I have no issues with the cast and they have a good vibe, I'm particularly enjoying Ncuti in the role. I wasn't actually aware of him before this but he really does have some good energy. Too early to tell regarding the writing so I'll reserve judgement. It's been better than Chibnall but that's not a difficult accomplishment. My biggest issue is the overall feel of the show. They say Disney has no real input so why does it feel like a Disney show? If it doesn't pick up I may just give up and go back to watching the older seasons. Given the recent performance of Disney shows this really isn't a good start and I hope beyond all hope it finds it feet because this isn't what the majority want.
84 Reviews
Skeptical so far
collinslouisa13 May 2024
I am an avid doctor who fan but of course since the ending of capaldi, I've sadly not been so interested. Jodie's performance was wack let alone some of the storylines and history lessons that were a part of that season. I was hooked again after David tennet came back which led me to watch a bit more. Ncuti is an okay actor but I would put him in the same lines as Capaldi. But watching the first two episodes, I'm not really feeling it. The storyline is as boring as last season and half the time it's either cringy acting or weird plots that don't have enough substance. Please I really want to enjoy Doctor who again!
Tonal Shifts
drael6412 May 2024
While the new Doctor Who era is watchable, there are some areas that could be improved. Ncuti Gatwa's portrayal of the Doctor still comes across as more whimsical than a deeply intellectual and ancient being, with showrunner Russell T. Davies leaning heavily into a campy and lighthearted tone. Millie Gibson brings a certain charm as the new companion, though the overall lighthearted approach raises questions about whether she will have opportunities to showcase a broader acting range assuming she is capable. Gatwa and Gibson do have an enjoyable on-screen chemistry that makes the Doctor work better than one might expect given the strange tonal choices.
The new season's shift toward a more supernatural or fantasy-focused storytelling is a departure from previous eras and abstracts the show's connection to exploring our actual universe in favor of a very light fantastical setting.
In casting recent Doctors, there seems to be an emphasis on eccentric personalities over projecting a sense of gravitas befitting an immortal, genius alien. Previous Doctors all balanced eccentricity with an underlying aura of experience and depth that has been lacking. While an improvement over the previous era in terms of maintaining interest, this new season is at least not boring, if odd, it struggles to maintain tonal and thematic continuity with classic and new era Doctor Who.
The season's specials in particular featured heavy-handed moralizing that came across as simplistic rather than cleverly insightful at times, unintentionally veering into parody. I hope that Russell T. Davies can recruit talented writers who can inject more depth, nuance and flair into the stories. This would give Ncuti Gatwa more opportunities to explore the Doctor's ancient, complex character beyond just the eccentric surfaces.
The new season's shift toward a more supernatural or fantasy-focused storytelling is a departure from previous eras and abstracts the show's connection to exploring our actual universe in favor of a very light fantastical setting.
In casting recent Doctors, there seems to be an emphasis on eccentric personalities over projecting a sense of gravitas befitting an immortal, genius alien. Previous Doctors all balanced eccentricity with an underlying aura of experience and depth that has been lacking. While an improvement over the previous era in terms of maintaining interest, this new season is at least not boring, if odd, it struggles to maintain tonal and thematic continuity with classic and new era Doctor Who.
The season's specials in particular featured heavy-handed moralizing that came across as simplistic rather than cleverly insightful at times, unintentionally veering into parody. I hope that Russell T. Davies can recruit talented writers who can inject more depth, nuance and flair into the stories. This would give Ncuti Gatwa more opportunities to explore the Doctor's ancient, complex character beyond just the eccentric surfaces.
I won't rate it yet because I wanna see the rest of the season but it's not looking good
sloncarvuca12 May 2024
If I were to describe in one word how the New Who looks like it would be "stale". Let's put aside politics and all that stuff and look at actual material itself. Episodes feel so uninspired. I know RTD made some bad episodes doing it's first run, but there was always some sort of charm about them or at least something. It feels like he got his ideas from Chat GPT. I was excited about the second episode because of all the teasers we got, but again it looks so unispired and tacky. But that being said the cast is good, even Maestro had some potential to be great villian but in the end if was kinda eh beacuse of the writing.
To sum up, I would like to quote 10th doctor's famous monologue - "You could do so much more! So much more, and this what I get... Well it's not fair!"
To sum up, I would like to quote 10th doctor's famous monologue - "You could do so much more! So much more, and this what I get... Well it's not fair!"
It feels like a lot of people have forgotten what doctor who is.
dexterbmet16 May 2024
I saw someone say that doctor who is ruined now because of fart jokes and tried to compare space babies with father day forgetting that the Sletheen were from the same series. People are complaining about things that made doctor who such a unique show in the first place. Did everyone just forget about the happiness patrol? The enemy of the world? Everyone hating on the new doctor who episodes like it totally didn't take 6 episodes before we actually got a good doctor who episode with Dalek. Doctor who too childish now? Have any of you actually watched the show because a lot of people are complaining about things that have always been in doctor who like they've only just started to do. Not every episode is like midnight or turn left. For every wimping angel we've got fat that kills. For every Dalek we have the doctors twin. I've always found that the worst part of doctor who is the fandom and it's so ironic to me how the show all about Change is being shown to people who hate change of any kind and honestly the hypocrisy is unreal. People can not like individual episodes but hating on an entire new era just because of a couple of medocure episodes is insane to me. We don't hate the entirety of David Tennant run because it has fear her in it. So why do it here?!
Dreadful
irelandkeith11 May 2024
Ok, it's clear this manifestation or DrWho has a decent budget, but what a waste. It's jarring to watch... Why does the Music woman have an overdubbed (and badly synchronised ) voice.
