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Guldbagge Award - Best Swedish Film
62 titles |
Public
The Guldbagge Award is an official Swedish film award awarded annually since 1964 by the Swedish Film Institute. The award name could roughly be translated into Golden Beetle or Golden Scarab.
Paste's The 100 Best Anime Movies of All Time
104 titles |
Public
Establishing the best anime movies can be tricky. After all, despite now being one of the most ubiquitous cultural properties of the 21st century, anime, thanks to over a century’s worth of the medium’s evolution and reinvention, is especially difficult to define. From the five-minute shorts of Oten Shimokawa in 1917, to the feature-length animations produced during World War II, to the pioneering production cycles of Tezuka in the ’60s and the auteurist innovations of the likes of Miyazaki and many others towards the latter half of the last century, anime has morphed through countless phases. Amateur efforts, nationalist propaganda fodder, niche cultural export turned eventual global phenomenon: Each iteration conforms to the shape of the times in which it was produced. Television expanded the medium during the 1960s, birthing many of the essential genres and subgenres that we know today and forming the impetus for the anime industry’s inextricable relationship to advertising and merchandising from the 1970s onward. The arrival of home video catapulted anime to its commercial and aesthetic apex, fanning outward from island nation of Nippon to the far shores of North America and back, before again being revolutionized by the unprecedented accessibility of the world wide web throughout the ’90s and early aughts. Anime film owes much to the evolving means of production and distribution throughout the late 20th century, the breadth and audacity of the medium’s content widening and contracting along with its running time to cater to the emerging palettes of audiences both new and old, at home and abroad. But where does one begin to tackle the aesthetic and historical precedent that anime film has left on pop culture and global entertainment in the last century?
This list is an attempt to do just that: to create a primer of 100 of the most influential and essential films that Japanese animation has produced, and to offer a thorough aesthetic, technical and historical breakdown of why these film matter. With that aim in mind, Paste is proud to enlist the curatorial talents of Jason DeMarco, on-air creative director of Adult Swim and co-creator of Toonami, whose unique role in anime’s emerging popularity in the West has helped to hone this list. Given the shared evolution between anime film and television and the aforementioned significance of the home video revolution, this list includes not only traditional features but also original video animations made for home video (OVAs) and anthology films— with the stipulation of each entry having at some point premiered in theaters. It is our hope that in creating this list we have created an entry point for both the expert and the layperson to trace the rich history of anime’s legacy on both film and popular culture, and to offer newcomers a comprehensive guide through to learn, rediscover, and explore the fullness that the genre of Japanese animation has to offer now and into the future.
Originally published in January 2017. Last updated October 23, 2023.
This list is an attempt to do just that: to create a primer of 100 of the most influential and essential films that Japanese animation has produced, and to offer a thorough aesthetic, technical and historical breakdown of why these film matter. With that aim in mind, Paste is proud to enlist the curatorial talents of Jason DeMarco, on-air creative director of Adult Swim and co-creator of Toonami, whose unique role in anime’s emerging popularity in the West has helped to hone this list. Given the shared evolution between anime film and television and the aforementioned significance of the home video revolution, this list includes not only traditional features but also original video animations made for home video (OVAs) and anthology films— with the stipulation of each entry having at some point premiered in theaters. It is our hope that in creating this list we have created an entry point for both the expert and the layperson to trace the rich history of anime’s legacy on both film and popular culture, and to offer newcomers a comprehensive guide through to learn, rediscover, and explore the fullness that the genre of Japanese animation has to offer now and into the future.
Originally published in January 2017. Last updated October 23, 2023.
AFI's 100 Years...100 Passions
100 titles |
Public
Through the collective judgment of 1,500 leaders from across the American film community - screenwriters, directors, actors, producers, cinematographers, editors, executives, film historians and critics -, AFI has identified 100 movies that are considered the most passionate.
Golden Globe Award - Best Motion Picture
159 titles |
Public
Since their first ceremony in 1944, the Hollywood Foreign Press Association has bestowed their Golden Globe Awards to their choices for the best in motion pictures.
