After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together ... See full summary »
Nicolas Winding Refn
The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it. Written by
John Williams had actually written two themes for the film. He played them both for Steven Spielberg on the piano and Spielberg loved them so much, he suggested that Williams use both of them. He did and the result was the famous "Raiders March," performed by Star Wars: Episode IV - A New Hope (1977)'s London Symphony Orchestra (who did not perform in any more Indiana Jones films). The March has become one of the most popular movie themes of all time. See more »
During the "basket chase", Marion climbs into a basket and pulls the lid partially closed. However, the next cut shows the lid fully closed. See more »
[picking up poison dart]
The Hovitos are near. The poison is still fresh, three days. They're following us.
If they knew we were here, they would've killed us already.
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The mountain in the Paramount logo dissolves into the mountain in the Peruvian jungle. See more »
I've seen Raiders of the Lost Ark numerous times on TV, DVD and big screen. My local theatre had a special showing last night and the 400-seat screen completely sold out (as Indy films always do). Luckily for me and my pal, we got the last 2 tickets available! I can't think of many films that still sell-out 25 years after their original release. There's just something about Indy movies(iconic hero, affection, epic spectacle) that brings you back again and again.
The only trouble with that is there are zillions of reviews, critiques and dissections of this movie already out there, so what I have to offer will probably not be anything new. I will however not go the way of the cliché and mention 1930's serials, Tom Selleck or the sword/gun fight.
I will, however, ask you one question. Did you know that some of the more iconic, memorable sequences from Raiders owe quite a lot to Duck Tales? What? Surely it's the other way around? Well, no. The globe-trotting adventures of Scrooge McDuck, Huey, Duey, Luey and Donald in Carl Bank's Disney comic-books from the 50s came first. If you can find some of these then you'll surely notice the similarities.
The hunt for the Ark of the Covenant is more than just an excuse for action. So many movies these days seem to come up with action first and string them together with some lame plot. Movies like this are quickly forgotten and one of the reasons Raiders holds up so well is because it works the Covenant story so well into the plot.
The action comes in a succession of set-pieces. I do enjoy films that have to increasingly better themselves in every scene. Raiders introduced this as a standard that the sequels had to live up to. My fave scene has to be the massive truck chase through Egypt, which is made up of many of its own smaller sequences. One little idiosyncrasy I like about Indy is that even though he's a College Professor and Doctor, he has no beef killing people. So very far from the ubiquitous PC heroes of todays movies.
You might think that it's rather geeky to hype up the editing and sound design, but they do stand out from recent action movies. The gunfire and punching seem to have a sort of 'Indy' signature sound to them, that I've not heard in any other films. And obviously, John William's classic score is one of those themes that just everybody in the world knows (though I prefer his score to Temple of Doom), truly one of the best movie themes ever. Better than Star Wars!
I'm not sure if Spielberg planned on Raiders starting the Indy franchise but there's already enough in here to establish a whole universe of potential stories and character arcs. There's talk of a fourth movie at the moment, but I personally don't think it will happen and I don't want it to. It's perfect existing as a trilogy and a sequel that comes traipsing in 18 years after the last is just not going to feel right. Even if you are hungry for more Indy then there are loads of books and video games out there and then there's the Young Indiana Jones TV show (where are the DVDs?), which are official Indy canon and even starred Ford once (they bounced around in time).
I am giving Raiders 9/10 because I just have a soft spot for Temple of Doom (which is obviously a 10/10 movie). Even 25 years after it first came out it still has the power to captivate the audience and provoke sheer excitement every time. And in 25 years it will still be far superior to almost everything.
Now there's something you cannot say about The Fast and the Furious! Sigh, where did all the special movies go?
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