The whole Beatles section was uninteresting, unfunny and almost unwatchable. Clearly the generations of people who have grown up, sweaty-palmed behind the sofa, aren't the target for this new incarnation, which is a shame. Most of the earlier series managed to appeal to a multi-generational audience. My guess is that this will not appeal to the older generation who will switch off, and I'm by no means convinced it will attract the Gen Whatever it's supposed to appeal to.
Sorry Russell. Nil points from me (and not just because I can't wait for this to finish so I can watch Eurovision. Budget wasted. Not my thing.
The whole Beatles section was uninteresting, unfunny and almost unwatchable. Clearly the generations of people who have grown up, sweaty-palmed behind the sofa, aren't the target for this new incarnation, which is a shame. Most of the earlier series managed to appeal to a multi-generational audience. My guess is that this will not appeal to the older generation who will switch off, and I'm by no means convinced it will attract the Gen Whatever it's supposed to appeal to.
Sorry Russell. Nil points from me (and not just because I can't wait for this to finish so I can watch Eurovision. Budget wasted. Not my thing.
Watch episode 5
bobtobias26 May 2024
I started out really hating this latest incarnation of Doctor Who. The first four specials seemed especially stupid. All of them try to incorporate a touch of Bollywood with a disproportionate amount of gender bending. Understand, I don't object to either, it just seemed a bit heavy-handed
The same was true for the first four episodes of the series. I was going to give up and watching but I had a few minutes and decided to watch the fifth episode.
That episode, 73 yards, was absolutely amazing! It combined mystery or suspense and a mindbending plot. I hope the remaining episodes follow this standard. If they do then this latest Doctor Who will be as good as any of the previous ones.
The same was true for the first four episodes of the series. I was going to give up and watching but I had a few minutes and decided to watch the fifth episode.
That episode, 73 yards, was absolutely amazing! It combined mystery or suspense and a mindbending plot. I hope the remaining episodes follow this standard. If they do then this latest Doctor Who will be as good as any of the previous ones.
Looks like they dredged the bottom of the barrel for the story writers
rabski311 May 2024
I've just watched the first two episodes of the newest Dr Who and as I feared, the latest Dr Who is following the suit of the previous Dr Who's of recent years, where the episodes and storylines are progressively getting more and more ridiculous.
I appreciate that Dr Who is totally fictional with outlandish stories about space, aliens and the inexplicable. But these latest shows are getting more and more ridiculous and stupid, too stupid in fact, to watch.
The shows writers seem desperate to write something which is entertaining and seem to be writing for a childrens show, rather than writing in the vain of the previous writers, who created interesting story lines and characters.
The actors do a great job with the scripts which they are given and try their hardest to make each episode as entertaining as possible.
While Ncuti Gatawa has proved himself as a good actor in various different roles and I think would make for a really good Dr Who, he would do a lot better with decent scripts and storylines, but unfortunately, I can't see him getting them with these writers.
Dr Who has progressively worsened over the years and if this vein of writing and storylines continues, I can see Dr Who being a thing of the past.
I appreciate that Dr Who is totally fictional with outlandish stories about space, aliens and the inexplicable. But these latest shows are getting more and more ridiculous and stupid, too stupid in fact, to watch.
The shows writers seem desperate to write something which is entertaining and seem to be writing for a childrens show, rather than writing in the vain of the previous writers, who created interesting story lines and characters.
The actors do a great job with the scripts which they are given and try their hardest to make each episode as entertaining as possible.
While Ncuti Gatawa has proved himself as a good actor in various different roles and I think would make for a really good Dr Who, he would do a lot better with decent scripts and storylines, but unfortunately, I can't see him getting them with these writers.
Dr Who has progressively worsened over the years and if this vein of writing and storylines continues, I can see Dr Who being a thing of the past.
A Phenomenal Journey into Time and Space
alameenkh727 May 2024
As a long-time fan, Doctor Who has always held a special place in my heart, and this series does not disappoint. Admittedly, the first two episodes might seem a bit slow or even silly to some, but they serve an essential purpose: they introduce the Doctor, the unique world-building, and the intricate lore that make this show so captivating.
Once you get past those initial episodes, the series truly takes off. Episodes three and four are nothing short of phenomenal, with episode four standing out as one of the best episodes of any TV series I've watched recently. It delivered a perfect blend of contentment and completeness, leaving a lasting impression.
One of the aspects I love most about Doctor Who is its approach to politics and history. The show doesn't shy away from tackling complex themes and weaving them into its narrative, which adds depth and intrigue. The world-building is top-notch, creating a sense of mystery and anticipation that keeps you hooked.
If you're looking for a show to watch casually, Doctor Who is a great choice. Just be patient with the first couple of episodes; they set the stage for the mind-blowing adventures that follow. Embrace the silliness, and you'll be rewarded with a rich, emotionally connected experience that only Doctor Who can provide.
Once you get past those initial episodes, the series truly takes off. Episodes three and four are nothing short of phenomenal, with episode four standing out as one of the best episodes of any TV series I've watched recently. It delivered a perfect blend of contentment and completeness, leaving a lasting impression.
One of the aspects I love most about Doctor Who is its approach to politics and history. The show doesn't shy away from tackling complex themes and weaving them into its narrative, which adds depth and intrigue. The world-building is top-notch, creating a sense of mystery and anticipation that keeps you hooked.
If you're looking for a show to watch casually, Doctor Who is a great choice. Just be patient with the first couple of episodes; they set the stage for the mind-blowing adventures that follow. Embrace the silliness, and you'll be rewarded with a rich, emotionally connected experience that only Doctor Who can provide.
The Disney reset.
Sleepin_Dragon15 May 2024
So, another reset, the modern era? The last gasp era.....The Disney era, the latter for me seems the most fitting description.
