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6,0/10
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Kevin Smith verarbeitet hier seine eigene Jugend im New Jersey der 80er Jahre. Drei Jungs schleichen sich jedes Wochenende heimlich von Kinovorstellung zu Kinovorstellung, bis eines Tages ei... Alles lesenKevin Smith verarbeitet hier seine eigene Jugend im New Jersey der 80er Jahre. Drei Jungs schleichen sich jedes Wochenende heimlich von Kinovorstellung zu Kinovorstellung, bis eines Tages einer das Mädchen seiner Träume hinzu einlädt.Kevin Smith verarbeitet hier seine eigene Jugend im New Jersey der 80er Jahre. Drei Jungs schleichen sich jedes Wochenende heimlich von Kinovorstellung zu Kinovorstellung, bis eines Tages einer das Mädchen seiner Träume hinzu einlädt.
- Auszeichnungen
- 2 Nominierungen insgesamt
Method Man
- Cookie
- (as Cliff "Method Man" Smith)
Jennifer Schwalbach Smith
- Sister Black Eye
- (as Jennifer Schwalbach)
Ernest O'Donnell
- Detective
- (as Ernie O'Donnell)
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Iconic writer / director Kevin Smith's '80s-based autobiographical "The 4:30 Movie" (prequelling his "Clerks" trilogy) spans a pivotal day in teen Austin Zajur's life that doesn't run smooth after he planned spending it with buds Reed Northrup & Nicholas Cirillo (and crush Siena Agundong) at douche Ken Jeong's cinema. Its light dramedy is laced with ample movie-nerd references, fun fake film trailers, and cameos from Smith faves like Justin Long, Rosario Dawson, Jason Lee, Jason Mewes, Jason Biggs, & Harley Quinn Smith (his daughter). While not matching the similarly themed "I Like Movies", Smith fans (including all fellow cinephiles, right?) will for sure adore it.
It seems Kevin is afraid of himself.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
Let me explain, we got a bit of the old Kev back in Clerks III, with great dialogs, tons of laughter and an elegance and profoundness to the lines that rivaled his early work.
It wasn't Red State (by far Smith's undefeated Magnum Opus) but at least it looked like he was starting to come back.
And then we get this movie that while cute, it felt like it was afraid of having an edge. 3 or 4 jokes cut through but the rest? Geez...
There's only so much that cameos can do if you don't have anything to say. And Kevin Smith does t seem to have anything important to say... or he's afraid to say anything at all.
Does he think they're going to mock him? Does he think the audience will not "get it"?
He was on his way to be a great writer and a great filmmaker, and for the most part I think he still can be. But he needs to get out of his own way, dig deep and say what he really wants to say.
That or he ran out of things to talk about because he has been podcasting for more than a decade.
Watch the movie for completionism. But that's about it.
It sucks! It doesn't JUST suck, it's actually kinda bad and I LOVE Kevin Smith! Like I get legit excited to see his stuff but Im super disappointed - do without spoilers, the entire first act is essentially talking about sneaking into an theatre, and idk if he's trying to explain a very simple concept to people born after 2000, or it's just 'Chuffa' ( 1. See Kevin I am a fan! I remember your Bruce Willis story when you directed him in Cop Out and 2. Shout out to Bruce Willis, thank you for the years and years of entertainment) - but take that in addition to flagrant attempts at manipulation of human nostalgia (which has become a way to leaned upon crutch after it hit big with Stranger Things) and it comes across as very desperate and simplistic in a very, almost offensive way - and oddly enough it was billed as" Kevins most personal film to date " (well it sure has enough of his friends in it ffs) (who can't act I might add, but it isn't endearing) but yet it's not autobiographical either soooo.... And yes I spoke directly to Kevin earlier cause I know he's gonna read this, I KNOW this because having read the day one reviews here on imdb, I can see that several of them are made from, let's say... 'inside the Smith camp' if u get my drift - and again listen I love the guy and have enormous respect - I WAS 16 in 86 so this has extra meaning to me and I should be susceptible to the nostalgia draw - but it's not enough and I think he knows it - I'm sorry, I expected better from such a genius.
Couldn't sit through the 2nd half of the movie, except of one joke where a character wishes death upon another was the only moment that made me giggle, other than that everything was so unnatural and cringe, not even guest appearances of Justin Long nor Jason Lee could have saved it. Clerks and Mallrats fans stay away and rather go see Chasing Amy on a loop, this is borderline criminal on pair with his Yoga Hosers attempts at humor. I dont know what the cause behind this trend, age? Times of political correctness? If that's the case I would appreciate more attempts in vein of Tusk and Red State going forward. Stick to horror genre Kevin. Thanks your fan.
I really enjoyed this movie. The cast is a mix of unexpectedly good newcomers and funny cameos from regulars in Kevin's movies. There is a sweet side to the story that we haven't seen from Kevin since Jersey Girl and it works.
Austin Zajur gives a performance way above what you would expect and the cast has great chemistry.
I was lucky enough to get to watch this movie with Kevin at his place and it was an amazing evening. I'm going to see it again this weekend on the big screen.
The movie isn't drawn out or heavy and it is a great time. Highly recommended for anyone who grew up in that era or wished they did.
Austin Zajur gives a performance way above what you would expect and the cast has great chemistry.
I was lucky enough to get to watch this movie with Kevin at his place and it was an amazing evening. I'm going to see it again this weekend on the big screen.
The movie isn't drawn out or heavy and it is a great time. Highly recommended for anyone who grew up in that era or wished they did.
WUSSTEST DU SCHON:
- WissenswertesKevin Smith intended for the film to be rated PG-13, but it received an R, primarily due to jokes about masturbation. Unlike with many of his other films, he was not successful in getting the film to a lower rating.
- PatzerThe MPAA movie trailer rating screen shown before the trailer for Sister Sugar Walls is the incorrect one, being the one that is currently in use by the MPAA. The one that was used by the MPAA in 1986, when The 4:30 Movie takes place, was a still green frame which just had the sentence: "The Following Preview Has Been Approved For All Audiences by the Motion Picture Association of America."
- Crazy CreditsAfter the credits roll, there is a montage of outtakes.
- VerbindungenReferenced in Film Junk Podcast: Episode 975: The 4:30 Movie (2025)
- SoundtracksZ100 Jingle ('The Flame Thrower')
Written by Jon Wolfert (as Jonathan Wolfert)
Performed by JAM Creative Productions, Inc.
Used under license
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- 2.385 $
- Laufzeit1 Stunde 27 Minuten
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- 1.85 : 1
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