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Based on a short story by H.P. Lovecraft, the undisputed master of the macabre, Dagon tells the story of Paul Marsh, a young man who discovers that the truth will not set him free instead it condemns him to a waking nightmare of unrelenting horror. A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca looking for help. As night falls, people start to disappear and things not quite human start to appear. Paul finds himself pursued by the entire town. Running for his life, he uncovers Imboca's dark secret: that they pray to Dagon, a monstrous god of the sea. And Dagon's unholy offspring are freakish half-human creatures on the loose in Imboca... Written by
Friday Jones <firstname.lastname@example.org>
When Paul and Bárbara come close to Imboca, both see strange buildings supported over four pillars with a trident symbol on the roof. These buildings are actually raised granaries ("hórreos" in the original Spanish), a typical building in the north of Spain used to keep the harvest collected during the summer and preserve it for autumn and winter. Raised granaries are crowned by the Christian cross, changed for the movie to the symbol of Dagon's cult, a trident. When the movie ended, the tridents were retired. See more »
In the house full of water, Abuelo forces Paul's head into a filthy toilet. When the toilet is shown in the same scene, it is totally white. See more »
You cannot care for her. You do not dream of her! You will go soon to a beautiful place. You will forget your world and your friends. There will be no time, no end, no today, no yesterday, no tomorrow - only the forever and forever, and forever without end. It is your fate. It is your destiny.
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This movie is based more on "The Shadow Over Innsmouth", "The Festival" or "The Stange High House in th Mist" than on "Dagon". Still, this sort of strange tale tends to fall into a certain pattern and if you enjoy this movie, you may find that you like Lovecraft's tales also. This movie captures the atmosphere of many of these stories and presents some of their weird concepts as well as any I have seen. It also plays sort of like an adventure serial, so it dosn't hurt that the hero is played in the manner of Harold Lloyd. There is plenty of comedy and gruesomeness, and the question of whether human self-determination or monstrous outside forces are stronger gets asked, in a nice graphic, non-preachy way. My only complaints are the "orchestral crash" which accompanies some of the shock effects, and the fact that aside from one showing in Hollywood two days ago, this movie seems destined only to be seen on the small screen in North America!
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