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Eraserhead

  • 1977
  • 16
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
7,3/10
137.248
IHRE BEWERTUNG
BELIEBTHEIT
2.463
270
Jack Nance in Eraserhead (1977)
Official Trailer ansehen
trailer wiedergeben0:47
2 Videos
96 Fotos
Body HorrorDark ComedyMonster HorrorFantasyHorror

Henry Spencer versucht, sein industrielles Umfeld, seine verärgerte Freundin und das unerträgliche Geschrei seines neugeborenen Mutantenbabys zu überleben.Henry Spencer versucht, sein industrielles Umfeld, seine verärgerte Freundin und das unerträgliche Geschrei seines neugeborenen Mutantenbabys zu überleben.Henry Spencer versucht, sein industrielles Umfeld, seine verärgerte Freundin und das unerträgliche Geschrei seines neugeborenen Mutantenbabys zu überleben.

  • Regie
    • David Lynch
  • Drehbuch
    • David Lynch
  • Hauptbesetzung
    • Jack Nance
    • Charlotte Stewart
    • Allen Joseph
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    137.248
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.463
    270
    • Regie
      • David Lynch
    • Drehbuch
      • David Lynch
    • Hauptbesetzung
      • Jack Nance
      • Charlotte Stewart
      • Allen Joseph
    • 768Benutzerrezensionen
    • 196Kritische Rezensionen
    • 87Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 2 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 0:47
    Official Trailer
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch

    Fotos96

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 91
    Poster ansehen

    Topbesetzung21

    Ändern
    Jack Nance
    Jack Nance
    • Henry Spencer
    • (as John Nance)
    Charlotte Stewart
    Charlotte Stewart
    • Mary X
    Allen Joseph
    Allen Joseph
    • Mr. X
    Jeanne Bates
    Jeanne Bates
    • Mrs. X
    Judith Roberts
    Judith Roberts
    • Beautiful Girl Across the Hall
    • (as Judith Anna Roberts)
    Laurel Near
    Laurel Near
    • Lady in the Radiator
    V. Phipps-Wilson
    • Landlady (long version)
    Jack Fisk
    Jack Fisk
    • Man in the Planet
    Jean Lange
    • Grandmother
    Thomas Coulson
    • The Boy
    John Monez
    • Bum
    Darwin Joston
    Darwin Joston
    • Paul
    T. Max Graham
    • The Boss
    • (as Neil Moran)
    Hal Landon Jr.
    Hal Landon Jr.
    • Pencil Machine Operator
    Jennifer Lynch
    Jennifer Lynch
    • Little Girl
    Brad Keeler
    • Little Boy
    Peggy Reavey
    Peggy Reavey
    • Person Digging in the Alley (long version)
    • (as Peggy Lynch)
    Doddie Keeler
    • Person Digging in the Alley (long version)
    • Regie
      • David Lynch
    • Drehbuch
      • David Lynch
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen768

    7,3137.2K
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    Empfohlene Bewertungen

    choatelodge

    Not for every viewer

    A surprising number of reviewers here howl at length about how bored they were by this movie. No surprise. I doubt David Lynch intended to entertain the viewer of Eraserhead. He intended to invoke a response, to be sure, but amusement was not it. There is not a single word nor phrase I can use to convey the response this movie brought out in me. Fascinated depression, appalled sympathy, and an ever present feeling of gratitude that although I was present in this bleak, inhuman, industrial, possibly toxic world, it was just a dream and I would be away from it eventually, unlike Henry Nance.

    The events draw you along in morbid curiosity as Henry goes about his business, fate not being very kind to him at any particular point. The pacing is slow enough that one has time to muse on the meaning of what transpires while the dank grim surroundings press down on oneself as they do on Henry.

    Should be watched in the evening with darkened lights. It is a trip, if you are willing to take it.

    Those who are bored should not watch it. They should rent 'Rambo', or perhaps 'Smokey and the Bandit'.
    7isaacsundaralingam

    Eraserhead is weird. And I like weird.

    What fascinated me throughout the entire movie was how David Lynch built a world that looks like it could be familiar to the audience, but feels like something entirely alien.

    This is not my first David Lynch movie, as I watched The Elephant Man some years back, but I remember it being nothing like this in terms of its weirdness.

    Definitely looking forward to getting to know more of Lynch's work!
    10B-J-C

    Ask six people exactly what Eraserhead is about, and you will get six different answers

    I sometimes dream of waking to a completely dark world, a world with no sunlight and minimal artificial light. My vision is blurred, but there is nothing to see. The streets are virtually empty, and my friends and family are lifeless; sitting, standing or even walking, but with nothing to do or say, and nowhere to go. No questions are asked because there is nothing to learn, nothing is discussed because nothing is interesting. And it is this dismal reality I am faced with, only partially aware that there is anything better.

    The existence I dream of is somewhat reminiscent of the world of Henry Spencer, the main character in Eraserhead, who becomes father to a hideously deformed baby. That's what the film is about at face value, but the very style in which it is portrayed is the real beauty of it. The setting and scenery makes the film one of the most desperately depressing I have ever seen. And although Henry seems to be devoid of any spark of personality, we can't help but sympathise with him throughout the film.