You can't blame Russell or the powers that be, for wanting to restart to show, and Space Babies very much felt like a reset, almost frustrating for long standing viewers, so many similarities between it and Rose, only Rose was ultimately much better.
I'm going to say I really rate Ncuti, the charisma and facial expressions are really infectious, he's a fine actor, Ruby, can't say I'm blown away, maybe things will change as time goes on.
There's definitely a change up in terms of budget, and you have to admit that it looks very sharp, money is clearly going in.
Is it the big reset everyone had hoped for, the rebirth of the show, following on from Chibnall's time? Unfortunately not from what I can see, it just feels like more of the same.
The rules have definitely changed, the show has moved very much into the era of magic and fantasy, is it a good thing? Time will tell.
After some incredibly disappointing viewing figures, it feels as though viewers don't quite have the same passion for the show.
6/10.
You can't blame Russell or the powers that be, for wanting to restart to show, and Space Babies very much felt like a reset, almost frustrating for long standing viewers, so many similarities between it and Rose, only Rose was ultimately much better.
I'm going to say I really rate Ncuti, the charisma and facial expressions are really infectious, he's a fine actor, Ruby, can't say I'm blown away, maybe things will change as time goes on.
There's definitely a change up in terms of budget, and you have to admit that it looks very sharp, money is clearly going in.
Is it the big reset everyone had hoped for, the rebirth of the show, following on from Chibnall's time? Unfortunately not from what I can see, it just feels like more of the same.
The rules have definitely changed, the show has moved very much into the era of magic and fantasy, is it a good thing? Time will tell.
After some incredibly disappointing viewing figures, it feels as though viewers don't quite have the same passion for the show.
6/10.
What on earth was that?
matt_galloway12 May 2024
Warning: Spoilers
I have no idea what I've just watched. Space Babies with acting from the adults that was, ironically, more fitting of a kids tv show. A not too bad concept of a being which steals music, terribly performed by a chronic over-actor. An incredibly unnecessary musical number that in no way fits with the show as a whole. Although I do understand they're trying to rebrand to a younger audience, this has surely missed the mark. The second episode started much more promisingly than the first episode which was an abomination, but quickly went from exciting potential to boring and on to ridiculous stupidity. I've been a fan of Doctor Who since the Ecclestone days and the Tennent peak (although I did give up with the Capaldi era) and had real hope with the return of Russell T. Davies but it just seems to be getting worse with each passing series. I will persevere for a few more episodes in the hope it can return to its former glory... but I'm not holding my breath.
Shaking off the dust
skellons27 May 2024
Having sat through the Chibnall period with gritted teeth, firstly hoping it would get better, then wishing it would, then realising it wouldn't - this is ticking the boxes.
Russell T Davies gets the Doctor we knew that but he is shaking off the dust and helping us to move on from the mess of previous years. It maybe a bit wobbly in places but it's miles better than the previous few series and the writing actually fits the actors - we also haven't had any patronising end sequences like we had under Chibnall especially the Rosa Parks episode (which was OK until the last sequence of the episode).
I'm not sure what people are looking for - all I wanted was a sense of fun and trepidation with suspense and madness thrown in - we have that so I'm happy.
This has firmly shaken off the dust of the previous management and pulled us back to where we should have been at the end of Capaldi's run - thanks RTD long may this continue.
Russell T Davies gets the Doctor we knew that but he is shaking off the dust and helping us to move on from the mess of previous years. It maybe a bit wobbly in places but it's miles better than the previous few series and the writing actually fits the actors - we also haven't had any patronising end sequences like we had under Chibnall especially the Rosa Parks episode (which was OK until the last sequence of the episode).
I'm not sure what people are looking for - all I wanted was a sense of fun and trepidation with suspense and madness thrown in - we have that so I'm happy.
This has firmly shaken off the dust of the previous management and pulled us back to where we should have been at the end of Capaldi's run - thanks RTD long may this continue.
Big ideas are back
Jack_C_30 May 2024
While the 2000s Dr Who reboot have always featured a bit of silliness, the Disney version overdoes it with multiple childish musical numbers no one asked for or wanted. This is a British science fiction show, not the Mickey Mouse Club.
Fans of Tenant, Smith, and Capaldi seasons will be happy to discover that the Doctor has returned to timey wimey paradoxes, universe spanning big ideas, and potentially world ending jeopardy. Non-musical portions of the show are tightly written and full of tension and suspense. Horror is back too, with the recent outstanding episode of 73 Yards.
Ncuti is a fantastic actor, and Millie is a good actor when allowed to shine. I miss the arrogant genius Doctor of yesteryear. Where is the fearless Doctor who can fix any problem with sheer intelligence and a sonic screwdriver? The sonic was used exactly twice this entire season, and would have invalidated the entire premise of episode 4.
I enjoy the new season, and don't mind fewer toilet plunger armed/tin can killer machines. Hopefully the writing remains elevated and do not start resorting to lazy Hollywood tropes.
Fans of Tenant, Smith, and Capaldi seasons will be happy to discover that the Doctor has returned to timey wimey paradoxes, universe spanning big ideas, and potentially world ending jeopardy. Non-musical portions of the show are tightly written and full of tension and suspense. Horror is back too, with the recent outstanding episode of 73 Yards.
Ncuti is a fantastic actor, and Millie is a good actor when allowed to shine. I miss the arrogant genius Doctor of yesteryear. Where is the fearless Doctor who can fix any problem with sheer intelligence and a sonic screwdriver? The sonic was used exactly twice this entire season, and would have invalidated the entire premise of episode 4.
