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A Life of Her Own (1950)

 |  Drama  |  1 September 1950 (USA)
6.2
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Ratings: 6.2/10 from 489 users  
Reviews: 30 user | 6 critic

Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough ... See full summary »

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Title: A Life of Her Own (1950)

A Life of Her Own (1950) on IMDb 6.2/10

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Nominated for 1 Golden Globe. See more awards »
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Cast

Complete credited cast:
...
...
...
Tom Caraway
...
Jim Leversoe
...
Mary Ashlon
...
Lee Gorrance
Margaret Phillips ...
Nora Harleigh
...
Maggie Collins
...
Jerry
Sara Haden ...
Smitty
...
Specialty Dancer
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Storyline

Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough growing up experiences, and as such she is a good judge of character. She believes she can escape her troubles through professional success. Because of her hard work ethic, she quickly does rise to the top of her profession. She attracts the attention of Steve Harleigh, a wealthy copper mine owner. Despite they both knowing that nothing can come between them, they fall in love. The issues are that he lives and works in Montana, and that he is already married. Steve feels guilty about his marital infidelity as his wife, Nora, is physically disabled from a car accident in which he was the cause. Lily has to decide if her own happiness is worth destroying the life of a woman - an invalid - she's never met. Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

1 September 1950 (USA)  »

Also Known As:

The Abiding Vision  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The ending in the original script had washed-up model Lily James, played by Lana Turner, at forty-five years of age working as a hotel maid. The original ending as filmed had Lily James committing suicide, following in the footsteps of Mary Ashton, the older model Lily meets earlier in the film who jumps to her death from a window. After filming finished in late March 1950 the film was shown to test audiences who gave such a negative reaction to this ending that retakes were done in mid-April 1950, to provide the film with the happier ending that's used in the finished film, much to the dismay of director George Cukor. See more »

Goofs

Lily James appears as "Top Model" on the cover of a Life magazine being read by Jim Leversoe. The scene immediately dissolves to the cover of the same Life magazine in a plane with Steve Harleigh, but the cover shot of the Life magazine on the plane is an entirely different pose (but the same outfit and hairdo). See more »

Quotes

Lily Brannel James: I could put lipstick on like this too.
Steve Harleigh: Yeah, I know.
Lily Brannel James: That's right... you know.
See more »

Soundtracks

A Life of Her Own
(uncredited)
Music by Bronislau Kaper
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User Reviews

 
Derivative Lana Sudser
24 June 2006 | by (United States) – See all my reviews

Lana Turner heads an excellent cast in "A Life of Her Own," a 1950 film directed by George Cukor. Its other stars are Ray Milland, Louis Calhern, Margaret Phillips, Barry Sullivan, Tom Ewell, Ann Dvorak, and Jean Hagen.

Both the beginning of the film and the end are the best parts; the in between is incredibly slow. Turner plays a young woman from Kansas who comes to New York to break into the modeling business. She meets what could be her future if she's not careful: a washed up, alcoholic, desperate has-been, beautifully portrayed by Ann Dvorak. No need to tell you what happens there - you've seen it a million times.

As her career progresses, Turner meets a married millionaire, Steve, played by Ray Milland. She knows he's married and it starts off platonically enough. But, as we learn what seems like hours later, he's a lot more than married.

This is a great cast, right down to the smaller roles, which includes Phyllis Kirk, one of my favorites, and Hermes Pan, who so often worked with Fred Astaire on choreography.

Turner is excellent and has some fine dramatic scenes; Milland is handsome and sympathetic as her boyfriend. Margaret Phillips, as his wife, does a marvelous job, and Tom Ewell is a joy. Actually, everyone is very good.

Alas, there's not much of a script here and you know what's going to happen along the way. The very end shows Cukor's directing mastery. Given what he had to work with by way of a script, it's a very well done movie. I shudder to think what it would have been like in someone else's hands.


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