Exclusive: Dubai-based sales agent Cercamon Docs has come aboard to handle worldwide sales on Ben Chace’s Music Pictures: New Orleans, which is set to bow at the Tribeca Film Festival in June. The company will introduce the film to buyers during the Cannes Market.
A Lilting Films production, Music Pictures is comprised of legacy portraits of four New Orleans music figures. They include Grammy Award winner Irma Thomas, whose song “Anyone Who Knows What Love Is” featured in the Fifteen Millions Merits episode of Black Mirror; The Tremé Brass Band, a recipient of the National Heritage Fellowship; Little Freddie King, a charter member of the New Orleans Jazz & Heritage Festival; and the late Ellis Marsalis, father of Branford and Wynton, who was inducted into the Louisiana Music Hall of Fame in 2018. The film includes Marsalis’ last recorded interviews and sessions.
Cercamon Docs Head Suzanne Nodale said, “Music Pictures allows...
A Lilting Films production, Music Pictures is comprised of legacy portraits of four New Orleans music figures. They include Grammy Award winner Irma Thomas, whose song “Anyone Who Knows What Love Is” featured in the Fifteen Millions Merits episode of Black Mirror; The Tremé Brass Band, a recipient of the National Heritage Fellowship; Little Freddie King, a charter member of the New Orleans Jazz & Heritage Festival; and the late Ellis Marsalis, father of Branford and Wynton, who was inducted into the Louisiana Music Hall of Fame in 2018. The film includes Marsalis’ last recorded interviews and sessions.
Cercamon Docs Head Suzanne Nodale said, “Music Pictures allows...
- 5/11/2022
- by Nancy Tartaglione
- Deadline Film + TV
Shooting a feature film in Cuba comes with a unique set of challenges that make the usual logistical hurdles of filmmaking seem like nothing. Still, those who have had the opportunity to shoot in the socialist country say they wouldn’t trade the experience for anything. As the U.S. trade embargo with Cuba comes to an end, film production in the country is expected to ramp up.
While Hollywood studio productions like “Fast 8” and “Transformers: The Last Knight” claimed to be “making history” earlier this year by being the first American films to shoot in Havana in half a century, two American directors had already shot independent films in Cuba on the heels of the relaxed travel restrictions by the United States government: Bob Yari’s “Papa Hemingway in Cuba” and Ben Chace’s “Sin Alas” (“Without Wings”).
Read More: ‘Sin Alas’ – First American Film Shot in Cuba...
While Hollywood studio productions like “Fast 8” and “Transformers: The Last Knight” claimed to be “making history” earlier this year by being the first American films to shoot in Havana in half a century, two American directors had already shot independent films in Cuba on the heels of the relaxed travel restrictions by the United States government: Bob Yari’s “Papa Hemingway in Cuba” and Ben Chace’s “Sin Alas” (“Without Wings”).
Read More: ‘Sin Alas’ – First American Film Shot in Cuba...
- 6/23/2016
- by Graham Winfrey
- Indiewire
With President Obama and our government not only loosening restrictions on travel to and from Cuba but the president himself making a trip down to the island nation, Cuba is on the verge of going from a rarely seen locale to a burgeoning home for culture that it has always truly been. And thankfully, film isn’t avoiding this.
This week marks the debut of the latest film from director Ben Chace, and while it is itself simply a superb, dream-like motion picture, it’s also a much needed view into the beauty and rich history of this nation.
Entitled Sin Alas, Chace looks to multiple generations of Cuba, surveying its past, present and possibly future through a story of lost love. Sin Alas introduces us to Luis Vargas, a Cuban writer who lives day to day trying to keep his family afloat in a struggling Cuban economy. While much of the film is set during this current day period, we see glimpses of his past, from his time in Hershey, Cuba where his father worked for a certain candy company to the central narrative involving a famous dancer Isabella Munoz, who Vargas loved and ultimately lost. Upon hearing Isabella had died, Vargas goes on a journey to find out just what happened, only to encounter a series of memories that both deepen the narrative itself while also introducing us to the history of Cuba in the broadest sense.
