By the time Lana Turner and Ray Milland were paired in this romantic drama, they both seemed to have the "mark" of their respective studios written over them.
Turner's was MGM, and indeed this film was made at that studio. Milland's was Paramount, and he seemed a "guest visitor" to the Metro ambiance.
While both actors were certainly equally successful in their respective careers, their casting did seem a bit strange to me. I kept thinking, what's Paramount doing at MGM?
Not that Milland offered anything but his usual solid work; he just seemed a bit unusual in the total scheme of things. However, being the solid pro he was, he carried off his "slumming millionaire" role with aplomb; likewise Turner gave her part her all.
The script was fair, and Director George Cukor made the most of what he had to work with. In the end an interesting "hybrid," adequately carried off by two thespian entities of varying affiliations.
Turner's was MGM, and indeed this film was made at that studio. Milland's was Paramount, and he seemed a "guest visitor" to the Metro ambiance.
While both actors were certainly equally successful in their respective careers, their casting did seem a bit strange to me. I kept thinking, what's Paramount doing at MGM?
Not that Milland offered anything but his usual solid work; he just seemed a bit unusual in the total scheme of things. However, being the solid pro he was, he carried off his "slumming millionaire" role with aplomb; likewise Turner gave her part her all.
The script was fair, and Director George Cukor made the most of what he had to work with. In the end an interesting "hybrid," adequately carried off by two thespian entities of varying affiliations.