Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough ...
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Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
The Queen of the Night offers her daughter Pamina to Tamino, but he has to bring her back from her father and priest Sarastro. She gives a magic flute to Tamino and magic bells to the bird ... See full summary »
Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough growing up experiences, and as such she is a good judge of character. She believes she can escape her troubles through professional success. Because of her hard work ethic, she quickly does rise to the top of her profession. She attracts the attention of Steve Harleigh, a wealthy copper mine owner. Despite they both knowing that nothing can come between them, they fall in love. The issues are that he lives and works in Montana, and that he is already married. Steve feels guilty about his marital infidelity as his wife, Nora, is physically disabled from a car accident in which he was the cause. Lily has to decide if her own happiness is worth destroying the life of a woman - an invalid - she's never met. Written by
Lily James appears as "Top Model" on the cover of a Life magazine being read by Jim Leversoe. The scene immediately dissolves to the cover of the same Life magazine in a plane with Steve Harleigh, but the cover shot of the Life magazine on the plane is an entirely different pose (but the same outfit and hairdo). See more »
George Cukor & Lana Turner! But Ann Dvorak steals the show!
Lana Turner fresh off a two year "break" in film-making, returns to the screen with MGM and George Cukor. Her time off (due to suspension from refusing MGM's crappy scripts) resulted in a marriage to multi-millionaire Bob Topping and the resulting (and slightly double-chinned) effects of partying and drinking champagne for the duration.
She's supposed to be a "fresh-faced" model from a small town who makes it big in NYC. It's quite a stretch at her age (30)since the role belongs to a MUCH younger actress, but she IS Lana Turner and still beautiful. But don't expect an explosion of Cukor's magic combined with Lana's beauty; it's not happening.
This movie is watchable if you love Lana or Cukor, but the real draw in this film is Ann Dvorak. She plays a washed-up, alcoholic and depressed super-model who mentors Lana briefly upon her arrival in the Big Apple and she steals EVERY scene she's in. The first 20 minutes of this film are the best and belong to Ann Dvorak all the way.
Ray Milland is sleepwalking, boring and unbelievable as the married man smitten with Lana. Not to mention that someone who looks like Lana would hardly be attracted to him! But his wheelchair-bound, suffering and loving wife is played beautifully, deeply and touchingly by Margaret Phillips in one of her only 3 film roles. She is so good that she actually inspires Lana to "act" in the scene they share (gasp!). Barry Sullivan can always be relied upon to play the creepy guy and Lana gets off some good n' nasty verbal shots at him.
There's definitely some glamour moments, but they are far too rare. As George Cukor had noted during filming, costumer Helen Rose was "bereft of talent" and Lana wears some of the geekiest looking and unflattering outfits. But every now and then a mink coat, the right angle and lighting and some stylish camera work highlight the magic of director Cukor and star Turner. But poor Sidney Guilaroff must have been on valium; watching the tight curls on the the side of Lana's head multiply, shrink or stare at you like a group of peonies is part of the show.
The original ending was met so badly at pre-release screenings that a new ending was filmed later on command of the studio. Could it really have been worse than the one released?!?!!
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