Based loosely on the Jorge Luis Borge story The Zahir, this is a supremely entertaining and supremely important piece of work. The conceit itself isn’t all that remarkable, as this type of narrative structure itself could be arguably considered a cliche. The joy of this film isn’t in watching as Chace weaves a time-twisting narrative. It’s in the specifics of the said narrative. Marked by a breathtaking score from Aruan Ortiz, this is as much a journey into the history of Cuban culture as it is a specific narrative about a specific character and his specific life experiences. Far more interested in cloaking the central narrative within a much broader cultural landscape, this film thrives when it embraces the culture surrounding the narrative. From location shooting at places like The Palermo Bar and The Hotel Astor, Chace’s picture oozes the energy of Cuba from first frame to last.
It’s also simply a gorgeous piece of filmmaking. Again, a deeply energetic picture, Sin Alas is a lushly composed drama that takes the 16mm photography shot by Listen Up, Philip Dp Sean Price Williams and uses it to evoke the sun soaked, hedonistic feel of Cuba, a nation that’s as important artistically on a global level as it is specifically oppressed by its government. A superb sensory experience, the film has a subtitle of “A Cuban Love Story,” and while that may seem maudlin, there are few things as perfectly stated as that. The narrative sounds like a typical love story, but in its specifics and its aesthetics this film is a decidedly Cuban story woven with a love and admiration for everything that makes Cuba the sensual nation that it is.
With performances that are, across the board, great (I’m partial to Yulisleyvis Rodrigues’ sexy turn as Isabela but Carlos Padron’s lead is also remarkable), Sin Alas is not just the first American film shot in Cuba since 1959. It’s also one of this year’s great surprises, a film that will hopefully find a following as it makes its way on the arthouse scene.
This week marks the debut of the latest film from director Ben Chace, and while it is itself simply a superb, dream-like motion picture, it’s also a much needed view into the beauty and rich history of this nation.
Entitled Sin Alas, Chace looks to multiple generations of Cuba, surveying its past, present and possibly future through a story of lost love. Sin Alas introduces us to Luis Vargas, a Cuban writer who lives day to day trying to keep his family afloat in a struggling Cuban economy. While much of the film is set during this current day period, we see glimpses of his past, from his time in Hershey, Cuba where his father worked for a certain candy company to the central narrative involving a famous dancer Isabella Munoz, who Vargas loved and ultimately lost. Upon hearing Isabella had died, Vargas goes on a journey to find out just what happened, only to encounter a series of memories that both deepen the narrative itself while also introducing us to the history of Cuba in the broadest sense.
Based loosely on the Jorge Luis Borge story The Zahir, this is a supremely entertaining and supremely important piece of work. The conceit itself isn’t all that remarkable, as this type of narrative structure itself could be arguably considered a cliche. The joy of this film isn’t in watching as Chace weaves a time-twisting narrative. It’s in the specifics of the said narrative. Marked by a breathtaking score from Aruan Ortiz, this is as much a journey into the history of Cuban culture as it is a specific narrative about a specific character and his specific life experiences. Far more interested in cloaking the central narrative within a much broader cultural landscape, this film thrives when it embraces the culture surrounding the narrative. From location shooting at places like The Palermo Bar and The Hotel Astor, Chace’s picture oozes the energy of Cuba from first frame to last.
It’s also simply a gorgeous piece of filmmaking. Again, a deeply energetic picture, Sin Alas is a lushly composed drama that takes the 16mm photography shot by Listen Up, Philip Dp Sean Price Williams and uses it to evoke the sun soaked, hedonistic feel of Cuba, a nation that’s as important artistically on a global level as it is specifically oppressed by its government. A superb sensory experience, the film has a subtitle of “A Cuban Love Story,” and while that may seem maudlin, there are few things as perfectly stated as that. The narrative sounds like a typical love story, but in its specifics and its aesthetics this film is a decidedly Cuban story woven with a love and admiration for everything that makes Cuba the sensual nation that it is.
With performances that are, across the board, great (I’m partial to Yulisleyvis Rodrigues’ sexy turn as Isabela but Carlos Padron’s lead is also remarkable), Sin Alas is not just the first American film shot in Cuba since 1959. It’s also one of this year’s great surprises, a film that will hopefully find a following as it makes its way on the arthouse scene.