    Similar to my dream, the only form of light is artificial, the streets are virtually empty, and the only person in the entire film who has any personality is the father-in-law, and the only thing he has to talk about is his poor health. He also seems to be the only one with any link to better times. ("I've watched this city turn from pastures to the hell-hole it is now.") The city they live in is completely industrialized, and the only plant life seen is dead, and in a pile of soil on Henry's bedside table.

    Some have suggested it is based after a nuclear holocaust, but nothing is explained to any conclusion. One of the beauties of this film is that it practically begs the viewer to decide for themselves what any of it means, and there are many theories. I warn you not to read the message board of Eraserhead before you see the film, as it is so much more powerful and chilling to experience it first-hand.

    The first time I saw Eraserhead, I was completely confused. It is possible that David Lynch just put a load of random imagery together and called it a film. Maybe he wanted the viewers to put it all together and make their own sense of it (or not). On the other hand, there might actually be a set formula behind it and only the very open-minded and discerning audience can properly decipher it.

    One viewing of Eraserhead is enough to raise about a dozen questions, and to leave you gasping for answers. Two viewings are probably enough to give you theories about some of the cryptic depictions hauntingly portrayed. Three viewings might be enough to give you a completely different set of theories, battling persistently against your previous conceptions, but still leaving just a few details that don't quite seem to fit in. The truth is that there may be parts that don't make sense in one interpretation, but fit in perfectly to another. You could probably watch Eraserhead several times, and each time see a slightly different story. Or if you were to ask six different people exactly what Eraserhead is about, you would get six different answers, each equally correct in their own right, and each equally confused.

    That being said, this definitely isn't a film for everyone. This is the first Lynch film I have seen, and it certainly won't be the last. But there will no doubt be many who see this purely as a lot of clever mind tricks and special effects (for its time, anyway.) There will be those who don't like much to think about, and want it all explained bit by bit in perfect detail. Well, Eraserhead is an epitome of everything such moviegoers will hate. I will say this for certain: If your favourite films are 'Love Actually' or 'Dude, Where's My Car?', you probably won't get much out of Eraserhead. But for those who like their concepts challenged once in a while, this film will probably be one to watch again and again until you understand. This is also not a film to be forgotten easily. Love it or hate it, Eraserhead will stay with you for a very long time.
    9Coventry

    The twisted world of David Lynch

    I'm always a bit worried when I'm about to express my love towards this movie by the genius director David Lynch... I figure it's the perfect indicator for psychiatrists to claim that you're completely nuts :)

    But what the heck, they're a lot of nutballs on this website, so I can speak my mind freely. Indeed, I love this movie...although 'love' may be a wrong term to describe my feelings towards it. This movie 'fascinates' me is a much better saying. Usually, a movie is something in which you can live yourself in...in order to escape the stress of real life. Eraserhead is the exact opposite of that ! When watching this film, you can only hope that you'll never awake in the wold like Lynch shows it here. The horrible noises, the colorless and tasteless locations and the insensible characters...you all hate to love it. Eraserhead takes a walk with your emotions, you don't know whether to be disgusted or intrigued by it. So you'll feel uncomfortable when watching it and that's a wonderful experience for a cinema freak !

    Eraserhead is the ultimate cult film in my opinion and a must see for every fan of this delicious genre. In fact, I would go so far to say you can't call yourself a cult-freak if you haven't seen it yet.

    David Lynch begins his highly impressive career with this one and it still lives on. Eraserhead isn't his best film at all ( certainly not when it comes to storyline ) but it's his most deep and personal tale. 25 years old and still the "weirdest" film ever. That's an achievement, certainly with all this artistic filmmakers lately...or, at least, they try to be...)

    I want to encourage as much people as possible to see this one, but it's for the best that some groups of people avoid it. Surely not recommended if you're depressed or suicidal...The image of Jack Nance and the rest of the cast could even put you more down, I think. The tagline of this movie - "In heaven, everything looks fine" - could become a stimulus, I'm afraid. Pregnant women and young couples in love should beware as well !! This film is the ultimate nightmare for that what should be the greatest miracle of life...The hideous but yet harmless "baby" ( I really don't know how I should call it, actually )is the purest form of horror that ever occurred on the screen.

    You must have respect for director David Lynch. If you imagine how hard it must have been to create and finance this production. But it worked...hell, even comedy legend Mel Brooks was deeply impressed. Based on this film, he decided to let Lynch direct "The Elephant Man" a few years later. By that, David's career was launched and of course he made a masterpiece out of it. For me personally, his highlights were the 80's with terrific movies like "Blue Velvet", "Dune" ( very underrated, in my opinion) and "Wild at Heart" at the end of the decade. And let's not forget the best TV-series ever made: "Twin Peaks".

    Please, watch this movie !! Three times in a row if possible. I know a lot of people who just stopped watching it after half and hour ( or less ) and yelled "What the f*** is this ???". Real shame, if you ask me. It's an insight to a great mind and a unique event. If you really don't see the magic of it, at least try to admire the very stylish haircut of the main character. I'm thinking of doing the same thing with mine...
    10Skeptic459

    The reason that I got into films in the first place!!!