Butler's Fantasy Cinema: Impossible Worlds on Screen
164 titles |
Public
From the Short Cuts book Fantasy Cinema: Impossible Worlds on Screen.
quote: Often dismissed as simple escapist tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy - from Georges Méliè̀s, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson - this volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an accessible introduction to one of the vital energies in cinema. The Short Cuts series is a comprehensive list of introductory texts covering the full spectrum of Film Studies, specifically designed for building an individually-styled library for all students and enthusiasts of cinema and popular culture.
Three films are considered lost:
quote: Often dismissed as simple escapist tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy - from Georges Méliè̀s, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson - this volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an accessible introduction to one of the vital energies in cinema. The Short Cuts series is a comprehensive list of introductory texts covering the full spectrum of Film Studies, specifically designed for building an individually-styled library for all students and enthusiasts of cinema and popular culture.
Three films are considered lost:
- La cigale et la fourmi (1897)
- La caverne maudite (1898)
- Le petit chaperon rouge (1901)
Stanley Kubrick, Cinephile
94 titles |
Public
A list of Stanley Kubrick's favorite films, from the article "Stanley Kubrick, cinephile" written by Nick Wrigley and published on the website of the British Film Institute.
In order to create the most complete and definitive list possible, Wrigley compiled all known statements and lists made by the director himself. He then interviewed Kubrick's long-time assistant and producer, Jan Harlan.
It should be noted that this is an ongoing effort - if additional reliable sources identifying specific films (rather than just filmmakers) are found, they'll be added to the master list on the BFI site.
(Updated with latest list revision 2/4/2014)
In order to create the most complete and definitive list possible, Wrigley compiled all known statements and lists made by the director himself. He then interviewed Kubrick's long-time assistant and producer, Jan Harlan.
It should be noted that this is an ongoing effort - if additional reliable sources identifying specific films (rather than just filmmakers) are found, they'll be added to the master list on the BFI site.
(Updated with latest list revision 2/4/2014)
AFI's 100 Years...100 Cheers
100 titles |
Public
Through the collective judgment of 1,500 leaders from across the American film community - screenwriters, directors, actors, producers, cinematographers, editors, executives, film historians and critics -, AFI has identified 100 movies that inspire us, encourage us to make a difference and send us from the theatre with a greater sense of possibility and hope for the future.
AFI's 100 Years...100 Laughs
100 titles |
Public
Through the collective judgment of 1,500 leaders from across the American film community - screenwriters, directors, actors, producers, cinematographers, editors, executives, film historians and critics -, AFI has identified 100 movies that are considered the funniest. A wide array of funny films — from slapstick comedy to romantic comedy; from satire and black comedy to musical comedy; from comedy of manners to comedy of errors — were nominated for this distinction.
Scott Tobias's The New Cult Canon
176 titles |
Public
The idea behind The New Cult Canon is to take a fresh look at the new generation of cult movies that have sprung up in the last two decades, although some older movies are also included into the list. The list is authored by Scott Tobias.
[From 2008 to 2013, starting with Donnie Darko and ending with The Rapture, I wrote a column for The A.V. Club called The New Cult Canon, my homage to Danny Peary’s three Cult Movies books, which were a huge influence on my moviegoing habits as a young cinephile. My idea was to pick up where Peary’s last book left off, in 1987, and explore “The Classics, The Sleepers, The Weird and the Wonderful”—films that have inspired mad obsession since. With The Reveal, I finally have the opportunity to bring it back.]
[From 2008 to 2013, starting with Donnie Darko and ending with The Rapture, I wrote a column for The A.V. Club called The New Cult Canon, my homage to Danny Peary’s three Cult Movies books, which were a huge influence on my moviegoing habits as a young cinephile. My idea was to pick up where Peary’s last book left off, in 1987, and explore “The Classics, The Sleepers, The Weird and the Wonderful”—films that have inspired mad obsession since. With The Reveal, I finally have the opportunity to bring it back.]
AFI's 100 Years...100 Thrills
100 titles |
Public
Through the collective judgment of 1,500 leaders from across the American film community - screenwriters, directors, actors, producers, cinematographers, editors, executives, film historians and critics -, AFI has identified 100 movies that are considered the most thrilling. Thrills encompass many genres, including courtroom dramas, disasters, epics, horror, musicals, film-noir, sci-fi, sports , suspense, war and westerns.
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