- 5/8/2016
- by Joshua Brunsting
- CriterionCast
"Sin Alas," from director Ben Chace is a a Cuban love story as recollected by a retired journalist, about his relationship with a celebrated ballerina, who has now died. When 70-year-old retired journalist Luis Vargas reads that celebrated ballerina Isabela Muñoz has died, his thoughts return to his brief, passionate, yet impossible relationship with her. It's a love story with great music and lots of local color, that comes timed almost perfectly with the normalization of relations between the USA and Cuba. Filmed on 16mm, "Sin Alas" (which means "Without Wings" in English) is inspired by Jose Luis Borges's short story "The...
- 3/17/2016
- by Tambay A. Obenson
- ShadowAndAct
The key to getting Cuban movies off of native soil and away from the auspices of the government is foreign money — which is also the key to bringing offshore filmmaking into Cuba. Now that embassies have opened up in both the United States and Cuba, the Havana Film Festival observes that Us, European and Latin American filmmakers and producers are taking interest in the country as a blooming hotspot for development and production. Per a recent Variety story, Spanish-German miniseries "Vientos de Cuaresma" is currently shooting in Havana, where the festival, since 1979, has sought to give voice to Latin American filmmakers. Read More: Miami Offers Launchpad for Cuban Cinema, "With Tape, Glue and Paper Clips" Shooting Us features in Cuba, however, requires some guerrilla maneuvering. Currently only Us docs are permitted to shoot in Cuba, which is why one American director, Ben Chace, directed his Havana-set 2015 La Film Fest world premiere.
- 7/2/2015
- by Ryan Lattanzio
- Thompson on Hollywood
A man is haunted by a woman, and a melody. He is a writer, and she is the ballerina he fell in love with 40 years ago after he saw her dance to a particular tune that, nearly half a century later, is wafting back into his mind by way of a dream. In writer/director Ben Chace's arresting "Sin Alas," we find the aging author Luis Vargas (Carlos Padrón) in Havana, Cuba, opening his newspaper to learn that the ballerina haunting his brain, Isabela Munoz (Yulisleyvís Rodrigues), has died. The news startles him into revisiting his buried past, and the bourgeois life he shed to pursue political revolution as a young man. Part mystery, part ghost tale, this seductive film draws inspiration less from film than from postmodern literature, specifically from the freely flowing writings of Jorge Luis Borges, the Argentine midcentury author of slippery tales including the stories in "Ficciones" and "Labyrinths.
- 6/16/2015
- by Ryan Lattanzio
- Thompson on Hollywood
Ben Chace's La Film Festival entry is the first American-directed narrative feature to be shot in Cuba since 1959. Below, Toh! reveals an exclusive first poster. Part mystery, part ghost tale, "Sin Alas" finds a Borgesian writer named Luis Vargas in Cuba, in Centro Havana, in love with the revolution — and an elusive, young ballerina who's married to a prominent military leader. The entanglement spins everyone's lives out of control. 50 years later, Luis reads of her death in a newspaper, which startles him into revisiting the buried emotions of his youth. Premiering in Laff's world fiction competition section, "Sin Alas" is written and directed by Chace and shot in 16mm by Sean Price Williams, one of the hottest indie cinematographers around ("Heaven Knows What," and the films of Alex Ross Perry). "Sin Alas" debuts at Laff on June 11 and is currently seeking Us distribution. You can watch the trailer here.
- 6/1/2015
- by Ryan Lattanzio
- Thompson on Hollywood
Top brass at the 21st Los Angeles Film Festival have announced the Us Fiction, Documentary and World Competition sections.
Seventy-four films in total will screen at the event, scheduled to run from June 10-18, while 54 play in competition including 39 world premieres.
Organisers pointed out that nearly 40% of the directors in the six competitive categories are female and nearly 30% of the films are directed by people of colour.
New sections this year are the Us Fiction and World Fiction Competitions and Launch, as well as the previously announced Buzz, Nightfall and Zeitgeist programmes.
The Launch section is designed to showcase innovative storytelling crafted in digital media including music videos, web series, podcasts, interactive games and digital activism shorts.
Selections include Making Cool Sh*t: The Music Videos Of Ok Go followed by a talk with frontman and director Damian Kulash and Funny Or Die’s Make ‘Em Laff Showcase.
Among the Us Fiction Competition entries are world premieres...
