*Sigh* — Not a day goes by that I don’t miss my escaped brontosaurus. This wonder movie of the silent era, which pits five intrepid explorers against Sir Arthur Conan Doyle’s fantastic South American plateau where marvelous animals from the dawn of time still live. Blackhawk Films and Lobster’s latest digital restoration includes footage never before seen, in original tints; it’s dedicated to film restorer David Shepard.
The Lost World
Deluxe Blu-ray Edition
Flicker Alley
1925 / Color / 1:37 Silent Ap / 110 min. / Street Date September 19, 2017 / 39.95
Starring: Wallace Beery, Lloyd Hughes, Bessie Love, Lewis Stone, Alma Bennett, Arthur Hoyt, Margaret McWade, Bull Montana, Frank Finch Smiles, Jules Cowles, George Bunny, Leo White.
Cinematography: Arthur Edeson
Writing credits: Marion Fairfax from the novel by Sir Arthur Conan Doyle
New Music Score: Robert Israel
Technical Director: Willis O’Brien, assistants & effects men Marcel Delgado, Ralph Hammeras, Fred Jackman, Devereaux Jennings, Hans Koenekamp,...
The Lost World
Deluxe Blu-ray Edition
Flicker Alley
1925 / Color / 1:37 Silent Ap / 110 min. / Street Date September 19, 2017 / 39.95
Starring: Wallace Beery, Lloyd Hughes, Bessie Love, Lewis Stone, Alma Bennett, Arthur Hoyt, Margaret McWade, Bull Montana, Frank Finch Smiles, Jules Cowles, George Bunny, Leo White.
Cinematography: Arthur Edeson
Writing credits: Marion Fairfax from the novel by Sir Arthur Conan Doyle
New Music Score: Robert Israel
Technical Director: Willis O’Brien, assistants & effects men Marcel Delgado, Ralph Hammeras, Fred Jackman, Devereaux Jennings, Hans Koenekamp,...
- 9/4/2017
- by Glenn Erickson
- Trailers from Hell
Juno and the Paycock Directed by Charlotte Moore The Irish Repertory Theatre 132 W. 22nd St., NYC October 20-December 29, 2013
Watching “Captain” Jack Boyle’s pronouncement regarding Ireland’s civil strife -- “We’ve got nothin’ to do with these things, one way or t’other. That’s the Government’s business, an’ let them do what we’re payin’ them for doin’” -- about 24 hours after a more than two-week government shutdown lent a little extra resonance to the Irish Repertory Theatre's production of Sean O’Casey’s Juno and the Paycock. The personal is always the political in O’Casey’s work, and Juno, part of his acclaimed Dublin Trilogy, skillfully interweaves the two as it follows the Boyle family’s fortunes’ (imagined) rise and fall in a 1922 Dublin tenement.
Shades of brown dominate the peeling walls of James Noone’s set, which the cast fills admirably. The titular characters,...
Watching “Captain” Jack Boyle’s pronouncement regarding Ireland’s civil strife -- “We’ve got nothin’ to do with these things, one way or t’other. That’s the Government’s business, an’ let them do what we’re payin’ them for doin’” -- about 24 hours after a more than two-week government shutdown lent a little extra resonance to the Irish Repertory Theatre's production of Sean O’Casey’s Juno and the Paycock. The personal is always the political in O’Casey’s work, and Juno, part of his acclaimed Dublin Trilogy, skillfully interweaves the two as it follows the Boyle family’s fortunes’ (imagined) rise and fall in a 1922 Dublin tenement.
Shades of brown dominate the peeling walls of James Noone’s set, which the cast fills admirably. The titular characters,...
- 11/25/2013
- by C. Jefferson Thom
- www.culturecatch.com
This review was written for the cablecast of "The Lost World".
A grand dinosaur hunt can be pure escapist fun, and when you throw in savage, primitive ape-men, a lost tribe and a plucky team of explorers, you've got the makings of a rousingly good adventure.
A&E's new miniseries, the latest take on Sir Arthur Conan Doyle's "The Lost World", may be the most entertaining spin yet on the classic science fiction yarn. It's still a potboiler, giddy with giant reptiles and mysterious jungle denizens, but it's also a thoroughly engaging romp, somewhat in the "Indiana Jones" style.
However, the miniseries has characters of a more human, believable dimension. No bullwhips, no magical artifacts.
This version focuses on likable types and provides old-fashioned romance over special effects and tons of dinosaurs, giving us suspense, decent drama and comedy relief that comes out of behavior. There's a subtlety here that's quite, quite charming -- including the ways that dinosaurs are first shown to us.
Among the engaging things going for this "Lost World" saga is the ever-adroit Bob Hoskins as the charmingly flawed Professor George Challenger, Peter Falk (underused but vivid) as the Rev. Theo Kerr and Tom Ward as Lord Roxton. Along with them are other fine actors, including Matthew Rhys as Edward Malone, Elaine Cassidy as Agnes Cluny and James Fox as Professor Leo Summerlee. Acting all around is just fine, and the performers commit nicely to their roles, reacting to their surroundings with appropriate English aplomb or trembling upper lip.
The look of the jungle frontier is spectacular (New Zealand stood in for the remote Amazonian wilderness), and best of all, the dinosaurs are pretty nifty, as the producers got hold of the computer graphics team behind the Emmy-winning BBC natural history series "Walking With Dinosaurs". Animatronics combines some very nicely done models with the computer graphics to give us a handful of ferocious-looking monsters and, inevitably, a too-cute and cuddly baby dinosaur.
