It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly...
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An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
Female authors gather at a small northern coastal retreat to work on their writing skills. A first-time guest who lives for the moment finds herself struggling with her sexuality after ... See full summary »
The talented Jane Hawkins (Dreya Weber, Lovely & Amazing) was an impressive gymnast at the top of her game until a devastating injury ended her career. Now she pours the passion, strength ... See full summary »
David De Simone
Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranchowner's daughter. The emotions released by their developing intimacy, and Vivian's insecurities about her feelings towards Cay, are played out against a backdrop of rocky landscapes and country and western songs. Written by
Neil Lewis <email@example.com>
In the hotel room when Vivian recounts to Cay the confrontation earlier between herself and Francis, she says she (Vivian) was standing in the rain when in reality the confrontation took place when the weather was sunny and dry. See more »
[after Vivian breaks away from a passionate kiss]
We don't have to stop.
Where did you learn to kiss like that?
I don't know where that came from. It's back where it belongs, and I don't want to talk about it anymore. Take me back.
[tries to look through the rain on the windshield]
I can't see a thing!
I'll take my chances. Just drive.
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This is possibly the best lezzie film made thus far. It has enough production values to be attractive, yet does not have the big Hollywood machinery that grinds everything into pablum. It's also not a sex film, but it is a fine indie effort. Both Shaver and Charbonneau are highly appealing.
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