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Pride

  • 2014
  • 6
  • 1 Std. 59 Min.
IMDb-BEWERTUNG
7,8/10
63.573
IHRE BEWERTUNG
Imelda Staunton, Paddy Considine, Bill Nighy, Andrew Scott, Dominic West, George MacKay, and Ben Schnetzer in Pride (2014)
UK gay and lesbian activists work to help miners during their lengthy strike of the National Union of Mineworkers in the summer of 1984.
trailer wiedergeben2:30
56 Videos
55 Fotos
Romantic ComedyBiographyComedyDramaHistoryRomance

Britische Schwulen- und Lesbenaktivisten helfen Bergarbeitern beim einjährigen Streik der Nationalen Bergarbeitergewerkschaft im Sommer 1984.Britische Schwulen- und Lesbenaktivisten helfen Bergarbeitern beim einjährigen Streik der Nationalen Bergarbeitergewerkschaft im Sommer 1984.Britische Schwulen- und Lesbenaktivisten helfen Bergarbeitern beim einjährigen Streik der Nationalen Bergarbeitergewerkschaft im Sommer 1984.

  • Regie
    • Matthew Warchus
  • Drehbuch
    • Stephen Beresford
  • Hauptbesetzung
    • Bill Nighy
    • Imelda Staunton
    • Dominic West
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    63.573
    IHRE BEWERTUNG
    • Regie
      • Matthew Warchus
    • Drehbuch
      • Stephen Beresford
    • Hauptbesetzung
      • Bill Nighy
      • Imelda Staunton
      • Dominic West
    • 204Benutzerrezensionen
    • 187Kritische Rezensionen
    • 79Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 BAFTA Award gewonnen
      • 10 Gewinne & 25 Nominierungen insgesamt

    Videos56

    International Trailer
    Trailer 2:30
    International Trailer
    U.S. Theatrical Trailer
    Trailer 2:30
    U.S. Theatrical Trailer
    U.S. Theatrical Trailer
    Trailer 2:30
    U.S. Theatrical Trailer
    Clip
    Clip 0:40
    Clip
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    Fotos55

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 49
    Poster ansehen

    Topbesetzung99+

    Ändern
    Bill Nighy
    Bill Nighy
    • Cliff
    Imelda Staunton
    Imelda Staunton
    • Hefina
    Dominic West
    Dominic West
    • Jonathan
    Paddy Considine
    Paddy Considine
    • Dai Donovan
    Ben Schnetzer
    Ben Schnetzer
    • Mark Ashton
    Abram Rooney
    • Young Guy
    Jim McManus
    • Old Man
    George MacKay
    George MacKay
    • Joe Cooper
    Monica Dolan
    Monica Dolan
    • Marion Cooper
    Matthew Flynn
    Matthew Flynn
    • Tony Cooper
    Andrew Scott
    Andrew Scott
    • Gethin Roberts
    Joe Gilgun
    Joe Gilgun
    • Mike Jackson
    Faye Marsay
    Faye Marsay
    • Steph Chambers
    Freddie Fox
    Freddie Fox
    • Jeff Cole
    Lucy Timmons
    • Woman with Little Girl
    Jordan Metcalfe
    Jordan Metcalfe
    • Charlie
    Roger Morlidge
    Roger Morlidge
    • Wardrobe Master
    Dean Ashton
    Dean Ashton
    • Young Man
    • Regie
      • Matthew Warchus
    • Drehbuch
      • Stephen Beresford
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

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    Handlung

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    WUSSTEST DU SCHON:

    Ändern
    • Wissenswertes
      The song 'For a Friend', which is heard playing over the end credits, was actually written for the real Mark Ashton. It was written and performed by The Communards, whose members Jimmy Somerville and Richard Coles were both friends of Mark.
    • Patzer
      In a scene set in 1984, Joe and his family are seen watching the government TV advert "AIDS: Don't die of ignorance". The slogan was first used in November 1986 and the advert was first shown in January 1987.
    • Zitate

      [Giving a Speech in a Gay Bar]

      Dai: I've had a lot of new experiences during this strike. Speaking in public, standing on a picket line, And now I'm in a gay bar.

      Jonathan: Well, if you don't like it, you can go home.

      Dai: As a matter of fact, I do like it.

      [Crowd Ooh's]

      Dai: Beer's a bit expensive, mind.

      [Crowd Laughs]

      Dai: But, really, there's only one difference between this and a bar in South Wales. The women. They're a lot more feminine in here.

      [the Crowd Laughs and Cheers]

      Dai: What I'd really like to say to you tonight is thank you. If you're one of the people that's put money in these buckets, if you've supported LGSM, then thank you, because what you've given us is more than money. It's friendship. When you're in a battle against an enemy so much bigger, so much stronger than you, well, to find out you had a friend you never knew existed, well, that's the best feeling in the world. So, thank you.

      [the Crowd Applauds and Cheers Dai and LGSM]

    • Crazy Credits
      The title is shown, one letter at a time, as a key character walks in front of a brick wall.
    • Verbindungen
      Featured in Projector: Pride (2014)
    • Soundtracks
      Shame Shame Shame
      Written by Sylvia Robinson

      Performed by Shirley and Company

    Benutzerrezensionen204

    Ausgewählte Rezension
    8/10

    Working class pride

    British stage director Matthew Warchus' first venture in filmmaking Pride--based on a true story that had slipped through the cracks of history--won the Queer Palm at the 2014 Cannes Film Festival. And rightly so! The film opened quietly in New York at the 23 Street Chelsea Cinema.

