A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
After Katrina, police sergeant Terence McDonagh rescues a prisoner, hurts his back in the process and earns a promotion to lieutenant plus an addiction to cocaine and painkillers. Six months later, a family is murdered over drugs; Terence runs the investigation. His drug-using prostitute girlfriend, his alcoholic father's dog, run-ins with two old women and a well-connected john, gambling losses, a nervous young witness, and thefts of police property put Terence's job and then his life in danger. He starts seeing things. He wants a big score to get out from under mounting debts, so he joins forces with drug dealers. The murders remain unsolved. A bad lieutenant gets worse. Written by
Written by Eddie Miller, James Pebworth, Robert Yount
Performed by Johnny Adams
Published by Roschelle Music Publishing/Sony ATV Acuff Rose Music Publishing (BMI)
Licensed from Licensemusic.com ApS
Courtesy of Sun Entertainment Corporation See more »
The Nicolas Cage we loved is BACK!!!!!!!!!!!!!!!!!
I just watched this at London Film Festival & went in expecting to hate it as I loved the original. But I have to say, the film is excellent, certainly Cage's best film & best performance since Leaving Las Vegas. Herzog has done a brilliant job & the film stands on it's own, apart from the Ferrara film. I won't spoil bits by mentioning them, but the film has several stand-out memorable scenes worth the price of admission alone. Herzog has always said that training for making films is 'life' not a stuffy film studies class etc. If you're familiar with his work or sensibilities, you'll get even more insight into how cool this guy is after watching this film. I look fwd to watching it again when it releases and getting the DVD!!
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