Seventy-four films in total will screen at the event, scheduled to run from June 10-18, while 54 play in competition including 39 world premieres.
Organisers pointed out that nearly 40% of the directors in the six competitive categories are female and nearly 30% of the films are directed by people of colour.
New sections this year are the Us Fiction and World Fiction Competitions and Launch, as well as the previously announced Buzz, Nightfall and Zeitgeist programmes.
The Launch section is designed to showcase innovative storytelling crafted in digital media including music videos, web series, podcasts, interactive games and digital activism shorts.
Selections include Making Cool Sh*t: The Music Videos Of Ok Go followed by a talk with frontman and director Damian Kulash and Funny Or Die’s Make ‘Em Laff Showcase.
Among the Us Fiction Competition entries are world premieres...
- 5/5/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Hell hath no fury like a woman scorned. Don't get me wrong... guys can be hellish too, but anyone who has ever had a run-in with a vengeful loony with a vagina can attest to this fact. Case in point: the latest "devilish noir" flick to head our way, A Wife Alone.
The film will be available through major cable/satellite and On Demand enabled platforms across the United States on June 10th.
From the Press Release
A feature film by Justin Reichman, A Wife Alone is a dark psychological thriller about an ill-fated marriage in the suburbs of upstate New York. The plot centers around Jane, an attractive young bride who marries a naive investment banker named Park, desperate to marry before his 30th birthday.
The young, ostensibly happy couple buys a quaint house in a nice neighborhood and settles into the suburban dream before a visit to Park's godparents,...
The film will be available through major cable/satellite and On Demand enabled platforms across the United States on June 10th.
From the Press Release
A feature film by Justin Reichman, A Wife Alone is a dark psychological thriller about an ill-fated marriage in the suburbs of upstate New York. The plot centers around Jane, an attractive young bride who marries a naive investment banker named Park, desperate to marry before his 30th birthday.
The young, ostensibly happy couple buys a quaint house in a nice neighborhood and settles into the suburban dream before a visit to Park's godparents,...
- 5/15/2014
- by Steve Barton
- DreadCentral.com
Norah Jones: Grammy winner to sing Ted song at 2013 Oscar ceremony Norah Jones, the Grammy Award-winning singer and songwriter, will perform Walter Murphy and Seth MacFarlane’s “Everybody Needs a Best Friend” from the movie Ted at the Oscar 2013 ceremony, telecast producers Craig Zadan and Neil Meron announced yesterday. That will mark Norah Jones’ first time performing on an Oscar show. (Photo: Norah Jones.) Norah Jones’ music and movie career Norah Jones’ breakthrough hit was her 2002 album “Come Away with Me,” which sold more than 10 million copies and earned Jones no less than five Grammy Awards. Jones’ subsequent solo albums include “Feels Like Home” (2004), “Not Too Late” (2007), “The Fall” (2009), and “Little Broken Hearts,” which came out last year. She also took part in two albums with her country collective, The Little Willies, while in the 2010 compilation “…Featuring Norah Jones” she’s heard singing alongside the likes of Herbie Hancock,...
- 1/28/2013
- by Anna Robinson
- Alt Film Guide
Directors: Ben Chace, Sam Fleischner Writers: Ben Chace, Sam Fleischner Starring: Sean Bones, Norah Jones, Carl Bradshaw, Kevin Bewersdorf, Mark Gibbs The story -- not of the film itself but of its conception -- goes that Ben Chace won a cruise to Jamaica in a raffle and he invited his childhood friend Sam Fleischner along for the vacation. Chace and Fleischner, both young filmmakers, decided to turn the trip into their next film project. Two additional cruise tickets were purchased for their actor Sean Bones and audio guy/actor Kevin Bewersdorf. The foursome sailed for one week; then, once in Jamaica, they were joined by producer Katina Hubbard for two weeks of production. The narrative of Wah Do Dem starts off quite similarly. Brooklyn hipster Max (Sean Bones) recently won a cruise for two to Jamaica. His plan was to take his girlfriend Willow (Norah Jones, in an all too brief cameo) along with him.
- 1/18/2011
- by Don Simpson
- SmellsLikeScreenSpirit
If you’re a budding filmmaker with the good fortune to have won a cruise ticket what do you do? The answer is Wah Do Dem, a mumblecore odyssey written and directed by Ben Chace and Sam Fleischner.
