Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough ...
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Snooty heiress decides to track down her dead sister's kids, who are living a Bohemian life with their uncle in Greenwich Village. Once she finds them, she discovers that the Bohemian life ... See full summary »
When the daughter of Simon Crawford, a successful barrister, is killed in what seems to be a hit and run accident, and the police are unable to find the culprit, Crawford swears that he ... See full summary »
Sent by her employers on an errand to the home of the wealthy Mrs. Vincent, Irene O'Dare meets Don, a friend of Bob, Mrs. Vincent's son. Attracted to Irene, Don decides to invest some money... See full summary »
In this 1953 musical remake of "The Awful Truth" Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires... See full summary »
Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough growing up experiences, and as such she is a good judge of character. She believes she can escape her troubles through professional success. Because of her hard work ethic, she quickly does rise to the top of her profession. She attracts the attention of Steve Harleigh, a wealthy copper mine owner. Despite they both knowing that nothing can come between them, they fall in love. The issues are that he lives and works in Montana, and that he is already married. Steve feels guilty about his marital infidelity as his wife, Nora, is physically disabled from a car accident in which he was the cause. Lily has to decide if her own happiness is worth destroying the life of a woman - an invalid - she's never met. Written by
Lily James appears as "Top Model" on the cover of a Life magazine being read by Jim Leversoe. The scene immediately dissolves to the cover of the same Life magazine in a plane with Steve Harleigh, but the cover shot of the Life magazine on the plane is an entirely different pose (but the same outfit and hairdo). See more »
If it's not you it's somebody like you. Somebody fresh and new, not tired.
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By the time Lana Turner and Ray Milland were paired in this romantic drama, they both seemed to have the "mark" of their respective studios written over them.
Turner's was MGM, and indeed this film was made at that studio. Milland's was Paramount, and he seemed a "guest visitor" to the Metro ambiance.
While both actors were certainly equally successful in their respective careers, their casting did seem a bit strange to me. I kept thinking, what's Paramount doing at MGM?
Not that Milland offered anything but his usual solid work; he just seemed a bit unusual in the total scheme of things. However, being the solid pro he was, he carried off his "slumming millionaire" role with aplomb; likewise Turner gave her part her all.
The script was fair, and Director George Cukor made the most of what he had to work with. In the end an interesting "hybrid," adequately carried off by two thespian entities of varying affiliations.
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