I enjoy the new season, and don't mind fewer toilet plunger armed/tin can killer machines. Hopefully the writing remains elevated and do not start resorting to lazy Hollywood tropes.
what happened to Dr Who?
ronn21411 May 2024
I have watched the new Dr Who episodes for 2024, and I have been urgently waiting and waiting and this is the mess I get. Space Babies and some other nonsense about a "Maestro" that steals music. The show is stupid. The new Dr is stupid. I hate it. The script is terrible, the acting is terrible. I cannot believe what they have done to this wonderful series. A lot of people gave up when Jode Whitaker took over as the doctor, I didn't, I thought she was great and the series was pretty good. There were some weak storylines but all in all I thought the series was still good. Not now. It's terrible. It's not the new doctor, its the scripts; they have been stupid and silly. I'll watch one or two more episodes and if it doesn't get better, I'm done.
I tried.
duncancmccann25 May 2024
Four episodes in and I had high hopes of the new series after the specials and Tennant reminding us of who The Doctor should be.
I don't either hate or love the nu-nu-who, I'm just indifferent, I don't care anymore.
It feels like a long-term relationship where gradually you realise that the two of you have grown apart. No matter how much you try, how much you want to make it work, the spark is gone.
I don't feel it's the fault of the actors, it's the overall approach to the show. If RTD and Disney are trying for a whole new younger fan-base then maybe they'll get it - I wouldn't know, I'm too old 'my' Doctor was Tom Baker, of the reboot Doctors it's between Tennant and Smith, probably with Smith just edging it.
I think it's time for me to end my love affair with Dr Who, there will always be a place in my heart for it and I may even occasionally visit but my feelings of commitment and connection have gone. I hope you find a new lover Doctor, someone that loves you as you are now. Don't worry about me Doctor I'll be fine, we had a great time together but it's time for me to move on - or perhaps I'll stay single and just reminice about the old days with Tom and Jon on the iPlayer while sobbing gently and considering getting an 11th cat.
I don't think anything can replace you, so I'll be better on my own, it's sad but these things happen. All the best for the future eh? Oh and by the way, I'm keeping K9.
I don't either hate or love the nu-nu-who, I'm just indifferent, I don't care anymore.
It feels like a long-term relationship where gradually you realise that the two of you have grown apart. No matter how much you try, how much you want to make it work, the spark is gone.
I don't feel it's the fault of the actors, it's the overall approach to the show. If RTD and Disney are trying for a whole new younger fan-base then maybe they'll get it - I wouldn't know, I'm too old 'my' Doctor was Tom Baker, of the reboot Doctors it's between Tennant and Smith, probably with Smith just edging it.
I think it's time for me to end my love affair with Dr Who, there will always be a place in my heart for it and I may even occasionally visit but my feelings of commitment and connection have gone. I hope you find a new lover Doctor, someone that loves you as you are now. Don't worry about me Doctor I'll be fine, we had a great time together but it's time for me to move on - or perhaps I'll stay single and just reminice about the old days with Tom and Jon on the iPlayer while sobbing gently and considering getting an 11th cat.
I don't think anything can replace you, so I'll be better on my own, it's sad but these things happen. All the best for the future eh? Oh and by the way, I'm keeping K9.
Don't judge by the Christmas special
jaywindu1 June 2024
I really didn't like the Christmas special at all, it was all over the map tonally. Just didn't gel, characters unlikeable, bas story, sing song bit (!!!) what the hell haha. Did feel extremely childish.
Watched the new season and it's nothing like this, it's back to super interesting, thought provoking and diverse stories. Not perfect by any stretch of the imagination, a few misfires, but theres some absolute gems in there so far (looking at you 73 Feet) - it should be patchy and different, that's why I always loved it - you never know what you're in for!
To me, better than the Whittaker era already. Liking the weirdness. Ncuti does overact a bit sometimes as well, but when he hits he absolutely hits and delivers some gut punching moments.
Looking forward to more!
Watched the new season and it's nothing like this, it's back to super interesting, thought provoking and diverse stories. Not perfect by any stretch of the imagination, a few misfires, but theres some absolute gems in there so far (looking at you 73 Feet) - it should be patchy and different, that's why I always loved it - you never know what you're in for!
To me, better than the Whittaker era already. Liking the weirdness. Ncuti does overact a bit sometimes as well, but when he hits he absolutely hits and delivers some gut punching moments.
Looking forward to more!
Bring back suspense!
stormeaglesson-5090613 May 2024
Warning: Spoilers
I really feel like the New age of Doctor who has well and truly fogotten it's die-hard fans and is trying to ponder on a new target audience. The last two epsidoes has left me (and reading other comments many others too) feeling bored and uninterested. There's no hooks, no suspense, the mystery element is gone because its revealed 5 minutes into the epsiode and the wins seem easy. The whole 'Toy-makers Legion' concept is such an interesting plot but the execution is so far not selling it. These monsters are the toughest the Doctor has ever faced and what? Paul Mcarthy stopped one of them?
Every Doctor's first episode is the most important one because it sets the tone for the entire season, his/her/their personality, the vibe. We're two epsiodes in with the appearance of this Doctor from the specials and I still don't get this one. I had the same issue with Jodie's Doctor. Every episode from her's onwards has the Doctor being confused, scared and on the verge of a breakdown and that's how I feel watching it. I never felt like I wanted or needed to relate to the Doctor in any way since he is meant to be above and beyond greatness. Thats why when he would stumble or breakdown or feel defeated it came to a shock but now as he is always like this it's lost the effect. This new dawn for the franchise is meant to be more modern, more relateable and more inspiring? I have never felt more disconnected from the show! Nothing about this is relateable.
