Oscar winner John Ridley has some choice words for Nelson Peltz, the activist investor who’s trying to land two seats on the board of the Walt Disney Co.
In the new episode of Deadline’s Doc Talk podcast, pod co-host Ridley excoriates Peltz for remarks the Trian Fund titan made about Disney’s superhero movies, specifically The Marvels and Black Panther. In reference to The Marvels, which starred Brie Larson, Peltz told the Financial Times, “Why do I have to have a Marvel [film] that’s all women? Not that I have anything against women, but why do I have to do that?”
Apparently in reference to the Black Panther movies, which have made more than $2 billion worldwide, Peltz added, “Why do I need an all-Black cast?”
Ridley rips into Peltz, saying the billionaire has no business near the Disney board room.
And that’s just the capper to a...
In the new episode of Deadline’s Doc Talk podcast, pod co-host Ridley excoriates Peltz for remarks the Trian Fund titan made about Disney’s superhero movies, specifically The Marvels and Black Panther. In reference to The Marvels, which starred Brie Larson, Peltz told the Financial Times, “Why do I have to have a Marvel [film] that’s all women? Not that I have anything against women, but why do I have to do that?”
Apparently in reference to the Black Panther movies, which have made more than $2 billion worldwide, Peltz added, “Why do I need an all-Black cast?”
Ridley rips into Peltz, saying the billionaire has no business near the Disney board room.
And that’s just the capper to a...
- 4/2/2024
- by Matthew Carey
- Deadline Film + TV
[Editor's Note: This article was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the film being discussed here wouldn't exist.]
“Joe Lynch is no Stuart Gordon!” That’s what many horror fans (yours truly included) have been shouting to the heavens since it was announced that the Wrong Turn 2: Dead End (2007) and Mayhem (2017) director was helming the late master of horror and his frequent collaborator Dennis Paoli’s long-unproduced adaptation of H.P. Lovecraft’s 1933 short story, The Thing On the Doorstep. Famous for their work together on Re-Animator, From Beyond, Castle Freak, and Dagon, finding a suitable fit to bring the project to the screen after decades of false starts and the death of the maestro would seem a fool’s errand, but Barbara Crampton, the actor most associated with Gordon’s body of work, was up to the task. She hand-picked Lynch, and right she was to do so, because, wonder of wonders Suitable Flesh is less suitable than it is superlative: a playful, gleefully horny Lovecraftian thriller...
“Joe Lynch is no Stuart Gordon!” That’s what many horror fans (yours truly included) have been shouting to the heavens since it was announced that the Wrong Turn 2: Dead End (2007) and Mayhem (2017) director was helming the late master of horror and his frequent collaborator Dennis Paoli’s long-unproduced adaptation of H.P. Lovecraft’s 1933 short story, The Thing On the Doorstep. Famous for their work together on Re-Animator, From Beyond, Castle Freak, and Dagon, finding a suitable fit to bring the project to the screen after decades of false starts and the death of the maestro would seem a fool’s errand, but Barbara Crampton, the actor most associated with Gordon’s body of work, was up to the task. She hand-picked Lynch, and right she was to do so, because, wonder of wonders Suitable Flesh is less suitable than it is superlative: a playful, gleefully horny Lovecraftian thriller...
- 9/25/2023
- by Rocco T. Thompson
- DailyDead
Many of the most important queer films in cinema history share a birthplace: the Sundance Film Festival. Organized by the Sundance Institute, the legendary annual fest in Park City, Utah, has boasted international and U.S. premiere titles as varied as the groundbreaking New York ballroom documentary Paris Is Burning in 1991, Donna Deitch’s 1985 lesbian road drama Desert Hearts or even recent masterworks like Luca Guadagnino’s 2017 adaptation of Call Me by Your Name.
The Hollywood Reporter spoke with Kim Yutani, director of programming at Sundance, about some of the most important Lgbtqia+ films to debut there.
“Seeing the films that Sundance has programmed over the years, especially around the early 1990s with the New Queer Wave, that was what attracted me to Sundance,” says Yutani, who’s been working with the festival for 17 years, and has also worked in various positions within the film industry, like as Gregg Araki...
The Hollywood Reporter spoke with Kim Yutani, director of programming at Sundance, about some of the most important Lgbtqia+ films to debut there.
“Seeing the films that Sundance has programmed over the years, especially around the early 1990s with the New Queer Wave, that was what attracted me to Sundance,” says Yutani, who’s been working with the festival for 17 years, and has also worked in various positions within the film industry, like as Gregg Araki...
- 6/26/2023
- by Hilton Dresden
- The Hollywood Reporter - Movie News
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