Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
Juan is a young Spanish man whose dream is to become one of the famous toreros. When he was caught making an illegal (and in fact for the real torero life endangering) night bullfight with ... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who writes thriller novels and Zeke Hawkins, the handsome owner of the apartment building. Carly finds that some of the women living in the apartment building have been murdered and the police suspect that there is a serial killer in the apartment building. Carly has a passionate and seductive love affair with Zeke, unaware Zeke has secretly wired the apartment building with hidden cameras and he has been watching the lives of each tenant living in the apartment building including Carly. Carly begins to suspect Zeke or Jack may be the serial killer responsible for the murders in the apartment building and she may be the killer's next victim. Written by
Joe Eszterhas' script got changed during the shoot by the producers. Eszterhas also says that he hates the movie (particularly the film's final line, "Get a life" - he claimed he would never write such a terrible ending again). See more »
When Carly and Zeke are in the video room she takes his Walther PPKS 380 and fires a total of 14 shots, but the Walther PPKS only holds 7 bullets. See more »
Sharon Stone is convincingly vulnerable in otherwise silly film
A New York City apartment complex is beset with strange deaths and cameras everywhere; new tenant Sharon Stone is dating the mysterious owner, but could he be the killer? Based on a flimsy novel by Ira Levin (who was slumming, but that's a different story), this unappealing film wants to be both sexy crime-thriller and murder-mystery, but it is such a mess from a writer's standpoint that, in the end, all you have left are the performances, which aren't dynamic enough to carry the thing. Sharon Stone is low-keyed, perhaps a bit self-conscious, yet this works for her tentative character. Too bad the filmmakers were so concerned with exposing the killer that they lost track of this woman and her plight. Drop all the mystery, and you might have a decent character study. *1/2 from ****
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