The past two episodes feels more at home on the Numberjacks on Cbeebies then anything else and I still find that show more creepier. The moments where it's meant to be fun feel cringy, the scary moments are laughable and the whole thing is just dull. Honestly hurts me to even admit it because this show was fantastic. It had everything! Funny companions, unbelieveable adventures, edge-of-your-seat suspense, shocking plot-twists and so many times where it reflected real world issues that made an impact. Where did it all go? The show has lost everything that made it Doctor Who to fill it up with 'trendy' musical numbers, talking babies and rushed plotlines.
Every Doctor's first episode is the most important one because it sets the tone for the entire season, his/her/their personality, the vibe. We're two epsiodes in with the appearance of this Doctor from the specials and I still don't get this one. I had the same issue with Jodie's Doctor. Every episode from her's onwards has the Doctor being confused, scared and on the verge of a breakdown and that's how I feel watching it. I never felt like I wanted or needed to relate to the Doctor in any way since he is meant to be above and beyond greatness. Thats why when he would stumble or breakdown or feel defeated it came to a shock but now as he is always like this it's lost the effect. This new dawn for the franchise is meant to be more modern, more relateable and more inspiring? I have never felt more disconnected from the show! Nothing about this is relateable.
The past two episodes feels more at home on the Numberjacks on Cbeebies then anything else and I still find that show more creepier. The moments where it's meant to be fun feel cringy, the scary moments are laughable and the whole thing is just dull. Honestly hurts me to even admit it because this show was fantastic. It had everything! Funny companions, unbelieveable adventures, edge-of-your-seat suspense, shocking plot-twists and so many times where it reflected real world issues that made an impact. Where did it all go? The show has lost everything that made it Doctor Who to fill it up with 'trendy' musical numbers, talking babies and rushed plotlines.
This is very good
cqbstvxx26 May 2024
Having watched the first 4 shows, and as a fan who followed the series from the start but tuned out halfway through capalidi, I have to say this season is very good indeed. The writing has improved dramatically. There's casual references to great sci fi, and the world building doesn't hold your hand at all.
The characters are interesting and likeable which feels rare these days. Both episodes 3 and 4 had very imaginative plot lines. I think people will look back on this incarnation as a standout season.
As for the Disney stuff, honestly it doesn't matter. They've delivered a good show, with characters that shine both on their own merits, and through a script prepared to do interesting things with the narrative. This is what Doctor Who is meant to be about.
The characters are interesting and likeable which feels rare these days. Both episodes 3 and 4 had very imaginative plot lines. I think people will look back on this incarnation as a standout season.
As for the Disney stuff, honestly it doesn't matter. They've delivered a good show, with characters that shine both on their own merits, and through a script prepared to do interesting things with the narrative. This is what Doctor Who is meant to be about.
The Doctor gets Americanised
emmaeldred12 May 2024
I was really looking forward to the new Dr Who. I've watched the doctor all my life and my father remembers watching the first episode when it aired. Ruby Sunday is a great companion and was looking forward to seeing her grow. The new doctor has great energy and major potential. But why on earth do we have to make it American. And is every episode going to be a musical now. Please bring back the great british story telling without having to become American. Have the creators sold there souls to Disney, and no longer care about the authenticity of the program and the following of all the loyal fans.
We're so back!
orlascarlett26 May 2024
One of my favourite things about doctor who is that with every new doctor, the show evolves and changes is always trying new things. The show would've died decades ago if they never tried anything new. Ncuti Gatwa is a phenomenal doctor and so far (especially in the most recent episodes of the series) the writing has been amazing. Too many people are so quick to criticise this new season because they just want the show to be 'like it was before' but I think that they are missing the brilliance of episodes such as 'Boom' and '73 Yards'. While I agree that the season isn't perfect, I think that this season has been extremely promising so far and can't wait for more!
Doctor Who. The reality check!
AnonymousBarber26 May 2024
I have no intention of babbling on here so I will keep it brief.
Firstly despite some opinions the acting in this new series is good, I would go so far to say there has never been any 'terrible' or 'bad' acting ever, and I mean since William Hartnell as Dr 1.
Second the CGI is just fine as it is, again not 'bad' as some claim.
Thirdly the first stories aren't the greatest but no series of Dr Who has ever had great stories through out, one or two classics in a series but the rest are usually just ok. I
Fourth it is a series aimed at older children, young adults and family audiences so don't expect adult drama and suspense
Finally and most importantly, these are the first stories of a new Doctor, we have barely had time to get to know the characterisation, it can take time to warm to a new person. Especially this new guy who appears to have a sense of humour and a love of living unlike the angst ridden last few incarnations.
Oh I love the fact we have the Doctor and one companion rather than the parade of people we had taking the limelight away from Jodie Whitaker.
Firstly despite some opinions the acting in this new series is good, I would go so far to say there has never been any 'terrible' or 'bad' acting ever, and I mean since William Hartnell as Dr 1.
Second the CGI is just fine as it is, again not 'bad' as some claim.
Thirdly the first stories aren't the greatest but no series of Dr Who has ever had great stories through out, one or two classics in a series but the rest are usually just ok. I
Fourth it is a series aimed at older children, young adults and family audiences so don't expect adult drama and suspense
Finally and most importantly, these are the first stories of a new Doctor, we have barely had time to get to know the characterisation, it can take time to warm to a new person. Especially this new guy who appears to have a sense of humour and a love of living unlike the angst ridden last few incarnations.
Oh I love the fact we have the Doctor and one companion rather than the parade of people we had taking the limelight away from Jodie Whitaker.
Waste of time
smesh-2245911 May 2024
I really did give this a chance but my God it was bad.
Space babies:
The Devil's Chord:
Space babies:
- the CGI on the "baby's" was absolutely horrific, I've been better from films back in 2002.
- The acting was terrible in this as well, nothing about anyone's performance shouted "Doctor Who".
- space babies pretty much stole parts of 2005's "End of the World" (such as seeing the earth in the further from space and the doctor using sonic screwdriver on phone so companion can ring mother".