    In film school it is not cool to say you like David Lynch. Film students claim he is just a poor mans version of Luis Bunuel. Yes, I would say that Bunuel is more talented and is the king of surrealism. But Lynch is very good and his films do challenge the viewer. I actually have a deep affection for his films. When his films work, they really work! However, when they do not work, for example, Twin Peaks, Fire, Walk with Me or Lost Highway then they quickly launch themselves into self parody. Many people claim his material is too inconsistent and indulgent to be really liked very much.

    What I find strange is that one reviewer here states that he feel duped by Lynch. Duped? Why? The films all have a story. They just have a narrative that works differently to conventional film making. If you look hard at the film and try to understand the subtext then you will pick up on what the film is about.

    I saw this when I was 16. I knew nothing about films or film making then. A friend and I were bored so we decided to see a movie at capitol cinema. Capitol cinema used to be a cinema that played arty or small independent films. They used to play midnight showings of eraserhead. There was always someone smoking a joint in that place. However, you don't need drugs for this film. Lynch is drugs. This film just buzzes you out.

    I had no idea what Eraserhead was about. I had never heard of Lynch and knew nothing about surrealism. I went in and was just totally blown away! Before this I had only really seen commercial blockbuster movies. Lynch gave me a whole knew perspective on what cinema is capable of. Eraserhead is the stuff of dreams. Lynch believes that watching a film is entering a dream state. Both my friend and I did not know what the hell was going on. I was fascinated...

    Later I would learn this is a film about Lynch's own obsessions. His hatred of Philadelphia. His fear and anxiety at being a father. The film is just full of a kind of a compulsive, paranoid neurosis. It is a waking nightmare. He also seems to parody the nuclear family. 'Did you have sexual intercourse with my daughter?' Meanwhile that weird blond woman in his radiator seems to represent his escape. A way to transcend from his grim world. What I also find bizarre is that people then accuse him of having no sense of humor! What? There are always funny moments in his films. 'Did you have sexual intercourse with my daughter?'

    Jack Nance is also very good as the main character. He seems to be playing the director and he gives a performance that is distant, spaced out and yet emotionally vulnerable. A really strange mix. The imagery is just brilliant. Black and white in an industrial wasteland. There is smoke here of course. It wouid not be a Lynch film without smoke! It also has a cool, grating industrial soundtrack that sets your nerves on edge. This is perfectly effective for the bleak tone of the film. It is so visually striking that the viewer will not forget the imagery quickly. There is a reason that this is a cult film. The other distinctive feature of this film is the long lingering shots. This reminds me of Jim Jarmusch and his movies like Dead Man and Ghost Dog. The length of the shots seems to have the effect of immersing the viewer in this strange industrial wasteland.

    I have my own copy that I lend to friends. They then normally give it back to me saying that they only got through the first half hour. They also normally tell me that I am a weirdo for liking it. I think what frustrates people most about Lynch is that he will not give any explanations of what the film is about. So any interpretation is as good as any other. People want the film to be explained so they can understand it. Who said films must be understood or comprehensible? Why can't a film be abstract piece of art like a painting? Lynch's films are like an acid trip. To quote the great gonzo, Hunter S Thompson, 'buy the ticket, take the ride and if it gets a little heavier than what you had in mind, then put it down to forced consciousness expansion.'

    So in other words, relax, stick it on and just run with it. Travel into someone else's nightmare for a change...

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    Handlung

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    WUSSTEST DU SCHON:

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    • Wissenswertes
      When production on the film took longer than expected, David Lynch had to sleep in the same room used as Henry's bedroom for over a year.
    • Patzer
      Henry takes off the wrong shoe/sock to dry off.
    • Zitate

      Lady in the Radiator: [singing] In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And I've got mine. In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And you've got mine. In Heaven, everything is fine.

    • Crazy Credits
      There are no opening credits, just a long, tilted close-up of the face of Jack Nance.
    • Alternative Versionen
      First DVD edition was printed in open matte format (1:1.33)
    • Verbindungen
      Edited into The History of the Hands (2016)
    • Soundtracks
      Lady in the Radiator Song
      Composed by Peter Ivers

      Lyrics by David Lynch (uncredited)

      Performed (Sung) by Peter Ivers and Fats Waller (as "Fats" Waller) (Pipe Organ)

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    FAQ22

    • How long is Eraserhead?Powered by Alexa
    • Who is the Man in the Planet?
    • What is David Lynch's interpretation of this film?
    • What are the "Glen or Glenda" references?

    Details

    Ändern
    • Erscheinungsdatum
      • 7. September 1979 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Cabeza de borrador
    • Drehorte
      • Center for Advanced Film Studies, American Film Institute - 2021 N. Western Avenue, Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • American Film Institute (AFI)
      • Libra Films
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    Box Office

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    • Budget
      • 100.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 37.796 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 29 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono(original release)
    • Seitenverhältnis
      • 1.85 : 1

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