Following the news of Marc Weinstock’s new oversee of a unified global marketing and distribution team at Paramount as President of Worldwide Marketing & Distribution, we’ve received news this morning that a re-organization of both departments are occurring as the studio looks to meet consumers’ accelerated demands for content in a continued pandemic world.
Below is Weinstock’s note to staff:
Dear Colleagues,
Today we are announcing a set of strategic structural changes to our marketing and distribution operations around the world that will set us up for a future of greater efficiency and collaboration globally, allowing us to further evolve and be even more impactful in a rapidly changing marketplace.
To achieve full integration of our Domestic and International Marketing teams, the following departments will now become global teams under the leadership of Danielle DePalma, EVP Global Marketing: Digital Marketing, Data Analytics, and Brand Marketing & Strategy.
Reporting to Danielle will be:
Tamar Teifeld,...
Below is Weinstock’s note to staff:
Dear Colleagues,
Today we are announcing a set of strategic structural changes to our marketing and distribution operations around the world that will set us up for a future of greater efficiency and collaboration globally, allowing us to further evolve and be even more impactful in a rapidly changing marketplace.
To achieve full integration of our Domestic and International Marketing teams, the following departments will now become global teams under the leadership of Danielle DePalma, EVP Global Marketing: Digital Marketing, Data Analytics, and Brand Marketing & Strategy.
Reporting to Danielle will be:
Tamar Teifeld,...
- 11/17/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Karl Williams, the longtime Paramount Pictures publicist who was integral in campaigns for the studio’s Transformers, Iron Man, Star Trek, Indiana Jones and other franchises, died Sunday of liver complications at Glenbrook Hospital in Glenview, Il. He was 52.
For those like me who worked with Karl, he was a hysterically funny, good-guy, cinema savant and ultimate fanboy — a trailblazer in digital PR before any studio employed such experienced flacks in the current Twitter/YouTube/Facebook/Snapchat-obsessed promo era. For reporters, he was the face of the studio he worked with, notably Paramount, where he spent the bulk of his career. And for those who annually spent time with Karl at Burning Man, he was that groovy guy who ran camp.
Even when Karl was the assistant to a bigger PR exec, he had the answers and the access, whether it was getting you into a screening or possibly getting you into a premiere.
For those like me who worked with Karl, he was a hysterically funny, good-guy, cinema savant and ultimate fanboy — a trailblazer in digital PR before any studio employed such experienced flacks in the current Twitter/YouTube/Facebook/Snapchat-obsessed promo era. For reporters, he was the face of the studio he worked with, notably Paramount, where he spent the bulk of his career. And for those who annually spent time with Karl at Burning Man, he was that groovy guy who ran camp.
Even when Karl was the assistant to a bigger PR exec, he had the answers and the access, whether it was getting you into a screening or possibly getting you into a premiere.
- 2/2/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Hollywood union publicists have selected Warner Bros.’ “Joker” and Disney’s “The Mandalorian” as winners of the Maxwell Weinberg Awards for top publicity campaigns last year.
The awards were announced Friday afternoon at the Beverly Hilton by the International Cinematographers Guild Publicists.
“Joker” won the feature film award and topped the publicity teams behind Netflix’s “The Irishman,” Universal’s “Us,” Sony’s “Once Upon A Time In Hollywood,” Paramount’s “Rocketman” and Disney-Marvel’s “Avengers: Endgame.” The Joaquin Phoenix vehicle was a smash with more than $1 billion in global box office along with receiving 11 Academy Award nominations.
The first season of Disney Plus’ “The Mandalorian” took the television awards over the campaigns for “Catch 22,” “Fosse/Verdon,” “Pose,” and “Stranger Things.”
Steven Huvane of Slate PR won the Les Mason award, presented by longtime client Jennifer Aniston, who told the audience, “You really are some of the hardest working people in this town.
The awards were announced Friday afternoon at the Beverly Hilton by the International Cinematographers Guild Publicists.
“Joker” won the feature film award and topped the publicity teams behind Netflix’s “The Irishman,” Universal’s “Us,” Sony’s “Once Upon A Time In Hollywood,” Paramount’s “Rocketman” and Disney-Marvel’s “Avengers: Endgame.” The Joaquin Phoenix vehicle was a smash with more than $1 billion in global box office along with receiving 11 Academy Award nominations.
The first season of Disney Plus’ “The Mandalorian” took the television awards over the campaigns for “Catch 22,” “Fosse/Verdon,” “Pose,” and “Stranger Things.”
Steven Huvane of Slate PR won the Les Mason award, presented by longtime client Jennifer Aniston, who told the audience, “You really are some of the hardest working people in this town.
- 2/7/2020
- by Dave McNary
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.