- the story was so weak in this one as well, what an incredible dull episode.
The Devil's Chord:
- this episode had so much potential by as expected it fell flat. The acting was slight better but again, nothing about ncuti's or Millie's performance shouted "Doctor and companion"
- Jinx Monsoon, although does naturally look terrifying, didn't do well in this part. There was far too much overacting which was extremely off putting.
- the story line was pretty forgettable and of course they have to mention pronouns.
- The worst thing about the episode was the totally unnecessary musical number at the end, what was the point of that? When you're trying to have a "serious" story line and you have this at the end it throws the story off completely.
- the only thing I did enjoy in this episode was the music (not including the off putting musical at the end) Murray gold is a great composer and he deserves some props, also the costumes were better in this one compared to the first one.
- Overall, this is not Doctor Who anymore just a cheap imitation.
No where near as bad as the reviews make out
joshriley12925 May 2024
The 2024 season of Doctor Who continues to captivate audiences with its blend of imaginative storytelling, strong performances, and thrilling adventures. This season marks a successful return to the show's roots while also exploring fresh narratives that feel both contemporary and timeless. The new Doctor, played with remarkable charisma and depth, brings a unique energy to the role, making the character's journey more compelling than ever.
The writing shines with well-crafted plots that balance emotional character development with exciting sci-fi concepts. Notable episodes this season delve into complex themes such as identity, loss, and hope, providing plenty of thought-provoking moments alongside the usual high-stakes escapades. The supporting cast also delivers standout performances, with companions that are relatable and endearing, enhancing the dynamic of the TARDIS crew.
Visually, the show has taken a step forward with impressive special effects and cinematography that add a cinematic quality to the series. The diverse settings, ranging from futuristic cities to historical eras, are brought to life with meticulous detail and creativity.
However, the season isn't without its minor flaws. A few episodes feel slightly rushed, with story arcs that could benefit from more development. Additionally, some long-time fans might find certain plot twists a bit predictable.
Overall, Doctor Who 2024 is a triumph, breathing new life into the beloved franchise. It's a must-watch for both die-hard fans and newcomers alike, earning a solid 8 out of 10 stars for its ability to entertain, inspire, and provoke thought with every episode.
The writing shines with well-crafted plots that balance emotional character development with exciting sci-fi concepts. Notable episodes this season delve into complex themes such as identity, loss, and hope, providing plenty of thought-provoking moments alongside the usual high-stakes escapades. The supporting cast also delivers standout performances, with companions that are relatable and endearing, enhancing the dynamic of the TARDIS crew.
Visually, the show has taken a step forward with impressive special effects and cinematography that add a cinematic quality to the series. The diverse settings, ranging from futuristic cities to historical eras, are brought to life with meticulous detail and creativity.
However, the season isn't without its minor flaws. A few episodes feel slightly rushed, with story arcs that could benefit from more development. Additionally, some long-time fans might find certain plot twists a bit predictable.
Overall, Doctor Who 2024 is a triumph, breathing new life into the beloved franchise. It's a must-watch for both die-hard fans and newcomers alike, earning a solid 8 out of 10 stars for its ability to entertain, inspire, and provoke thought with every episode.
Why The Doctor can be The Doctor?
lizsong-2786916 May 2024
As someone who loves musicals and animations for young children, I watched the Christmas special with great joy, so I was eagerly awaiting May. However... removing the nostalgia filter and speaking honestly, the first two episodes that just aired can only be described as barely satisfactory...
Of course, similar to the Christmas special, Shootie is energetic, and Ruby seems equally cheerful, but these two stories so far are really lacking in substance and emotional impact. Personally, I think one reason might be that bosses like the Toymaker are okay for occasional appearances because they are novel and crazy enough, but too many of them easily lead to aesthetic fatigue. Because they lack human emotions or humanity, there is less deep interaction or even tension with the Doctor, leaving only pure destruction and madness. Being too one-dimensional, they lose richness and fail to touch people's hearts.
Another reason might lie in the characterization of the main characters, which also faces similar issues. In the old DW world, there always seemed to be some subtle balance. For example, the famous longtime bosses like the Cybermen, Daleks, and the Master often had deep connections with the Doctor and/or humanity, leading to more complex explorations of humanity. For example, what would happen to humans without emotions and with pure instrumental rationality-the Cybermen; what happens if humans focus solely on power, conquest, and the destruction of others-the Daleks; and as for the Master, he is the Doctor's evil twin. Alongside showcasing these, companions and episode protagonists often contributed compelling stories. For instance, Rose and the Daleks, Rose's family and the Cybermen, and so on. Moreover, these stories, while interesting, often deeply delve into the emotions of the Doctor and companions or explore human complexity.
And recurring bosses like the Angels, which also appear occasionally without deep entanglements with the Doctor or humanity and seemingly without humanity, shift the narrative focus to character development or emotional revelations of companions or episode protagonists. Thus, apart from exploring the bosses, the plot generally emphasizes character interactions or individual character arcs, focusing on a related topic per episode, while others are relatively brief. This makes the emphasis clear and well-balanced. For example, "Blink" or Amy's encounter with the Angels.
Additionally, in the DW world, there are many incidental bosses, one major category being cosmic creatures or phenomena that do evil for survival. When facing cosmic creatures, the Doctor usually tries to find other survival opportunities with the villains. If not, they turn to expelling the bosses to avoid innocent human casualties. Since they are merely seeking survival, any chance for negotiation and compromise is sought for peaceful coexistence. Even if no agreement can be reached, the Doctor won't easily resort to killing or extermination. These stories best reflect the Doctor's non-anthropocentric view of life, showing equal respect for all life forms and breaking through narrow group perspectives, such as human-centered cognition. This metaphor is almost explicit, and its real-world implications are self-evident. Of course, many classic examples are born from these incidental boss stories, like the iconic big-eyed monster and Adipose (my names for them because they are so fun), and so on.
