A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt. Written by
Paul Verhoeven shot copious amounts of footage of the sex scene between Michael Douglas and Sharon Stone. Expecting that the MPAA would have problems with the explicit nature of the scene, he shot alternate close-ups, medium shots and wide shots of virtually every shot over 10 days. This gave him the freedom to edit the scene until the MPAA was satisfied and no longer demanded that the scene was deleted altogether. See more »
Cap on tabasco sauce bottle while Nick and Gus are in diner. See more »
So was she ever a suspect?
Nope! There was some talk, but it never panned out.
What kind of talk?
What he had a girlfriend?
No! She did! But like I said, it never panned out.
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It'll wear ya out. Those were the words uttered by an old guy who was walking out of Basic Instinct that I overheard. A woman asked if the film we just saw was any good and that's what he answered. I did feel worn out by the experience of seeing this film. It was a first rate crackerjack erotic thriller. A triple degree black belt in modern movie thriller cinema. Dutch director Paul Verhoeven proves himself to be a first rate filmmaking madman with this monster work.
Sharon Stone became one of my fave rave movie stars after the release of this flick. All her other work has pretty much been second rate. And Mikey Douglas once again pushes the envelope in Hollywood where everything these days must be safe and non-offensive. This is badass dangerous filmmaking, daddy-o, and it's apart of what I call The Evil Three. The Evil Three Of Filmmaking. Or the the three sexual films that really p***ed a lot of people off. The Evil Three consists of: Basic Instinct, Fatal Attraction, Indecent Proposal. Too bad Mike didn't play Redford's part in Proposal. That woulda REALLY honked those uptight squares off.
And don't listen to the stiffs who hated this film because of its so called negative portrayals of lesbians. I think most intelligent folk knew before going to see this movie that most lesbians don't have a thing for ice picks and crotchless underwear. A word to the wiseguy...
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