Love, drama, and a dose of nostalgia are on the menu for the upcoming episode of “Love & Marriage: DC.” Tune in on Saturday, February 10, 2024, at 8:00 Pm on OWN for Season 3, Episode 3, titled “Personal Foul.”
In this installment, tensions escalate as Erana’s concerns about Carmen potentially being a threat to Joi and Clifton’s relationship bring forth buried emotions from the Tyler family’s past. As secrets resurface, viewers can expect a rollercoaster of emotions and unexpected revelations.
Meanwhile, Quick has a grand plan to bond with everyone by inviting them to a Washington Wizards game. However, when the Petties make an appearance, Ashley’s reactions take an unexpected turn, leading to a dramatic twist that no one saw coming.
“Love & Marriage: DC” continues to deliver an engaging blend of love, conflict, and real-life challenges, keeping viewers hooked with its captivating storyline and relatable characters.
Don’t miss “Personal Foul” on Saturday,...
In this installment, tensions escalate as Erana’s concerns about Carmen potentially being a threat to Joi and Clifton’s relationship bring forth buried emotions from the Tyler family’s past. As secrets resurface, viewers can expect a rollercoaster of emotions and unexpected revelations.
Meanwhile, Quick has a grand plan to bond with everyone by inviting them to a Washington Wizards game. However, when the Petties make an appearance, Ashley’s reactions take an unexpected turn, leading to a dramatic twist that no one saw coming.
“Love & Marriage: DC” continues to deliver an engaging blend of love, conflict, and real-life challenges, keeping viewers hooked with its captivating storyline and relatable characters.
Don’t miss “Personal Foul” on Saturday,...
- 2/3/2024
- by Jules Byrd
- TV Everyday
Quick plays a 70-year-old writer who takes a new treatment that could enable her to have a child. She is emotionally transparent and intellectually engaged, unlike the film
Diana Quick makes a return to the big screen – after a six-year break – with a first-rate performance in a second-rate (perhaps third-rate) film. Forever Young is a ploddingly drab British sci-fi drama that really doesn’t have what it takes to keep up with Quick; she stars as a 70-year-old writer taking an unlicensed drug to reverse the ageing process. It’s impossible to take your eyes off her: intellectually engaged and emotionally transparent. It’s a pity then that the script is unserious and uninteresting, with nothing to say either about the existential leap in the dark of eternal youth or the ethics of the anti-ageing industry.
Quick is Robyn, a bestselling author who’s been happily married to Oscar (Bernard Hill) for donkey’s years.
Diana Quick makes a return to the big screen – after a six-year break – with a first-rate performance in a second-rate (perhaps third-rate) film. Forever Young is a ploddingly drab British sci-fi drama that really doesn’t have what it takes to keep up with Quick; she stars as a 70-year-old writer taking an unlicensed drug to reverse the ageing process. It’s impossible to take your eyes off her: intellectually engaged and emotionally transparent. It’s a pity then that the script is unserious and uninteresting, with nothing to say either about the existential leap in the dark of eternal youth or the ethics of the anti-ageing industry.
Quick is Robyn, a bestselling author who’s been happily married to Oscar (Bernard Hill) for donkey’s years.
- 1/22/2024
- by Cath Clarke
- The Guardian - Film News
In America, we still like to pretend we don’t operate within an Old World-style class system. (Should you continue to labor under that delusion in the year of our lord 2023, we suggest you try taking a commercial airline flight some time.) Anyone can rise above their station, one bootstrap-tug at a time! England, however, has never tried to hide the fact that there was, is, and always has been a separation of haves and have-nots governed by toxic traditionalism, strict social strata, and fetishized notions of aristocracy.
I suppose...
I suppose...
- 11/22/2023
- by David Fear
- Rollingstone.com
Exclusive: Oscar-winning writer-director Emerald Fennell says that “if you’re prodding at something uncomfortable, that’s what movies are for.”
The filmmaker spoke to this columnist at the BFI London Film Festival (Lff) opening night gala reception held at BFI Southbank following the international premiere of Saltburn, her deliciously dark comedy about manners and class.
Recently, at Telluride, Ilker Çatak, director of The Teachers’ Lounge, Germany’s submission for Best International Feature at the 96th Academy Awards, discussed movies that provoke, and he admiringly cited the example of Fennell’s Saltburn.
Speaking to me, Fennell accepted the compliment graciously but argued that the Amazon Studios film is not provocative for the sake of it. “If you’re aiming to make something that sounds true and even if it’s metaphorical and kind of Gothic, and there’s something that makes people shift in their seats, it’s because we’re...
The filmmaker spoke to this columnist at the BFI London Film Festival (Lff) opening night gala reception held at BFI Southbank following the international premiere of Saltburn, her deliciously dark comedy about manners and class.
Recently, at Telluride, Ilker Çatak, director of The Teachers’ Lounge, Germany’s submission for Best International Feature at the 96th Academy Awards, discussed movies that provoke, and he admiringly cited the example of Fennell’s Saltburn.
Speaking to me, Fennell accepted the compliment graciously but argued that the Amazon Studios film is not provocative for the sake of it. “If you’re aiming to make something that sounds true and even if it’s metaphorical and kind of Gothic, and there’s something that makes people shift in their seats, it’s because we’re...
