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Mrs. Miniver (1942)

7.7
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Ratings: 7.7/10 from 9,378 users  
Reviews: 78 user | 45 critic

A British family struggles to survive the first months of World War II.

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(screenplay), (screenplay), 5 more credits »
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Title: Mrs. Miniver (1942)

Mrs. Miniver (1942) on IMDb 7.7/10

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Won 6 Oscars. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
...
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...
...
Vicar
Christopher Severn ...
Brenda Forbes ...
Gladys - Housemaid
Clare Sandars ...
Marie De Becker ...
Ada
Helmut Dantine ...
German Flyer
...
Fred
Connie Leon ...
Simpson
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Storyline

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Minivers' son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose. Written by Michael Rice <TheMikeRic@aol.com>

Plot Summary | Plot Synopsis

Taglines:

"Mrs. Miniver" is more than a picture -- It's dramatic. It's tender. It's human. It's real. See more »

Genres:

Drama | Romance | War

Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 December 1942 (Sweden)  »

Also Known As:

A Família Miniver  »

Box Office

Budget:

$1,344,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on December 6, 1943 with Greer Garson, Walter Pidgeon and Henry Wilcoxon reprising their film roles. See more »

Goofs

Mr. Ballard's rose would not have survived the number of months over which the course of the story takes place until the flower show. See more »

Quotes

Kay Miniver: I think it's lovely having flowers named after you.
See more »

Crazy Credits

Opening credits prologue: This story of an average English middle-class family begins with the summer of 1939; when the sun shone down on a happy, careless people, who worked and played, reared their children and tended their gardens in that happy, easy-going England that was so soon to be fighting desperately for her way of life and for life itself. See more »

Connections

Referenced in Hitler's Irish Movies (2007) See more »

Soundtracks

Onward, Christian Soldiers
(1871) (uncredited)
Music by Arthur Sullivan
Lyrics by Sabine Baring-Gould (1865)
Sung by all at a church service
See more »

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User Reviews

 
It isn't sappy!
2 October 1999 | by (Cincinnati, Ohio USA) – See all my reviews

I avoided watching "Mrs. Miniver" for years because I assumed it was a treacly, sentimentalized film that ignored what I considered the real issues of war. Knowing Greer Garson, who I considered the anti-Crawford, starred in it gave me more of an excuse.

I finally watched it as "film homework" and loved it. It's about an upper-middle-class English family (although most of the American actors are terrible holding their accents) and their experience in the early years of World War II.

A swiftly-moving storyline takes us from the complacency of peace through air raids, Dunkirk and tragedy. No one is a super-hero, but decent people who understand they must put aside their personal concerns and do what must be done to fight for their country and freedom. No one preaches except the minister and he, only rarely.

Of course, it being England, there's time for a flower show, and being a movie, there's a romance (WWII was not kind to Theresa Wright's characters, however).

The film's remarkable pacing is one of its great highlights. Long transitions are covered in the merest of hints; a comment that a servant has departed, for example. Yet there's time for powerful, lengthy scenes such as that of the Minivers holed up in a crude bomb shelter with their two young children, away from their storybook home. Despite the increasingly hellish crash of bombs and bullets, they try to chat about knitting and such. But soon the fear builds to an unbearable climax and the family desperately clings to one another.

The acting is generally superb, and much of the story is told through silent shots of the stars, rather than dialog. Few moments are as touching as the shot of the glowing young wife seeing her husband off to war, admiring his courage, contrasted by the barely hidden fear and maturity of the mother.

You can nit-pick; the movie has many of the conventional stylistic hallmarks of the period. But it is the masterpiece it has long been hailed.


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