    Say the word pride, for many it brings to mind "Gay Pride." For others, it recalls Proverbs 16: "pride goes before destruction and a haughty spirit before a fall."

    But Pride is a film about virtuous pride—class pride, gay pride and gender pride. Overall, it is a feel-good picture of solidarity and union of interests that seemingly don't speak to our condition when money and the free market have the upper hand, as well as a sharp rebuke to "identity politics." For Americans with an interest in labor history, it should call to mind between attacks against trade unions by an aggressive government, a hostile press and very forceful police. Actually, today the attacks continue against public unions, minorities and sexual and gender minorities. What make Pride of interest now is its politically charged message that sharply contrasts with the attempt to increase the state of suffering and want of the poor and the declining middle classes, in the same way Ken Burns seven-part documentary The Roosevelts: An Intimate History finds the relationship Americans have with their government seriously wanting. When Margaret Thatcher became prime minister in 1979, she turned a prayer to her own advantage: "where there is discord, may we bring peace, where there is error, may we bring truth and where there is despair, may we bring hope." She brought discord and despair when she threatened to close coal pits, which would rob thousands of their livelihood and leaves even thousands more in want and poverty. The National Union of Miners launch a yearlong strike in 1983 that they lost, thereby initiating the decline of the once powerful trade unions. You know your not going to watch a "gay" film when the opening scenes are of miners on a picket line, with Pete Seeger singing "Solidarity Forever," rarely sung in America today. Thus the theme of solidarity and union is struck from the very start of Pride—"there can be no power greater anywhere beneath the sun, yet what force on earth is weaker that the feeble strength of one, but the union makes us strong." And what union surprises us than straight miners and gay activists? And that is at the heart of this unearthed fragment of history. A natural-born activist Mark Ashton (Ben Schnetzer) rallies a small group of gays to raise funds for the striking miners as Lesbians and Gays Support Miners. Not only is he homosexual he also comes from Ulster and knows something about sectarian and sexual oppression. He immediately grasps, from a class and gender standpoint, Thatcher's hard-nosed policies to close the mines as a way to support the miners subsisting on handouts to oppose government repression. And thus begins LGSM's fund raising to help the miners. The money and the food they collect, they bring to a small Welsh town, not sure how they will be received when the first meet the miners. Since they are from anti-union London, there is an immediate sense of mistrust, compounded by homophobia. Yet they find at first support in miners' wives—especially Hefina (Imelda Staunton), Siân (Jessica Gunning); they are loyal to their husbands, just as much as they are determined to support the strike and just as important, they are of strong will and mind. In a way, these vigorous housewives walk in the way of the Daughters of Mother Jones who participated in labor actions, or the wives of striking New Mexico zinc workers in the suppressed film Salt of the Earth. There is a point in the film when the press got word of support of striking miners. The printed media had at first a field day with headlines saying Perverts and Miners, undoubtedly publicity the parent union NUM wanted to avoid. But Ashton took ownership of this headline by organizing an energetic fund raising campaign under the banner of Perverts and the Pit that brought in even more money and support. Although the strike failed, the support LGSM did not go unrewarded. In 1985 a large contingent of straight miners led the Gay Pride Parade in London with band and unfurled banners of one hand grasping another in solidarity and union of purpose. Furthermore, as a sign of this identity of common endeavor, were it not for the NUM the timorous Labour Party wouldn't have come out for Gay Rights in the party platform The Welsh are known for singing, so it is not surprising at the community hall to hear a swelling chorus of voices intoning Bread and Roses, a song associated with the 1912 Massachusetts textile strike. Nor is it astonishing to hear the voice of Paul Robeson, who became a working class hero of the NUM's through his singing and 1940 film Proud Valley. Characters in Pride are neither, soapy, sappy or maudlin; they are finely drawn and played by first-rate actors, including Bill Nighy, Dominic West and Andrew Scott. Pride is an intelligent picture. It carries the forceful message that gays don't necessarily stand up for gay people, straights for straights, workers for workers, but acting in concert they can act towards political change for the better. As the trade union saying goes: a single finger has the force of one, but four fingers joined by the thumb makes a fist and there is power and determination, strength and power. Pride is highly recommended and not to be missed..
    • jakob13
    • 10. Nov. 2014
    • Permalink

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    FAQ19

    • How long is Pride?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 30. Oktober 2014 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Frankreich
      • Vereinigte Staaten
    • Offizielle Standorte
      • BBC Films (United Kingdom)
      • Calamity Films (United Kingdom)
    • Sprachen
      • Englisch
      • Walisisch
    • Auch bekannt als
      • Гордість
    • Drehorte
      • Onllwyn, Powys, Wales(they filmed in the town they helped)
    • Produktionsfirmen
      • Pathe UK
      • Pathé
      • CBS Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.446.634 $
    • Eröffnungswochenende in den USA und in Kanada
      • 100.040 $
      • 28. Sept. 2014
    • Weltweiter Bruttoertrag
      • 19.014.619 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 59 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Imelda Staunton, Paddy Considine, Bill Nighy, Andrew Scott, Dominic West, George MacKay, and Ben Schnetzer in Pride (2014)
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    By what name was Pride (2014) officially released in India in English?
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