Among the cosmic phenomena bosses, the most typical might be the "cracks" or the time monster from the first season of 2005. These bosses represent de-humanized objective laws, principles humans must respect and follow. Once these objective laws are broken, humans must bear the consequences without much room for negotiation. The metaphor here is also clear: it's the same principle as human interaction with nature. Thus, the Doctor often finds it harder to solve these problems.
In summary, character development occurs within the story, emotions deepen within the story, and the story itself is interesting and often has profound flavors and aftertastes. These three parts, in the two episodes released this year so far, don't seem to be done well. This points to another reason DW has become less enjoyable: the lack of integration between the plot and value orientation.
From a personal perspective, I don't dislike political correctness at all because, in this world, many people still lack basic respect and understanding for those different from themselves. Equality and freedom remain luxuries unattainable for many. So, what's wrong with a little more of the beautiful metaphorical presentation mentioned above? After all, this is our old children's show, DW. Inclusiveness and non-anthropocentric humanism have always been its core, even before the term "political correctness" existed, right? So, why not?
Therefore, the issue isn't about conveying values through stories-stories will always convey some values more or less, which is normal. The difference lies in whether the way of conveying values can feel natural and smooth or if the plot arrangement can make the value output align with the basic emotional experiences shared by most humans, eliciting voluntary reflection.
These two episodes felt too much like those overly simplistic fables from childhood, filled with "this story tells us...". For adults, this is too much like spoon-feeding. OK, I get that you want to convey a good principle, but the story hasn't sufficiently allowed people to feel it emotionally. You just crammed it into the story, preaching it directly to the audience, which is quite uninteresting. This might also cause many people to feel rather repulsed. Because this force-feeding feeling is too familiar and helpless for those long poisoned by a certain indoctrination method. If I can't resist that experience, at least I can resist a TV show, right? So, I think many people who follow the trend of disliking political correctness might not really hate it. After all, who doesn't want to be respected and coexist with others on equal terms? Perhaps they just hate the force-feeding way of being indoctrinated, unable to express it and powerless to resist, then get misled by the anti-political correctness trend, mistakenly thinking they hate political correctness?
Moreover, it's not the same as stories aimed at young children. I enjoy watching shows for young children because, regardless of the fantasy elements, good children's shows depict children's daily lives-their little troubles and growth-that children and adults like me can feel the warmth from, making them simple yet interesting. But the issues behind these two episodes' stories are actually big social topics. They certainly deserve deep discussion, but cramming them into a children's show with overly simplistic methods sacrifices the plot and makes the viewing experience somewhat uncomfortable.
Many adults, or rather, not representing anyone, but based on feedback from myself and those around me, we prefer viewing or reading experiences where what you want to express is fully integrated into the story. I am moved by the story, and then I will personally experience and feel those so-called "principles." Because in this case, people's perception is deeper, emotional experience fuller, and the understanding of the so-called principles more profound due to their own experiences, even if it doesn't entirely align with what the author wants to express. Unfortunately, this joy has decreased in the DW world now.
Personally, I think these issues already appeared in the scripts during the Thirteenth Doctor's era. The current bottleneck seems similar to the Thirteenth Doctor's dilemmas. Marvel seems to be in a similar situation these past few years, with almost no good stories except for Loki (though I felt the second season was a bit worse than the first, with female Loki reduced to a tool). So, what's going on?
Sometimes, I can't help but wonder, if one day humans suddenly couldn't tell stories anymore, what would happen to the world? What would happen to humans? This theme is somewhat similar to the episode where music disappears, which I think is a great theme for a story. Unfortunately, this episode was still too superficial and not moving enough.
In conclusion, let's keep watching, as there are still six episodes left. We can't judge everything right away, and I hope it won't stay like this. DW remains DW by holding on to its core.
Of course, similar to the Christmas special, Shootie is energetic, and Ruby seems equally cheerful, but these two stories so far are really lacking in substance and emotional impact. Personally, I think one reason might be that bosses like the Toymaker are okay for occasional appearances because they are novel and crazy enough, but too many of them easily lead to aesthetic fatigue. Because they lack human emotions or humanity, there is less deep interaction or even tension with the Doctor, leaving only pure destruction and madness. Being too one-dimensional, they lose richness and fail to touch people's hearts.
Another reason might lie in the characterization of the main characters, which also faces similar issues. In the old DW world, there always seemed to be some subtle balance. For example, the famous longtime bosses like the Cybermen, Daleks, and the Master often had deep connections with the Doctor and/or humanity, leading to more complex explorations of humanity. For example, what would happen to humans without emotions and with pure instrumental rationality-the Cybermen; what happens if humans focus solely on power, conquest, and the destruction of others-the Daleks; and as for the Master, he is the Doctor's evil twin. Alongside showcasing these, companions and episode protagonists often contributed compelling stories. For instance, Rose and the Daleks, Rose's family and the Cybermen, and so on. Moreover, these stories, while interesting, often deeply delve into the emotions of the Doctor and companions or explore human complexity.
And recurring bosses like the Angels, which also appear occasionally without deep entanglements with the Doctor or humanity and seemingly without humanity, shift the narrative focus to character development or emotional revelations of companions or episode protagonists. Thus, apart from exploring the bosses, the plot generally emphasizes character interactions or individual character arcs, focusing on a related topic per episode, while others are relatively brief. This makes the emphasis clear and well-balanced. For example, "Blink" or Amy's encounter with the Angels.
