Mrs. Miniver (1942)

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Miniver's son courts Lady Beldon's granddaughter. A rose is ... See full summary »

Director:

William Wyler

Writers:

Arthur Wimperis (screenplay), George Froeschel (screenplay),

Stars:

Greer Garson, Walter Pidgeon, Teresa Wright

Won 6 Oscars. Another 3 wins & 6 nominations.

Cast

Cast overview, first billed only:
Greer Garson	...	Mrs. Miniver
Walter Pidgeon	...	Clem Miniver
Teresa Wright	...	Carol Beldon
Dame May Whitty	...	Lady Beldon
Reginald Owen	...	Foley
Henry Travers	...	Mr. Ballard
Richard Ney	...	Vin Miniver
Henry Wilcoxon	...	Vicar
Christopher Severn	...	Toby Miniver
Brenda Forbes	...	Gladys - Housemaid
Clare Sandars	...	Judy Miniver
Marie De Becker	...	Ada
Helmut Dantine	...	German Flyer
John Abbott	...	Fred
Connie Leon	...	Simpson

Storyline

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Miniver's son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose.

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Plot Keywords:

rose | middle class | dunkirk | england | air raid | 

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Taglines:

In Her Arms . . . He Felt A Quiet Peace No Terror Could Disturb

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Genres:

Drama | Romance | War

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Certificate:

Approved

Details

Country:

USA

Language:

English German

Release Date:

1 December 1942 (Sweden)

Also Known As:

A Família Miniver

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Box Office

Budget:

$1,344,000 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

134 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

First movie to receive five acting nominations at the Academy Awards.

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Goofs

The "double decker" bus seen in the opening sequence is not a British bus at all, nor was it actually a double decked bus. An American bus was used, with a false upper deck grafted on to it. The American-style passenger door can be seen on the right-hand side in the bus's first appearance; a real London Transport bus would have had its door on the left-hand side.

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Quotes

Clem Miniver: Good ol' Vin.
Kay Miniver: Good luck, Vin!

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Connections

Referenced in The Dick Van Dyke Show: Long Night's Journey Into Day (1966)

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Soundtracks

"Pomp and Circumstance March No.1 in D Major, Op.39"
(1901) (uncredited)
Composed by Edward Elgar
In the score during the end credits

User Reviews

A film which justifies its status as a major classic.

It must be over 50 years since I first saw this classic film, and for some reason I never watched it again until recently. To do so was an interesting experience - reliving many memories of the war years which I mostly spent in London. I think the reason why there was such a long interval before I decided to watch it again was a subconscious recognition that it was produced at a time of crisis, largely for political reasons, and a feeling this was unduly evident in the screenplay. Mrs. Miniver was released a few months after Pearl Harbour, at a time when many U.S. citizens wondered why their country should be expending its efforts fighting in Europe when it was Japan which had attacked them The film was quite clearly written, produced and directed with the objective of answering this question. Winston Churchill has made it clear that he regarded the release of this film as one of the biggest single contributions made to the allied war effort (worth, in his words, "a flotilla of destroyers"), and it is hard today not to regard the film as primarily a piece of patriotic propaganda. However the deft and capable direction of William Wyler and the almost uniformly great acting by the cast, particularly Greer Garson as Mrs. Miniver, go a very long way towards concealing the fact that one is viewing a film with a message and few would deny that the Oscars it won were thoroughly deserved. Mrs. Miniver certainly earns its place on any short list of film classics.

There are of course already many comments on this film in the database, I would have been reluctant to add any more but for the realization that people of my age who lived in England during the war are becoming increasingly few, and our comments - which must have a rather different perspective to those of younger generations - will not continue to be available for very much longer. Many of the very fine sequences in this film have already been reviewed more than adequately by others and I will not comment further on them; but two sequences which I found particularly evocative were the call on amateur sailors to help evacuate the British army from Dieppe, and the pub scene where the locals were listening to the British traitor Lord Haw Haw broadcasting from Germany and telling his listeners how futile any further resistance would be. In stating this, I am simply confirming that for such documentary type films people who lived through the events depicted will assess the film on the basis of their personal memories rather than on their cinematographic quality.

Ultimately, both on its first viewing and when viewing it again a few days ago, I found that for me watching Mrs. Miniver was irritating because it inevitably showed an American view of life as it was in England. Numerous very small points indicated that we were seeing a glimpse of middle class English life through American eyes. Whilst as an English born viewer I found this irritating, it did not in any way detract from the primary purpose of the film in showing Americans what life in wartime Britain was really like, and why their involvement in the war in Europe was so vital. Ultimately I had to accept that this was a great film which well deserves its classic status.