We follow Max, played by Sean Bones, as he boards a cruise after his girlfriend (his intended cruisemate) dumps him and the film tracks his journey all the way to Jamaica, where things go wrong. That’s pretty much it. What the film gets right are some beautifully captured moments of emotional angst, though these are almost lost between the languid trawl of characters and locations, all pointing to some deeper meaning, but rarely attaining it.
Bones does nothing (deliberately I’m sure) to engage the audience and there is a tangible void between Max and us, something which the film suffers from as the tumultuous events, and Max’s trials to overcome them,...
We follow Max, played by Sean Bones, as he boards a cruise after his girlfriend (his intended cruisemate) dumps him and the film tracks his journey all the way to Jamaica, where things go wrong. That’s pretty much it. What the film gets right are some beautifully captured moments of emotional angst, though these are almost lost between the languid trawl of characters and locations, all pointing to some deeper meaning, but rarely attaining it.
Bones does nothing (deliberately I’m sure) to engage the audience and there is a tangible void between Max and us, something which the film suffers from as the tumultuous events, and Max’s trials to overcome them,...
- 8/27/2010
- by Jon Lyus
- HeyUGuys.co.uk
This low-budget indie film about an American slacker getting lost in rural Jamaica has some interesting ideas, but doesn't really do them justice, writes Peter Bradshaw
An unusual American indie, not without interest but strangely passionless and forgettable. Basically, this is a pretty self-indulgent personal project, sketchily conceived and not particularly well acted. Musician Sean Bones plays Max, a twentysomething Brooklyn guy. He's won a free cruise to Jamaica but having just broken up with his girlfriend Willow – a blink-and-you-miss-it cameo for Norah Jones – he's got to go solo, and, getting lost in Jamaica on his first day ashore, misses the boat's departure and has to hitchhike across country to the American embassy in Kingston, having some experiences on the way. The film has its origins in a free cruise that co-director Ben Chace genuinely won; he bought some more tickets to bring along a cast and crew and created a movie out of it.
An unusual American indie, not without interest but strangely passionless and forgettable. Basically, this is a pretty self-indulgent personal project, sketchily conceived and not particularly well acted. Musician Sean Bones plays Max, a twentysomething Brooklyn guy. He's won a free cruise to Jamaica but having just broken up with his girlfriend Willow – a blink-and-you-miss-it cameo for Norah Jones – he's got to go solo, and, getting lost in Jamaica on his first day ashore, misses the boat's departure and has to hitchhike across country to the American embassy in Kingston, having some experiences on the way. The film has its origins in a free cruise that co-director Ben Chace genuinely won; he bought some more tickets to bring along a cast and crew and created a movie out of it.
- 8/26/2010
- by Peter Bradshaw
- The Guardian - Film News
Norah Jones appears in this indie feature you probably missed called, "Wah Do Dem," (which is Jamaican Patois for "What they do"), her first since 2007's "My Blueberry Nights." She plays the girlfriend of a young Brooklyn musician played by young Brooklyn musician, Sean Bones, in this Caribbean misadventure.
Jones dumps Bones just days before they're due to set sail on one of those huge floating malls called cruise ships, bound for Jamaica. His friends blow him out too and, finding no one else to accompany him, he sets out alone. If you've ever been on one of these monuments to excess before, you know what an unromantic mistake that is. I'll let the official synopsis take over from there:
Over the course of several days he flirts with the staff photographer, drinks cocktails with the boat's celebrity juggler and has several strange encounters with the only other loner. When...
Jones dumps Bones just days before they're due to set sail on one of those huge floating malls called cruise ships, bound for Jamaica. His friends blow him out too and, finding no one else to accompany him, he sets out alone. If you've ever been on one of these monuments to excess before, you know what an unromantic mistake that is. I'll let the official synopsis take over from there:
Over the course of several days he flirts with the staff photographer, drinks cocktails with the boat's celebrity juggler and has several strange encounters with the only other loner. When...