"Lost World" hits its appropriate marks, including an argument of evolution vs. religion, with Falk as the fundamentalist reverend irked at Summerlee's arrogant
science; early feminism (capable women and female hunters!); protection of the balance of nature; and the sin of interfering with other cultures. OK, maybe some poetic liberties have been taken and these Victorian males are a lot more enlightened than real men of the period would have been.
In the year 1911, Challenger, a bombastic scientist-explorer, interrupts a science lecture to make wild claims about a remote South American region where dinosaurs still live. And he's got the bones of a pterosaur to prove it.
His excitement is contagious, and soon enough, money comes in and an expedition is formed, made up of a womanizing aristocratic daredevil (Ward), an ambitious reporter (Rhys) who wants to impress his girlfriend, and the professor's conservative rival, Summerlee (Fox), drawn out of curiosity.
Of course, they make their way to the remote plateau, get more than they bargained for in the way of danger, find enemies and allies and, finally, return to civilization. And, oh yes, there's romance along the way, but to name names would be ruining the potential surprise. But viewers should be able to figure things out along the way.
THE LOST WORLD
A&E
A&E/BBC in association with RTL Television
Credits:
Director: Stuart Orme
Writers: Tony Mulholland, Adrian Hodges
Adapted from the novel by: Sir Arthur Conan Doyle
Producer: Christopher Hall
Co-producer: Tim Haines
Executive producer for A&E: Delia Fine
Executive producers for the BBC: Jane Tranter, Kate Harwood
Production designer: Rob Harris
Director of photography: David Odd
Composer: Rob Lane
Editor: David Yardley
Cast:
George Challenger: Bob Hoskins
Leo Summerlee: James Fox
Lord Roxton: Tom Ward
Edward Malone: Matthew Rhys
Agnes Cluny: Elaine Cassidy
Theo: Peter Falk
Chief: Nathaniel Lees
Achille: Tamati Te Nohotu
Maree: Nicole Whippy...
A grand dinosaur hunt can be pure escapist fun, and when you throw in savage, primitive ape-men, a lost tribe and a plucky team of explorers, you've got the makings of a rousingly good adventure.
A&E's new miniseries, the latest take on Sir Arthur Conan Doyle's "The Lost World", may be the most entertaining spin yet on the classic science fiction yarn. It's still a potboiler, giddy with giant reptiles and mysterious jungle denizens, but it's also a thoroughly engaging romp, somewhat in the "Indiana Jones" style.
However, the miniseries has characters of a more human, believable dimension. No bullwhips, no magical artifacts.
This version focuses on likable types and provides old-fashioned romance over special effects and tons of dinosaurs, giving us suspense, decent drama and comedy relief that comes out of behavior. There's a subtlety here that's quite, quite charming -- including the ways that dinosaurs are first shown to us.
Among the engaging things going for this "Lost World" saga is the ever-adroit Bob Hoskins as the charmingly flawed Professor George Challenger, Peter Falk (underused but vivid) as the Rev. Theo Kerr and Tom Ward as Lord Roxton. Along with them are other fine actors, including Matthew Rhys as Edward Malone, Elaine Cassidy as Agnes Cluny and James Fox as Professor Leo Summerlee. Acting all around is just fine, and the performers commit nicely to their roles, reacting to their surroundings with appropriate English aplomb or trembling upper lip.
The look of the jungle frontier is spectacular (New Zealand stood in for the remote Amazonian wilderness), and best of all, the dinosaurs are pretty nifty, as the producers got hold of the computer graphics team behind the Emmy-winning BBC natural history series "Walking With Dinosaurs". Animatronics combines some very nicely done models with the computer graphics to give us a handful of ferocious-looking monsters and, inevitably, a too-cute and cuddly baby dinosaur.
"Lost World" hits its appropriate marks, including an argument of evolution vs. religion, with Falk as the fundamentalist reverend irked at Summerlee's arrogant
science; early feminism (capable women and female hunters!); protection of the balance of nature; and the sin of interfering with other cultures. OK, maybe some poetic liberties have been taken and these Victorian males are a lot more enlightened than real men of the period would have been.
In the year 1911, Challenger, a bombastic scientist-explorer, interrupts a science lecture to make wild claims about a remote South American region where dinosaurs still live. And he's got the bones of a pterosaur to prove it.
His excitement is contagious, and soon enough, money comes in and an expedition is formed, made up of a womanizing aristocratic daredevil (Ward), an ambitious reporter (Rhys) who wants to impress his girlfriend, and the professor's conservative rival, Summerlee (Fox), drawn out of curiosity.
Of course, they make their way to the remote plateau, get more than they bargained for in the way of danger, find enemies and allies and, finally, return to civilization. And, oh yes, there's romance along the way, but to name names would be ruining the potential surprise. But viewers should be able to figure things out along the way.
THE LOST WORLD
A&E
A&E/BBC in association with RTL Television
Credits:
Director: Stuart Orme
Writers: Tony Mulholland, Adrian Hodges
Adapted from the novel by: Sir Arthur Conan Doyle
Producer: Christopher Hall
Co-producer: Tim Haines
Executive producer for A&E: Delia Fine
Executive producers for the BBC: Jane Tranter, Kate Harwood
Production designer: Rob Harris
Director of photography: David Odd
Composer: Rob Lane
Editor: David Yardley
Cast:
George Challenger: Bob Hoskins
Leo Summerlee: James Fox
Lord Roxton: Tom Ward
Edward Malone: Matthew Rhys
Agnes Cluny: Elaine Cassidy
Theo: Peter Falk
Chief: Nathaniel Lees
Achille: Tamati Te Nohotu
Maree: Nicole Whippy...
- 10/4/2002
- The Hollywood Reporter - Movie News
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