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Mrs. Miniver (1942)

Approved  |   |  Drama, Romance, War  |  1 December 1942 (Sweden)
7.7
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Ratings: 7.7/10 from 10,104 users  
Reviews: 79 user | 48 critic

A British family struggles to survive the first months of World War II.

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(screenplay), (screenplay), 6 more credits »
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Won 6 Oscars. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
...
...
...
...
Christopher Severn ...
Brenda Forbes ...
Gladys (Housemaid)
Clare Sandars ...
Marie De Becker ...
Ada
Helmut Dantine ...
German Flyer
...
Fred
Connie Leon ...
Simpson
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Storyline

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Minivers' son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose. Written by Michael Rice <TheMikeRic@aol.com>

Plot Summary | Plot Synopsis

Taglines:

VOTED THE GREATEST MOVIE EVER MADE! See more »

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 December 1942 (Sweden)  »

Also Known As:

A Família Miniver  »

Box Office

Budget:

$1,344,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

First movie to receive five acting nominations at the Academy Awards. See more »

Goofs

After Mrs. Miniver hands the German pilot a bottle of milk to drink, spilled milk appears all over his coat the damage to the coat changes plus the milk down the front changes. See more »

Quotes

Toby Miniver: Are you going to marry Carol, Vin?
Vin Miniver: Well, since you bring it up, Toby... I haven't had the nerve to ask her.
Toby Miniver: Why not? You're brave, aren't you?
Judy Miniver: Don't be so silly, Toby. Gentlemen don't propose when they're eating.
Toby Miniver: Why not?
Judy Miniver: Well, it isn't romantic.
Vin Miniver: Of course it isn't.
Carol Beldon: Toby.
Toby Miniver: What?
Carol Beldon: Why don't you ask me if I'm going to marry Vin?
[...]
See more »

Crazy Credits

End of the film: AMERICA NEEDS YOUR MONEY BUY DEFENSE BONDS AND STAMPS EVERY PAY DAY See more »


Soundtracks

Pomp and Circumstance March No.1 in D Major, Op.39
(1901) (uncredited)
Composed by Edward Elgar
In the score during the end credits
See more »

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User Reviews

Watch out for the backs of the heads!
27 February 2000 | by (Caversham, England) – See all my reviews

What a wonderful film Mrs Miniver still is 58 years later. Like Coppola's 'Gardens of Stone', it deals with war by following the lives of those affected by it, and without showing any combat. It's moving, but unlike many other films of the period, totally unsentimental, though has many warm and winning moments (Pidgeon spanking Garson as the maid walks in, following an eventful morning, to say the least!)

Two sequences particularly clicked on this viewing. The first involves the son/pilot who is recalled to service abruptly when his leave has only just begun. He goes upstairs to get his belongings, the mother and fiancée are left in the room, with the backs of their heads to camera - a most unusual shot 'against the rules' of filming. Then you realise the centre of attention is the space left on the stair by the son - they and we are missing him, awaiting his return, but only for a moment as he must leave again. It's as poignant as the doorway framing scenes in 'The Searchers', and rather subtle.

Another scene is the family in the air raid shelter undergoing a bombing attack. The claustrophobia of the situation, and the bravery and dignity of the powerless family caught there, is focused by a single point of view. The unspoken fear is on the face of Garson, vocalised by the kids who finally awake as the bombardment increases. Long, simple takes perfectly capture the intense atmosphere (and exceptional acting.

When I was young I never appreciated this art of 'invisible' film-making, and just why such directors as William Wyler or Preston Sturges or Billy Wilder do such a good job without you even noticing. The fact their films stand the test of time so well is testament to their wonderful abilities as film-makers.


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