- 10/5/2023
- by Baz Bamigboye
- Deadline Film + TV
1993 was a banner year for Sylvester Stallone. While he had started the nineties on shaky ground due to the failure of Rocky V and his two comedies, Oscar and Stop or My Mom Will Shoot, the back-to-back success of Cliffhanger and Demolition Man reestablished Sly as one of Hollywood’s biggest action heroes. For his follow-up, he would pick another action flick, albeit one that embraced elements of another genre quickly gaining popularity in Hollywood: The erotic thriller.
Flashback to 1992. The movie Basic Instinct was a worldwide smash and established Sharon Stone as the biggest sex symbol of the day. A veteran actress with a career going back a decade, her performance as the murderous but insanely alluring Catherine Trammel made her a cultural icon. She followed it up with another steamy thriller, 1993’s Sliver, also a hit, and The Specialist would be her last entry into the cycle of erotic thrillers,...
Flashback to 1992. The movie Basic Instinct was a worldwide smash and established Sharon Stone as the biggest sex symbol of the day. A veteran actress with a career going back a decade, her performance as the murderous but insanely alluring Catherine Trammel made her a cultural icon. She followed it up with another steamy thriller, 1993’s Sliver, also a hit, and The Specialist would be her last entry into the cycle of erotic thrillers,...
- 3/26/2023
- by Chris Bumbray
- JoBlo.com
When we last saw The Flash, in "Attack on Gorilla City," he was manipulated into defeating Solovar by Gorilla Grodd, so that Grodd could become the ruler of the gorillas of Earth-2. The Flash, using a technique he learned from the Reverse-Flash was successful and it gave Grodd the leadership he needed to assume the role. This was a rescue mission, and Barry was able to escape back to Earth-1 with Grodd's prisoners in tow.
This seemed to be a happy ending for all, as Grodd sat on his throne looking much more like his comic counterpart, in full armor, until the camera panned down and we see that he has captured Gypsy, the Earth-19 counterpart of Earth-1's Vibe (Cisco). Grodd is planning to now use her to go back to Earth-1 to enact revenge, as she has the ability to create interdimensional portals, and we will have to...
This seemed to be a happy ending for all, as Grodd sat on his throne looking much more like his comic counterpart, in full armor, until the camera panned down and we see that he has captured Gypsy, the Earth-19 counterpart of Earth-1's Vibe (Cisco). Grodd is planning to now use her to go back to Earth-1 to enact revenge, as she has the ability to create interdimensional portals, and we will have to...
- 2/24/2017
- by Drew Carlton
- LRMonline.com
Quick question: Can you name one of the movies nominated for Best Picture? If so, you can do something that 60% of Americans can’t. That’s according to a poll commissioned by the Hollywood Reporter, which quizzed 800 moviegoers (half of whom voted for Hillary Clinton and half of whom cast their ballots for Donald Trump). That may sound like bad news for the Academy Awards ceremony, but 70% of respondents said they’d tune in anyway.
Read More: Yes, Damien Chazelle’s ‘La La Land’ Really Will Win Director and Picture Oscars — Here’s Why
In a trend that held up among most of the nominated films, 39% of Clinton voters were aware that “La La Land” is up for the big prize compared to 26% of Trump supporters. One notable exception is “Hacksaw Ridge”: Just 18% of those who contributed to Clinton’s popular vote win had seen Mel Gibson’s World War II drama,...
Read More: Yes, Damien Chazelle’s ‘La La Land’ Really Will Win Director and Picture Oscars — Here’s Why
In a trend that held up among most of the nominated films, 39% of Clinton voters were aware that “La La Land” is up for the big prize compared to 26% of Trump supporters. One notable exception is “Hacksaw Ridge”: Just 18% of those who contributed to Clinton’s popular vote win had seen Mel Gibson’s World War II drama,...
- 2/22/2017
- by Michael Nordine
- Indiewire
Stanley & Iris
Blu-ray
Twilight Time
1990 / Color / 2:35 widescreen / 104 min. / Street Date January 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Jane Fonda, Robert De Niro, Swoosie Kurtz, Martha Plimpton, Harley Cross, Jamey Sheridan, Feodor Chaliapin.
Cinematography: Donald McAlpine
Original Music: John Williams
Written by: Irving Ravetch, Harriet Frank, Jr. based on a novel Union Street by Pat Barker
Produced by: Arlene Sellers, Alex Winitsky
Directed by Martin Ritt
There ought to be a place on a screen for every kind of film story. True, old movies fronted a mostly false consensus picture of the world, claiming that there was a ‘normal’ baseline for our lives. The reality of most social issues was ignored in favor of pleasant fairy tales where all conflicts could be solved on a personal level. After all, movies were considered entertainment first, and carriers of vital social truths maybe about 97th. But then and now, there...
Blu-ray
Twilight Time
1990 / Color / 2:35 widescreen / 104 min. / Street Date January 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Jane Fonda, Robert De Niro, Swoosie Kurtz, Martha Plimpton, Harley Cross, Jamey Sheridan, Feodor Chaliapin.
Cinematography: Donald McAlpine
Original Music: John Williams
Written by: Irving Ravetch, Harriet Frank, Jr. based on a novel Union Street by Pat Barker
Produced by: Arlene Sellers, Alex Winitsky
Directed by Martin Ritt
There ought to be a place on a screen for every kind of film story. True, old movies fronted a mostly false consensus picture of the world, claiming that there was a ‘normal’ baseline for our lives. The reality of most social issues was ignored in favor of pleasant fairy tales where all conflicts could be solved on a personal level. After all, movies were considered entertainment first, and carriers of vital social truths maybe about 97th. But then and now, there...
- 1/21/2017
- by Glenn Erickson
- Trailers from Hell
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.