Celebrated director William Wyler directed 19 feature films in 1927 alone. To put that into perspective, Stanley Kubrick directed 13 in his whole career.
Wyler is one of the more towering figures in American cinema, holding the record for the greatest number of Oscar nominations for Best Director at 12, and has won three times for "Mrs. Miniver," for "The Best Years of Our Lives," and for "Ben-Hur." Additionally, his films have attracted more Oscar attention than any other filmmaker in history; 13 of them have been nominated for Best Picture, and he directed 14 Oscar-winning performances. If you are playing Trivial Pursuit and the question is about records at the Academy Awards, William Wyler is likely your best guess.
As one of the tentpoles of Hollywood's Golden Age, naturally, Wyler was afforded access to the best actors and actresses, and seemingly had his run of whatever projects he wanted. Throughout the 1920s, Wyler paid his...
Wyler is one of the more towering figures in American cinema, holding the record for the greatest number of Oscar nominations for Best Director at 12, and has won three times for "Mrs. Miniver," for "The Best Years of Our Lives," and for "Ben-Hur." Additionally, his films have attracted more Oscar attention than any other filmmaker in history; 13 of them have been nominated for Best Picture, and he directed 14 Oscar-winning performances. If you are playing Trivial Pursuit and the question is about records at the Academy Awards, William Wyler is likely your best guess.
As one of the tentpoles of Hollywood's Golden Age, naturally, Wyler was afforded access to the best actors and actresses, and seemingly had his run of whatever projects he wanted. Throughout the 1920s, Wyler paid his...
- 3/10/2023
- by Witney Seibold
- Slash Film
Part of the Jerry Lewis tribute A Mubi Jerrython. Over the course of my forty years as the Los Angeles correspondent for Cahiers du cinema, I wrote about what was happening in American cinema, inventing a way of doing so inspired by Joan Didion’s essay “Having Fun,” which first appeared in The New Yorker. Ironically, Didion’s essay was a blast at the seriousness of people writing about film from outside the business who didn’t understand the inner workings of the studio system. When I met Serge Daney, the editor-in-chief of the Cahiers, at the New York apartment of Jackie Raynal and Sid Geffen on the occasion of the first Semaine des Cahiers in New York in 1977, which I had helped organize, we hit it off immediately. But he was understandably reluctant to entrust to someone who appeared to have been living in a subway the job I...
- 12/26/2017
- MUBI
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