Additionally, in the DW world, there are many incidental bosses, one major category being cosmic creatures or phenomena that do evil for survival. When facing cosmic creatures, the Doctor usually tries to find other survival opportunities with the villains. If not, they turn to expelling the bosses to avoid innocent human casualties. Since they are merely seeking survival, any chance for negotiation and compromise is sought for peaceful coexistence. Even if no agreement can be reached, the Doctor won't easily resort to killing or extermination. These stories best reflect the Doctor's non-anthropocentric view of life, showing equal respect for all life forms and breaking through narrow group perspectives, such as human-centered cognition. This metaphor is almost explicit, and its real-world implications are self-evident. Of course, many classic examples are born from these incidental boss stories, like the iconic big-eyed monster and Adipose (my names for them because they are so fun), and so on.
Among the cosmic phenomena bosses, the most typical might be the "cracks" or the time monster from the first season of 2005. These bosses represent de-humanized objective laws, principles humans must respect and follow. Once these objective laws are broken, humans must bear the consequences without much room for negotiation. The metaphor here is also clear: it's the same principle as human interaction with nature. Thus, the Doctor often finds it harder to solve these problems.
In summary, character development occurs within the story, emotions deepen within the story, and the story itself is interesting and often has profound flavors and aftertastes. These three parts, in the two episodes released this year so far, don't seem to be done well. This points to another reason DW has become less enjoyable: the lack of integration between the plot and value orientation.
From a personal perspective, I don't dislike political correctness at all because, in this world, many people still lack basic respect and understanding for those different from themselves. Equality and freedom remain luxuries unattainable for many. So, what's wrong with a little more of the beautiful metaphorical presentation mentioned above? After all, this is our old children's show, DW. Inclusiveness and non-anthropocentric humanism have always been its core, even before the term "political correctness" existed, right? So, why not?
Therefore, the issue isn't about conveying values through stories-stories will always convey some values more or less, which is normal. The difference lies in whether the way of conveying values can feel natural and smooth or if the plot arrangement can make the value output align with the basic emotional experiences shared by most humans, eliciting voluntary reflection.
These two episodes felt too much like those overly simplistic fables from childhood, filled with "this story tells us...". For adults, this is too much like spoon-feeding. OK, I get that you want to convey a good principle, but the story hasn't sufficiently allowed people to feel it emotionally. You just crammed it into the story, preaching it directly to the audience, which is quite uninteresting. This might also cause many people to feel rather repulsed. Because this force-feeding feeling is too familiar and helpless for those long poisoned by a certain indoctrination method. If I can't resist that experience, at least I can resist a TV show, right? So, I think many people who follow the trend of disliking political correctness might not really hate it. After all, who doesn't want to be respected and coexist with others on equal terms? Perhaps they just hate the force-feeding way of being indoctrinated, unable to express it and powerless to resist, then get misled by the anti-political correctness trend, mistakenly thinking they hate political correctness?
Moreover, it's not the same as stories aimed at young children. I enjoy watching shows for young children because, regardless of the fantasy elements, good children's shows depict children's daily lives-their little troubles and growth-that children and adults like me can feel the warmth from, making them simple yet interesting. But the issues behind these two episodes' stories are actually big social topics. They certainly deserve deep discussion, but cramming them into a children's show with overly simplistic methods sacrifices the plot and makes the viewing experience somewhat uncomfortable.
Many adults, or rather, not representing anyone, but based on feedback from myself and those around me, we prefer viewing or reading experiences where what you want to express is fully integrated into the story. I am moved by the story, and then I will personally experience and feel those so-called "principles." Because in this case, people's perception is deeper, emotional experience fuller, and the understanding of the so-called principles more profound due to their own experiences, even if it doesn't entirely align with what the author wants to express. Unfortunately, this joy has decreased in the DW world now.
Personally, I think these issues already appeared in the scripts during the Thirteenth Doctor's era. The current bottleneck seems similar to the Thirteenth Doctor's dilemmas. Marvel seems to be in a similar situation these past few years, with almost no good stories except for Loki (though I felt the second season was a bit worse than the first, with female Loki reduced to a tool). So, what's going on?
Sometimes, I can't help but wonder, if one day humans suddenly couldn't tell stories anymore, what would happen to the world? What would happen to humans? This theme is somewhat similar to the episode where music disappears, which I think is a great theme for a story. Unfortunately, this episode was still too superficial and not moving enough.
In conclusion, let's keep watching, as there are still six episodes left. We can't judge everything right away, and I hope it won't stay like this. DW remains DW by holding on to its core.
Major problems here
cerwen8012 May 2024
This is not it.
I think back to 'Rose', 'The End of the World', 'The Unquiet Dead', etc. And this just doesn't match. I feel a very strong Disney influence here, like the recent MCU and live action remakes, the thinly veiled political statements and the concerted effort to include some kind of musical number and numerous dead-end references, also known as 'key jangling' and 'member berries'. RTD said he wasn't going to bend the knee to the mouse, but I don't believe that. This is not the kind of quality I expect from the man who gave use DW2005, It's a Sin, Cucumber, etc. This is a mess. Get rid of Disney. Worst thing they ever did. Aside from Chibnall of course.
I think back to 'Rose', 'The End of the World', 'The Unquiet Dead', etc. And this just doesn't match. I feel a very strong Disney influence here, like the recent MCU and live action remakes, the thinly veiled political statements and the concerted effort to include some kind of musical number and numerous dead-end references, also known as 'key jangling' and 'member berries'. RTD said he wasn't going to bend the knee to the mouse, but I don't believe that. This is not the kind of quality I expect from the man who gave use DW2005, It's a Sin, Cucumber, etc. This is a mess. Get rid of Disney. Worst thing they ever did. Aside from Chibnall of course.
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