandals, through the heights and depths of Napoleon's life.
Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty... Written by
Non -French users may find it hard to believe it,but Jean Delannoy is despised by almost everybody in his native country.The NOuvelle Vague clique,on H.M. JL GOdard's service ,was always putting him down.That was (and is) certainly unfair cause Delannoy made two great "Maigret" and some of his works "la Symphonie Pastorale " Dieu A Besoin des Hommes" or "les Amitiés Particulières" are certainly worth a watch.His "secret de Mayerling" which is hard to find is certainly interesting too.
Lit classics were also one of his favorite genres: abetted by Jean Cocteau,he updated "Tristan and Iseut" (as "l'Eternel Retour" ).Later he would transfer Madame de La Fayette 's "La Princesse de Clèves" (1961) with commendable results -the critics slagged it off- Here he tackles "Notre Dame de Paris" ,with a big budget (wide screen , color and an international cast were not so common in 1956 in France).His version is academic ,as would be Le Chanois's -another Bete Noire of the Nouvelle Vague- "les miserables " (1958).It's icily impersonal ,and it's the actors who save the movie from tedium:although too old ,Lollobrigida has beauty,charm,sensuality and even wit going for her;Quinn is a good -but not as outstanding as Charles Laughton-Quasimodo;Robert Hirsh is excellent as Gringoire;On the other hand,Jean Danet is a mediocre Phoebus.
Although inferior to Dieterle's version ,Delannoy's work is more faithful to the novel (the ending notably) but there's a problem concerning Claude Frollo:why has he become a layman?Part of the reason might be found in the director's belief.Jean Delannoy is a true believer: in "Dieu a Besoin des Hommes" he showed spiritual concern.And recently,he released two religious movies in a row " Bernadette" (Soubirous) and "Marie de Nazareth".So maybe ,he changed Hugo's character because it was unbearable to him that a priest should desire a woman.
Alain Cuny,whose portrayal of FRollo is a bit monotonous, had a brilliant career ,from Carné's "Les Visiteurs du Soir" to Fellini's "La Dolce Vita" and "Satyricon".
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