- 8/22/2010
- by Brandon Kim
- ifc.com
With Jamaica in the American news again (just barely) due to the ongoing siege and popular counter resistance taking place surrounding the attempted U.S. extradition of alleged Jamaican drug kingpin and folk hero Christopher Coke, perhaps there is something timely about the release of Ben Chace and Sam Fleischner’s Wah Do Dem. A winner at last year’s Los Angeles Film Festival, it stars Sean Bones, a first time actor, as Max, an archetypal Williamsburg Hipster – he’s a skinny, aloof, very pale, self-consciously smug, skateboard riding dufus who attempts to take his girlfriend (Norah Jones) on a cruise to Jamaica. When she breaks up with him before he gets the chance, he’s stuck with a pair of tickets and no one...
- 6/16/2010
- by Brandon Harris
- Filmmaker Magazine-Director Interviews
When filmmaker Ben Chace won a free cruise to Jamaica in a raffle two years ago, he invited his friend Sam Fleischner along and decided to use the trip to make a movie. After buying tickets for the film’s star, singer-songwriter Sean “Bones” Sullivan, and a sound guy, the duo boarded the ship in Brooklyn and took off on their week-long sail to Jamaica. Wah Do Wem is the result of that trip, and it features members of some of our favorite bands, both as actors and on the soundtrack....
- 5/12/2010
- Pastemagazine.com
London Film Festival: Lessons in Love Dear Lemon Lima, dir Suzi Yoonessi Wah Do Dem dir Sam Fleischner/Ben Chace A Thing Called Love (shorts programme) Today's lesson is all about love: the things we we do, etc. Poor Vanessa Lemor (l'amour—get it?). All she wanted when she entered Nichols High School was to maintain the affections of her beloved, geeky Philip Georgey. But, alas, Philip is a social climber and rejects her, leaving poor Vanessa (Savanah Wiltfong) to her dreams and her diary entries, addressed to Dear Lemon Lima, [1].... Fear not, though, as Vanessa gathers the assorted Fubar (F_ed Up Beyond All Recognition) geeks in the school and sets out to beat Philip at his own game in the (well, it is Alaska) Snowstorm Survival competition. Atypical of this kind of Revenge of the Nerds scenario, the setting is used to good effect in highlighting co-optation of indigenous culture,...
- 10/17/2009
- by Val
- SoundOnSight
Dave here, noting that I've hardly been the best guest blogger around, but I've got the three of diamonds up my sleeve and now's the time to play it. (Assuming we're playing snap and you played the three of spades.) Next week sees the start of the London Film Festival, and I'll be reporting from the front line, so to speak, mixing up the big show-offs with little treasures (or disasters) from the selection of British and other smaller films on offer. Press screenings have already been going on, which is why I'm here now with my first round-up.
Easily the most notable of those I've seen so far is Werner Herzog's completely left-field remake of Bad Lieutenant, which shows off its flamboyant impulses right from the elongated title, The Bad Lieutenant: Port of Call New Orleans. I had every intention of watching the original beforehand, but time ran away from me,...
Easily the most notable of those I've seen so far is Werner Herzog's completely left-field remake of Bad Lieutenant, which shows off its flamboyant impulses right from the elongated title, The Bad Lieutenant: Port of Call New Orleans. I had every intention of watching the original beforehand, but time ran away from me,...
- 10/9/2009
- by Dave
- FilmExperience
The 28th annual Vancouver International Film Festival (Viff) will be held October 1-16, 2009. Founded in 1982, Viff's mandate is "...to encourage the understanding of other nations through the art of cinema, to foster the art of cinema, to facilitate the meeting in British Columbia of cinema professionals from around the world and to stimulate the motion picture industry in British Columbia and Canada..." Over 150,000 people are expected to attend 640 screenings of 360 films from 80 countries. Here is an up-to-date list of directors, confirmed to attend Viff 2009, along with their films : "1428" Du Haibin "1999" Lenin Sivam "65_RedRoses" Philip Lyall & Nimisha Mukerji "Adelaide" Liliana Greenfield-Sanders "The Agony and the Ecstasy of Phil Spector" Vikram Jayanti "Ana & Arthur" Larry Young "The Anchorage" Anders Edström & Curtis Winter "Antoine" Laura Bari "Argippo Resurrected" Dan Krames "The Art of Drowning" Diego Maclean "At Home By Myself... With You" Kris Booth "At The Edge Of The World" Dan Stone...
- 9/27/2009
- HollywoodNorthReport.com
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