A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt. Written by
The character Nick was originally supposed to be a young man, but after Michael Douglas was cast his age was described in the script as 42 (Douglas was nearly 47 in real life). See more »
The police would have requested a DNA sample from Catherine, as this would have proved she was with Johnny Boz when he was murdered. DNA has been used in criminal investigations since 1984, and in 1988 Colin Pitchfork was convicted of murder by only using DNA evidence. See more »
You know a movie achieves its objective when you think that a character is sexier than the person that plays her. That is exactly what Catherine Tremell does. She exudes sex and that is exactly her game. She knows that she can play with people's minds by using her beauty and her sex appeal. And she does it so well.
The epitome of this is the interrogation scene. Much has been made about nudity in film but this is one of those movies where every breast and every shot of someone's crotch is done so to further the plot. The famous scene that we have all witnessed now is a major part of Tremell's M.O. She knows there are a room full of men asking her questions and she uses that sexuality to play with them. And it works.
The cast and the script and the direction are top notch and the movie feels like it is one big game. And Catherine Tremell is the ultimate game master. I really loved this film and I rate it a perfect ten.
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