After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it. Written by
The Air East Asia airliner that Indiana Jones and Marion Ravenwood take to Cairo is an example of the iconic Douglas DC-3. One of the most significant aircraft of all time, the DC-3 and its military variant (the C-47) were produced from 1936 to 1950. See more »
Indy flies from Nepal to Cairo on-board a Douglas DC-3 which makes stopovers at Karachi (Pakistan - part of India in 1936), Baghdad (Iraq) and finally arriving in Cairo. With the exception of the Baghdad-Cairo stretch (about 800 miles), all of these flight stretches (which range from 1200-1500 miles) are way too long for the DC-3's maximum range of approximately 1000 miles. See more »
[picking up poison dart]
The Hovitos are near. The poison is still fresh, three days. They're following us.
If they knew we were here, they would've killed us already.
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The mountain in the Paramount logo dissolves into the mountain in the Peruvian jungle. See more »
There are only so many films in history that I can watch again and again, gaining new appreciation for, one of them is this film. I went from the movies to VHS, and finally to DVD. The availability and quality of this film keep raising the bar of what I can get from it.
I read someone posted that this is the king of B movies or something of that sort, while I honestly think in some scenes like when Indy is running from the Hovitos and he rises over the hill, the film had a really strange documentary feeling, like if a comic actually came to life and like in the Twilight Zone, you were stuck in it. It is great to see this film, now that I edit and produce small independent films, and have worked in post production in Los Angeles. I honestly think almost every scene in this film is better than what's coming out today in sci-fi/adventure. I might pull back that comment in regards to some nice visuals in Riddick, and maybe the new Star Wars: Revenge of the Sith, but I'm not certain.
The amount of time and effort put into the comedy, adventure, and depth of each character dazzles me because I really can't tell it was filmed the same year Fame was. It really has a unique look to it. The key lighting in the piece is amazing, almost everything looks like it was perfectly worked out.
My only complaint is the attempt to visualize the opening of the Ark, as most of the other scenes don't deal with the supernatural except maybe a burning crate with a nazi symbol on it. George should redo that last scene in my opinion, and tighten it up, because I really think it wasn't coming together, however when I was a child it was so amazing and scary realistic. It's all perspective, but my point it that now in this modern filming era, the acting and film production is holding tight to this day.
I forward you to just enjoy this film and look for things like formulas on chalkboards, skeletons in classrooms, proper patches on Nazi gear, gun accuracy. Research the film's era and background, and it only gets better. That's the ability that Spielberg and Lucas have, attention to detail and clever twists on most of their bodies of work.
Watch this film again, it's worth it, I promise you.
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