A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt. Written by
According to Sharon Stone, director Paul Verhoeven asked her to remove her underwear for the leg-crossing scene, as he said they were too bright and reflected at the camera. Stone agreed to do so under the assumption that her genitals weren't visible. It was only at an early preview that Stone discovered Verhoeven chose to use this specific shot. Stone was mainly cross with Verhoeven for not discussing the matter with her beforehand, but decided to let the scene go without changes, as she felt this conformed with her movie character. However, Verhoeven's version of the conflict is that he told Stone beforehand about the leg-crossing shot, as it was important for showing Catherine Tramell's free-spirited nature and her constant drive to toy with people. Stone was reportedly excited about the idea and shot the scene. However, during the early preview, her agents supposedly disproved of the scene, fearing it would harm her future career. According to Verhoeven, Stone radically changed her mind about the shot and demanded that he remove it, which he ultimately refused. See more »
When Nick Curran is hit by the Lotus, the left pop-up headlight is damaged. It's OK for the next shots of the car chase. See more »
[Nick finds out that Beth and Catherine had slept together in college]
What was I supposed to say? "Hey, guys, I'm not gay, but I did fuck your suspect"?
See more »
Sure its dirty minded, and extremely violent, but underneath all of Paul Verhoevens trademark sleaze there is a great film noir thriller to be seen. The film has a sense of an old 40's or 50's film noir, but of course with the 90's boundaries in taste and graphic nudity. The story is quite involving and there are plenty of twists and turns and unresolved endings. Michael Douglas is good in his role and must have really enjoyed film shagging Jean Tripplehorn and Sharon Stone, while it is Stone who steals the show as the writer Catherine, whose books write about murders that are apparently being copied by a murdering female. Its very steamy but the cinematography and the score are all very good and the film is more clever than merely T&A. It is a film that has spawned many inferior clones, usually TV movies starring melon chested playboy queen Shannon Tweed. ****
46 of 68 people found this review helpful.
Was this review helpful to you?