Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt. Written by
Writer Joe Eszterhas and producer Irwin Winkler walked off the picture after failing to reach agreement with director Paul Verhoeven over the script. Verhoeven promptly hired Total Recall (1990) writer Gary Goldman to come up with some new scenes, most of which beefed up Michael Douglas's character and made him less wimpy. These changes were largely made at the behest of Douglas. It was during this later stage that Verhoeven realized his changes weren't going to work, so he publicly acknowledged his error and made up with Eszterhas (which Eszterhas admitted to be a rare thing in Hollywood). Problems reoccurred later when the script had been leaked, and the gay and lesbian communities had serious reservations about the depiction of lesbian and bisexual characters. Eszterhas wanted to make more changes to appease them, but Verhoeven point blank refused to incorporate these changes. Eszterhas again publicly distanced himself from the production, but once again reconciled with Verhoeven when the finished movie was praised by critics and homosexual communities alike. See more »
Beth Garner's first name is spelled "Elisabeth" on the entrance door to her office. However, when Nick looks up her driving license records, the name is spelled "Elizabeth". See more »
There are cum stains all over the sheets.
He got off before he got offed.
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Great thriller which constantly gets reduced to it's nude scenes
The title says it all, this is one great thriller which I rate higher than "Se7en" or similar apparently top notch films in this category. It has loads of suspense, high tension, catchy and memorable dialogues, great actors, fabulous music score and an excellent director who didn't get scared off by protesters and other hypocrites. And yes, they are hypocrites in my mind, people who watch this movie are meant to be mature, thus denying sex is either hypocritical or prudish. If that's not your thing okay, then don't watch it but don't rate it low just because you can't handle it. Because the sex scenes are really just a few minutes long (I'm European and they're really aren't that strong) but make up a large part of Catherine's character and are a fundamental part of the plot. The film would be unthinkable without them but shouldn't be reduced to them either. Naturally don't watch it with your kids, but if you're not scared of some nudity and like thrillers you'll love this one since it keeps one on the edge right until the end.
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