Füge eine Handlung in deiner Sprache hinzuWhen a prisoner is released from jail after serving 20 years, he returns to Cabot Cove to prove he was wrongly convicted.When a prisoner is released from jail after serving 20 years, he returns to Cabot Cove to prove he was wrongly convicted.When a prisoner is released from jail after serving 20 years, he returns to Cabot Cove to prove he was wrongly convicted.
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If the ends of justice weren't served in the homicide that Glover served time for, there's a fresh one for Sheriff Amos Tupper to solve when Dack Rambo one of the star players who had a car dealership was shot to death and a clumsy attempt to make it look like suicide.
Not the best of the Murder She Wrote series and it involves mainly with the character of Rambo's accomplice. Rambo indeed was part of the murder 20 years back, but knowing who Rambo's accomplice was it made no sense in terms of character and motivation.
The episode closes with a somber Jessica Fletcher. You won't see that in too many of the Murder She Wrote stories.
The concept of Jessica being forced to rethink much of her world view - not an easy thing to do for anyone - is the fascinating basis of this entry.
While i agree with other reviewers about where the responsibility actually lies in this episode, i think the last shot is where the tale is ultimately told.
Jessica - with her back literally against the wall - has a highly apprehensive, troubled look on her face.
As she confronts her anger, and her resistance to the truth, the viewer sees her struggle to let go of her sentimental (and false) loyalties and face a disappointing reality.
The resolution of that battle within herself is left open ended, though we hope she comes to terms with things as they are, not as she wishes them to be.
John Glover is just superb - he goes toe to toe with Jessica and doesn't give an inch.
Dame Lansbury brings her A+ game in response.
An edgy, excellent, thought provoking, and risky episode in the MSW catalog, not to be missed!
It feels like whoever was behind this episode had their own ideals they wanted to push. Or was there something going on at the time that this was reacting to? Whatever the reason, everyone involved in supporting the narrative should be ashamed.
Classic blame-the-victim mentality to the nth degree and 'circle the wagons' to defend our own, regardless of what they have done.
It's hard to like Jessica Fletcher after this episode. And it serves as a reminder of the importance of protecting the character for the actor. Matthew Perry did that in Friends when he refused to act out a story line where he was supposed to cheat on Courteney Cox's character. I'm so grateful to the actors who care enough to push back.
This episode is really good, well-written and shows that it wasn't all roses and light, but things can get edgy, without compromising with the light touch.
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe title is a quote from James William Emery Townsend, the notorious 19th century liar who said "When thieves fall out honest men get their dues. But when honest men fall out lawyers get their fees."
- PatzerBill gets into his Jeep. He turns the lights on, takes off the hand brake and then starts the ignition without a key. It is clearly shown that it is not in the mechanism and that he is not holding it.
- Zitate
[last lines]
Andrew Durbin: I came to say good-bye and to thank you.
Jessica Fletcher: I'd rather you didn't.
Andrew Durbin: But I was telling you the truth, and I did spend 20 years in prison unjustly.
Jessica Fletcher: Yes. And I'm sorry. But you knew when you came here what would happen.
Andrew Durbin: I wasn't sure, but I did warn you I was after justice.
Jessica Fletcher: I can't help but think that justice could have been served in a better way.
Andrew Durbin: Oh? Well, you give it some thought, Mrs. Fletcher. And when you figure out what could have been, you let me know.
- SoundtracksMurder She Wrote Theme
Written by John Addison